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Rhodes and Hellenistic Sculpture

Published online by Cambridge University Press:  11 October 2013

A. W. Lawrence
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Extract

The importance of Rhodes as an art centre in Hellenistic times has led to a theory that its sculpture was different in character from that of other places. My aim in this paper is to collect the more important objects of Rhodian provenance and to see if they support this view.

The fourth-century work from the island is in no way distinctive, as is shown by two female heads in Boston, which date from the middle and the third quarter of the century. The latter so closely resembles Attic grave-stelae that Caskey suspects it of belonging to one: this is quite likely, since we know that these stelae were exported (e. g., the fragment in the Argos Museum which bears the head of a boy with his name Kephisodotos written above in Athenian lettering), and the mention of five colossal statues by Bryaxis and a Helios and quadriga by Lysippos proves that foreign artists were already employed for Rhodes. The influence of Lysippos may be traced in a colossal head of Helios in the collection of Hiller von Gaertringen, in another Alexandroid head of no great merit, and in the colossal head from Ialysos in New York (Pl. VIII, 1). This came from a high relief and is remarkably like the heads on the Alexander Sarcophagus (cf. Pl. IX); it may be significant that both are of Pentelic marble instead of the customary Parian.

Type
Research Article
Information
Annual of the British School at Athens , Volume 26 , November 1925 , pp. 67 - 71
Copyright
Copyright © The Council, British School at Athens 1925

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References

page 67 note 1 Caskey, Cat. No. 30.

page 67 note 2 Ibid. 32.

page 67 note 3 J.H.S. xi. 1890, p. 101.

page 67 note 4 Pliny, , N.H. xxxiv. 42.Google Scholar

page 67 note 5 Ibid. xxxiv. 63.

page 67 note 6 Strena Helbigiana, p. 99.

page 67 note 7 Hartwig, , Röm. Mitt. ii. 1887, p. 159, Pls. VII, VIIa.Google Scholar. Then in the Haug Coll., Rome.

page 67 note 8 Handbook of Metr. Museum, Fig. 140; Chase, Sculpt, in America, Fig. 106; Miss Richter has kindly allowed the use of an unpublished photograph.

page 67 note 9 Shear, , A.J.A. 2 xx. 1916, p. 283, Pls. VII, VIII.Google Scholar

page 68 note 1 Arch. Anz. 1907, p. 140, Figs. 11, 12. For a Maenad head in the same fabric from Olbia see Arch. Anz. 1908, p. 190, and Fig. 19.

page 68 note 2 La Coll. Warocqué, No. 10.

page 68 note 3 Cat. iii. No. 1783. Bought from Biliotti when Consul at Trebizond; there is no record of when or where he got it. Ht. 18 cm.

page 68 note 4 On which see Sieveking, , Münchner Jahrb. x. 1916–1917, p. 179Google Scholar, with 3 pls. of Munich Glypt. No. 480, and figs, of Vatican, head, Cat. II. Pl. 72Google Scholar, Sala dei Busti, No. 338, which Wace identifies as Demetrios Poliorketes.

page 68 note 5 van Gelder, Geschichte der alten Rhodier, p. 383.

page 68 note 6 Blinkenberg, et Kinch, , IIIe Rapport, 1905, p. 48Google Scholar; IVe Rapport, p. 31; A.J.A. 2 xii. 1908, p. 91, Fig. 4; Zervos, Rhodes, Fig. 261.

page 68 note 7 IIIe Rapport, p. 55.

page 68 note 8 van Gelder, op. cit. p. 292; Gaertringen, Hiller v., Jahrb. ix. 1894, p. 23Google Scholar.

page 68 note 9 Mon. Piot, xvii. 1909, p. 45; Klein, Vom antiken Rokoko, p. 26.

page 69 note 1 Klein, , Gr. Kunst, iii. p. 120Google Scholar.

page 69 note 2 Cat. iii. No. 812.

page 69 note 3 Ibid. No. 811.

page 69 note 4 B.C.H. xxiii. 1899, p. 559, Pl. III, 1; Röm. Mitt. xvi. 1901, p. 258.

page 69 note 5 Br.-Br. 579; v. Salis, Altar v. Perg. Fig. 19; Hermes, xxxvii. 1902, Pl. at p. 121; B.C.H. xxxvi. 1912, p. 237.

page 69 note 6 Naples, Guida, No. 260; Studniczka, , Zeitschrift für bild. Kunst, N.F., xiv. 1903, p. 171Google Scholar.

page 69 note 7 Délos, viii. i. p. 71; but cf. Jahresh, viii. 1905, p. 273.

page 69 note 8 Cat. iii. No. 878. Ht. 1 m. 42 cm. Photo by the courtesy of Macridy Bey.

page 69 note 9 B.C.H. xxxi. 1907, p. 415, Fig. 9; Collignon, Stat. funéraires, Fig. 188; Délos, viii. i. Fig. 95.

page 70 note 1 E.g. B.C.H. v. 1881, p. 390, Pl. XII: Hekler, Portraits, Pl. 127b.

page 70 note 2 E.g. Billienus of ca. 100 B.C., Délos, v. p. 43, Fig. 60.

page 70 note 3 E.g. the Cleopatra; an Augustan example in Naples, Guida, No. 50.

page 70 note 4 Mon. Piot, xxiv. 1920, p. 93, Fig. 2; B.C.H. xix. 1895, p. 479, Figs. 6, 7; most are unpublished.

page 70 note 5 Blinkenberg, et Kinch, , IIIe Rapport, 1905, pp. 75–81.Google Scholar

page 70 note 6 Shear, , A.J.A. 2 xxiv. 1920, p. 313, Pls. II, III.Google Scholar

page 70 note 7 Cat., iii. No. 2140.

page 70 note 8 Lippold, Kopien, p. 170.

page 70 note 9 Schede, , Röm. Mitt. xxxv. 1920, p. 65.Google Scholar

page 70 note 10 van Gelder, p. 383, note 1; Reinach, , Revue des Études grecques, v. 1892, p. 197CrossRefGoogle Scholar.

page 71 note 1 See especially, British Museum, Berlin, Constantinople. There is an attractive gravestone from Rhodes (with a Doric inscription) in the Ny Carlsberg Glyptotek (Cat. Tillaeg, 1914 and 1925, No. 229a; Billedtavler, lxxiii. No. 230a). Among copies may be noted here, a variant of Doidalsas' Venus in the Rhodes Museum (Boll. d'Arte 2, iii. 1923–1924, p. 385)Google Scholar; relief of two horsemen in late archaic style (Metrop. Mus. Handbook, Fig. 142; Bulletin, Jan. and March, 1906; Chase, Sculpt, in Amer., Fig. 116; cf. Barracco Cat., Pl. LII, and Annali d. Inst. 1862, Pl. F); figures of satyrs or Dionysos seated on rocks (Brit. Mus. Cat., III. Nos. 1653–4, Pl. XXIII; Olympia, iii. p. 221, Fig. 248). An archaistic Statuette of the bearded Dionysos in the Rhodes Museum is published in Ann. Scuola di Atene, iv.–v. 1921–1922, p. 234, Fig. 1Google Scholar; reliefs from Lindos Ed. Schmidt, Archaist. Kunst., p. 31, Pl. XIV, 1.