John Shearman, Only Connect… Art and the Spectator in the Italian Renaissance, Washington DC-Princeton NJ, The National Gallery of Art-Princeton University Press, « Bollingen Séries XXV, 37 », 1992, 281 p.

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John Shearman, Only Connect… Art and the Spectator in the Italian Renaissance, Washington DC-Princeton NJ, The National Gallery of Art-Princeton University Press, « Bollingen Séries XXV, 37 », 1992, 281 p.

Volume 48, Issue 6
Olivier Bonfait
DOI: https://doi.org/10.1017/S0395264900099224

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John Shearman, Only Connect… Art and the Spectator in the Italian Renaissance, Washington DC-Princeton NJ, The National Gallery of Art-Princeton University Press, « Bollingen Séries XXV, 37 », 1992, 281 p.

Volume 48, Issue 6
Olivier Bonfait
DOI: https://doi.org/10.1017/S0395264900099224

To save this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your Google Drive account. Find out more about saving content to Google Drive.

John Shearman, Only Connect… Art and the Spectator in the Italian Renaissance, Washington DC-Princeton NJ, The National Gallery of Art-Princeton University Press, « Bollingen Séries XXV, 37 », 1992, 281 p.

Volume 48, Issue 6
Olivier Bonfait
DOI: https://doi.org/10.1017/S0395264900099224

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John Shearman, Only Connect… Art and the Spectator in the Italian Renaissance, Washington DC-Princeton NJ, The National Gallery of Art-Princeton University Press, « Bollingen Séries XXV, 37 », 1992, 281 p.

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