Hostname: page-component-586b7cd67f-dsjbd Total loading time: 0 Render date: 2024-12-05T02:09:54.395Z Has data issue: false hasContentIssue false

‘MA’: composition and reflex in the work of Frank Lloyd Wright

Published online by Cambridge University Press:  19 August 2008

John Sergeant
Affiliation:
University of Cambridge, Department of Architecture1 Scroope Terrace, Cambridge CB2 1PX, United Kingdom

Abstract

Wright's approach to design comprised a polarity of modes, ranging from axial symmetry, employed in public buildings, to free and spontaneous expression of use, route and place, in the private house. Together these showed a deep awareness of the Classical tradition, and personal study, unusual for his time, of oriental place-making. An idiosyncratic attitude to nature and existence lay behind this, often embodied in a ‘high place’.

Type
History
Copyright
Copyright © Cambridge University Press 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Ackerman, James (1963). ‘Sources of the Renaissance Villa’. Acts of the Twentieth National Congress of the History of Art (1961), Princeton, pp.618.Google Scholar
Ackerman, James (1990). The Villa: Form and Ideology of Country Houses. Thames & Hudson, London.Google Scholar
Brawn, Barbara (1993). Pre-Columbian Art and Post-Columbian World. Henry N. Abrams Inc., New York.Google Scholar
Duby, Georges (1980). Histoire de la France Urbaine. Vol 1, Seuil.Google Scholar
Eaton, Leonard (1969). Two Chicago Architects and their Clients: Frank Lloyd Wright and Howard van Doren Shaw. MIT Press, Cambridge. Massachusetts.Google Scholar
Forster, Kurt & Tuttle, R. (1974). ‘Back to the Farm: Vernacular Architecture and the Development of the Renaissance Villa’. Architectura 1, 1974, pp.112.Google Scholar
Goldthwaite, Richard (1980). The Building of Renaissance Rorence. John Hopkins University Press, Baltimore.Google Scholar
Isozaki, Arata. ‘Frank Lloyd Wright's View of Space’. In GA 1: Frank Lloyd Wright: Johnson & Son, Administration Building and Research Tower Racine, Wisconsin, 19361939, p.4.Google Scholar
Graf, Otto (1984). Die Kunst des Quadrats Zum Werk von Frank Lloyd Wright. Verlag Bohlau, Vienna.Google Scholar
Johonnot, Rodney (1906). Brochure, The New Edifice of Unity Church. Oak Park, lllinois, Chicago.Google Scholar
Levine, Neil (1988). ‘Frank Lloyd Wright's Own Houses and His Changing Concept of Representation’. In Bolon, Nelson and Seidel, , eds., The Nature of Frank Lloyd Wright, University of Chicago Press, Chicago, pp.2070.Google Scholar
MacCormac, (1968). ‘The Anatomy of Wright's Aesthetic’. The Architectural Review, 02 1968.Google Scholar
Manson, Grant (1989). ‘The Wonderful World of Taliesin: My Twenty Years on its Fringes’. Wisconsin Magazine of History, Vol.73, Number 1 / Autumn, 1989: pp.3342.Google Scholar
Meech-Pekarik, Julia (1988). ‘Frank Lloyd Wright's Other Passion’. The Nature of Frank Lloyd Wright Solon, & Nelson, , eds. University of Chicago Press, Chicago, pp.125154.Google Scholar
Nitschke, Gunther (1966). ‘Ma: the Japanese Sense of Space’. Architectural Design, London, 03.Google Scholar
Nute, Kevin (1993). Frank Lloyd Wright and Japan Chapman Hall, London.Google Scholar
Okakura, Kakuzo (1906). The Book of Tea Fox. Duffield & Co., NewYork and (1964) Dover, New York.Google Scholar
Sergeant, John (1976). ‘Woof and Warp: a Spatial Analysis of Frank Lloyd Wright's Usonian houses’. Environment and Planning B, 3, pp.211224.CrossRefGoogle Scholar
Twombly, Robert (1973). Frank Lloyd Wright: an Interpretive Biography. Harper and Row, New York.Google Scholar
Utzon, Jørn. ‘Platforms and Plateaus: Ideas of a Danish Architect’. Zodiac 10.Google Scholar
Watts, Alan (1976). Tao: The Watercourse Way. Arkana, London.Google Scholar
Wright, John Lloyd (1946). My Father Who Is On Earth, Putnam's Sons, New York; and (1992) My Father Frank Lloyd Wright, Dover, New York, p25.Google Scholar
Wright, Frank Lloyd (1910). Ausgeführte Bauten und Entwürfe von Frank Lloyd Wright. Ernst Wasmuth, Berlin.Google Scholar
Wright, Frank Lloyd (1928). ‘In the Cause of Architecture 111. The Meaning of Materials.The Architectural Record No 5, 05 1928, p.117.Google Scholar
Wright, Frank Lloyd (1932). An Autobiography. Longmans, Green & Co., New York.Google Scholar