This article is an attempt to give some account of the magicoreligious ideas of the Bachama tribe. It is based on notes made during a ten-days' visit to the tribe in the spring of 1927. During this visit I had the good fortune to witness the annual festival at Fare, the description of which occupies the major part of the following remarks. I am indebted to Dr. Bronnum of the Danish Mission at Numan for a number of suggestions.

Much attention has been given to the causes accounting for the rise of religious movements: inequality (Linton, 1943), racism (Lea, 1926; Sundkler, 1948), relative deprivation (Barber, 1941; Aberle, 1972), oppression (Lanternari, 1963), the colonial situation (Balandier, 1970), and white power (Ifeka-Moller, 1976) are among the factors which have been given prominence. These and other similarly ‘macro-social’ factors are very visible, especially from a distance. They can be, and often are, imagined to operate with general uniformity across entire social groups. This then invites the use of similarly general demographic measures to prove both the reality of the independent variable and its efficacy in accounting for the dependent variable – the rise of new churches and/or conversion to them.

Africa’s regional archives offer crucial records to explore the continent’s postcolonial past. Although these archives are often difficult to locate and access and are exposed to several challenges that might even threaten their existence, this article presents a solid case for reconsidering their importance. Recent trends, aptly labelled ‘postcolonial African archival pessimism’, have mainly pointed to problems and often to the limited accessibility of state archives in some regional and local contexts. This article instead engages with their potential, discussing four case studies in Benin, Cabo Verde, Ghana and Congo-Brazzaville. Results stemming from these case studies are brought into contact with wider debates on custodial cultures and the regional archives’ role in contemporary sub-Saharan Africa. The intention is to provide a more positive and empirically based overview of research possibilities at regional archives and ultimately to change the nature of our approach to these resources.

This article examines the works of one of the earliest Yoruba poets, Denrele Adetimikan Ọbasa (1879–1945), a member of the local intelligentsia in colonial Nigeria. In my assessment of the poet as a culture activist and local intellectual, I draw on biographical information, extensive archival research and relevant textual illustration. The central argument of the article is that Ọbasa exploits Yoruba communal oral resources for ideas, themes and other linguistic influences in his poetry. Therefore, the essay explores the creative ability of Ọbasa to preserve different forms of oral literary material in his poetic composition and how he uses the folkloric materials as instruments for raising the social consciousness of his readers. At this level, the article argues, Ọbasa transforms oral traditions into metaphorical and symbolic language that best articulates his political or philosophical positions. Thus, orality is not static, but dynamic, flexible and adaptable to change. The main article offers translations of excerpts from Ọbasa's poetry, while the online supplementary material offers more complete samples of Ọbasa's poems.