Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by
Crossref.
Taçon, Paul S.C.
2013.
Interpreting the In-between: Rock Art Junctions and Other Small Style Areas between Provinces.
Time and Mind,
Vol. 6,
Issue. 1,
p.
73.
Dobrez, Patricia
2014.
Hand Traces: Technical Aspects of Positive and Negative Hand-Marking in Rock Art.
Arts,
Vol. 3,
Issue. 4,
p.
367.
Taçon, Paul S.C.
Tan, Noel Hidalgo
O’Connor, Sue
Xueping, Ji
Gang, Li
Curnoe, Darren
Bulbeck, David
Hakim, Budianto
Sumantri, Iwan
Than, Heng
Sokrithy, Im
Chia, Stephen
Khun-Neay, Khuon
and
Kong, Soeung
2014.
The global implications of the early surviving rock art of greater Southeast Asia.
Antiquity,
Vol. 88,
Issue. 342,
p.
1050.
Fillios, Melanie A.
and
Taçon, Paul S.C.
2016.
Who let the dogs in? A review of the recent genetic evidence for the introduction of the dingo to Australia and implications for the movement of people.
Journal of Archaeological Science: Reports,
Vol. 7,
Issue. ,
p.
782.
Du, Ke
Ding, Junjun
Liu, Yuyang
Wathuthanthri, Ishan
and
Choi, Chang-Hwan
2017.
Stencil Lithography for Scalable Micro- and Nanomanufacturing.
Micromachines,
Vol. 8,
Issue. 4,
p.
131.
Dobrez, Patricia
2018.
The body as intelligent tool: the making and reading of trace and trace-derived forms in rock art.
Time and Mind,
Vol. 11,
Issue. 1,
p.
41.
Hayward, John A.
Johnston, Iain G.
May, Sally K.
and
Taçon, Paul S.C.
2018.
Memorialization and the Stencilled Rock Art of Mirarr Country, Northern Australia.
Cambridge Archaeological Journal,
Vol. 28,
Issue. 3,
p.
361.
Puce, Salvatore
Sciurti, Elisa
Rizzi, Francesco
Spagnolo, Barbara
Qualtieri, Antonio
De Vittorio, Massimo
and
Staufer, Urs
2019.
3D-microfabrication by two-photon polymerization of an integrated sacrificial stencil mask.
Micro and Nano Engineering,
Vol. 2,
Issue. ,
p.
70.
Goldhahn, Joakim
2019.
Birds in the Bronze Age.
Brady, Liam M.
Bradley, John J.
Kearney, Amanda
and
Wesley, Daryl
2020.
A rare miniature and small-scale stencil assemblage from the Gulf of Carpentaria: replication and meaning in Australian rock art.
Antiquity,
Vol. 94,
Issue. 375,
p.
780.
Standish, Christopher D.
García-Diez, Marcos
O'Connor, Sue
and
Oliveira, Nuno Vasco
2020.
Hand stencil discoveries at Lene Hara Cave hint at Pleistocene age for the earliest painted art in Timor-Leste.
Archaeological Research in Asia,
Vol. 22,
Issue. ,
p.
100191.
Taçon, Paul S. C.
May, Sally K.
Wesley, Daryl
Jalandoni, Andrea
Tsang, Roxanne
and
Mangiru, Kenneth
2021.
History Disappearing: The Rapid Loss of Australian Contact Period Rock Art.
Journal of Field Archaeology,
Vol. 46,
Issue. 2,
p.
119.
Taçon, Paul S.C.
Wesley, Daryl
and
May, Sally K.
2021.
R. Lamilami, 1957–2021: Negotiating two worlds for cultural heritage.
Australian Archaeology,
Vol. 87,
Issue. 2,
p.
220.
Taçon, Paul S.C.
2022.
Histories of Australian Rock Art Research.
p.
207.
Tsang, Roxanne
Katuk, Sebastien
May, Sally K.
Taçon, Paul S.C.
Ricaut, François-Xavier
and
Leavesley, Matthew G.
2022.
Rock Art and (Re)Production of Narratives: A Cassowary Bone Dagger Stencil Perspective from Auwim, East Sepik, Papua New Guinea.
Cambridge Archaeological Journal,
Vol. 32,
Issue. 4,
p.
547.
Tsang, Roxanne
Katuk, Sebastien
May, Sally K.
Taçon, Paul S.C.
Ricaut, François‐Xavier
and
Leavesley, Matthew G.
2023.
Hand stencils and communal history: A case study from Auwim, East Sepik, Papua New Guinea.
Archaeology in Oceania,
Vol. 58,
Issue. 1,
p.
115.
Lenssen-Erz, Tilman
Pastoors, Andreas
Uthmeier, Thorsten
Ciqae, Tsamgao
Kxunta, /Ui
Thao, Thui
and
Petraglia, Michael D.
2023.
Animal tracks and human footprints in prehistoric hunter-gatherer rock art of the Doro! nawas mountains (Namibia), analysed by present-day indigenous tracking experts.
PLOS ONE,
Vol. 18,
Issue. 9,
p.
e0289560.