Published online by Cambridge University Press: 06 June 2016
The National Art Library, at the Victoria & Albert Museum in London, seeks to fulfil its national role by becoming the focal point of a wider network of libraries. In order to support this role, and to carry it forward into the 1990s, the Library has redesigned its management structure, developed a role as a training library for the art library profession, and applied a professional approach, involving the collection and consideration of management data, to the Library’s administration. Collection development has been redefined, shifting the emphasis from the past to the present; this has resulted in an increased intake of material, in spite of a frozen budget, with a consequent need for more space which will be provided through a reorganisation of the Library’s existing accommodation. A plan for the conservation of items in the Library’s collections is being devised. Automation, installed in 1990, brings with it further possibilities and the critical question of whether to prioritise the development of the collections or the development of access to the collections.
1. Esteve-Coll, Elizabeth. “Image and reality: the National Art Library”. Art Libraries Journal vol. 11 no. 2, 1986, p.33–39.CrossRefGoogle Scholar
2. Six functions of national libraries identified by Abdulaziz Mohamed Al-Nahari are outlined and discussed by Phillpot, Clive in his “National Art Libraries: monoliths or artels?”. Art Libraries Journal vol.13 no.1, 1988, p.4–8.CrossRefGoogle Scholar
3. Esteve-Coll, op. cit.