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Evolutions in exhibition catalogues of African art

Published online by Cambridge University Press:  06 June 2016

Sigrid Docken Mount
Sigrid Docken Mount*
Affiliation:
Vanderbilt University Library, Nashville, Tennessee, USA
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Abstract

Since their appearance in the early 20th century, catalogues prepared for exhibitions of African art have undergone a gradual transformation. Beginning as mere checklists many of these publications have, in the 1970s and 80s, evolved into major scholarly works whose significance transcends their original purpose as guides to the exhibitions. Changes occurring over the years are traced through examination of the form and content of representative catalogues and by review of the reception by art historians of many of these works into the corpus of literature of African art. The growing importance of exhibition catalogues as important art historical documents is also demonstrated by a chronological analysis of bibliographic citations in the major scholarly journal of African art in the United States. Finally, scrutiny of sources and annotations included in an important bibliographic guide to the literature of African art indicates how firmly established the exhibition catalogue has become as one of the most important publication forms for the dissemination of scholarly writing on African art.

[This paper won the ARLIS/NA Gerd Muehsam Award for 1986. We hope to publish a sequel in a future issue, on exhibitions of African art in Africa and the development of catalogues written by Africans. Editor].

Type
Research Article
Information
Art Libraries Journal , Volume 13 , Issue 3 , 1988 , pp. 14 - 19
Copyright
Copyright © The Art Libraries Society 1988

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References

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