Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-24T20:35:23.309Z Has data issue: false hasContentIssue false

Nine - Ars Sacra in the East and after Byzantium

from II - Images, Objects, Archaeology

Published online by Cambridge University Press:  18 October 2024

Elizabeth S. Bolman
Affiliation:
Case Western Reserve University, Ohio
Scott Fitzgerald Johnson
Affiliation:
University of Oklahoma
Jack Tannous
Affiliation:
Princeton University, New Jersey
Get access

Summary

Through the analysis two liturgical artworks–rhipidia or liturgical fans–this chapter considers two worlds beyond the traditional geographical and chronological borders of Byzantium. First, it addresses a set of early thirteenth-century liturgical fans today in Paris and Marienmont that speak to Syrian Orthodox identity and the cultural networks forged among local Christian communities between Mosul and the Wadi al-Natrun. Then it turns to the mid-sixteenth century liturgical fan commissioned by Patriarch Makarije Sokolovic for the church of St. Nicholas in Banja, Serbia, that triangulates Orthodox-Ottoman networks and rivalries after Byzantium ceased to be a political entity. In attending to both these precious liturgical objects and the communities that they triangulated the chapter exposes a temporal dialectic between, on the one hand, a sense of venerable timelessness associated with ars sacra and, on the other, the timely politics and formal strategies in worlds beyond Byzantium’s ever-shifting borders.

Type
Chapter
Information
Worlds of Byzantium
Religion, Culture, and Empire in the Medieval Near East
, pp. 252 - 279
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adamova, Adel, ed. Ot Kitaia do Evropy: iskusstvo islamskogo mira. St. Petersburg: Izd-vo “Chistyĭ List,” 2008.Google Scholar
Ágoston, Gábor. “Defending and Administering the Frontier: The Case of Ottoman Hungary.” In The Ottoman World, edited by Woodhead, Christine, pp. 220–36. New York: Routledge, 2012.Google Scholar
Ballian, Anna. “Silverwork Produced in Ottoman Trikala (Thessaly): Problems of Taxonomy and Interpretation.” In Ottoman Metalwork in the Balkans and in Hungary, edited by Gerelyes, Ibolya and Hartmuth, Maximilian, pp. 1135. Budapest: Hungarian National Museum, 2015.Google Scholar
Bosselmann-Ruickbie, Antje. “Contact between Byzantium and the West from the 9th to the 15th Century: Reflections in Goldsmiths’ Works and Enamels.” In Menschen, Bilder, Sprache, Dinge: Wege der Kommunikation zwischen Byzanz und dem Westen, vol. 1: Bilder und Dinge, edited by Daim, Falko, Heher, Dominik, and Rapp, Claudia, pp. 73104. Mainz: Verlag des Römisch-Germanischen Zentralmuseums, 2018.Google Scholar
Brooks, Sarah T., ed. Byzantium, Faith, and Power (1261–1557): Perspectives on Late Byzantine Art and Culture. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2006.Google Scholar
Carboni, Stefano. Glass from Islamic Lands. New York: Thames and Hudson, 2001.Google Scholar
Carboni, Stefano, and Whitehouse, David, with contributions by Brill, Robert H. and Gudenrath, William. Glass of the Sultans. New York: Metropolitan Museum of Art, 2001.Google Scholar
Carswell, John. “The Baltimore Beakers.” In Gilded and Enamelled Glass From the Middle East, edited by Ward, Rachel, pp. 61–3. London: British Museum Press, 1998.Google Scholar
Contadini, Anna. A World of Beasts: A Thirteenth-Century Illustrated Arabic Book on Animals (the Kitāb Na’t Al-Ḥayawān) in the Ibn Bakhtīshū’ Tradition. Leiden: Brill, 2012.Google Scholar
Cormack, Robin and Vasilakē, Maria, eds. Byzantium, 330–1453. London; New York: Harry N. Abrams, 2008.Google Scholar
Dodd, Erica Cruikshank. The Frescoes of Mar Musa al-Habashi: A Study in Medieval Painting in Syria. Toronto: Pontifical Institute of Mediaeval Studies, 2001.Google Scholar
Drandaki, Anastasia, Papanikola-Bakirtzi, Demetra, and Anastasi, Tourta, eds. Heaven and Earth: Art of Byzantium from Greek Collections. Athens: Benaki Museum, 2013.Google Scholar
Durand, Jannic. “Innovations gothiques dans l’orfèvrerie byzantine sous les Paléologues.Dumbarton Oaks Papers 48 (2004): 333–54.Google Scholar
Eastmond, Anthony. Art and Identity in Thirteenth-Century Byzantium: Hagia Sophia and the Empire of Trebizond. Birmingham Byzantine and Ottoman Monographs 10.Burlington, VT: Ashgate, 2004.Google Scholar
Ecker, Heather, and Fitzherbert, Teresa. “The Freer Canteen, Reconsidered.Ars Orientalis 42 (2012): 176–93.Google Scholar
Evans, Helen C., ed. Byzantium: Faith and Power (1261–1557). New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2004.Google Scholar
Evans, Helen C., and Wixom, William D., eds. The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, a.d. 843–1261. New York: Metropolitan Museum of Art, 1997.Google Scholar
Gajić, Milia. “‘All Holy and Honourable Things’ – Serbian Sacral Goldsmithing of the 16th and 17th Century.” In Byzantine Heritage and Serbian Art, vol. 2: Sacral Art of the Serbian Lands in the Middle Ages, edited by Vojvodić, Dragan and Popović, Danica, pp. 553–6. Belgrade: Serbian National Committee of Byzantine Studies, 2016.Google Scholar
Georgopoulou, Maria. “Orientalism and Crusader Art: Constructing a New Canon.Medieval Encounters 5, no. 3 (1999): 289321.CrossRefGoogle Scholar
Gerstel, Sharon. “Exhibition Review: The Aesthetics of Orthodox Faith.Art Bulletin 87, no. 2 (2005): 331–41.Google Scholar
Gibson, Melanie. “Admirably Ornamented Glass.” In Glass: From Sasanian Antecedents to European Imitations, edited by Goldstein, Sidney M., pp. 162315. London: The Nour Foundation, in association with Azimuth Editions [2005].Google Scholar
Gibson, Melanie “A Syrian Enamelled Wine Flask: Was Its Owner a Christian or a Muslim?” Annales du 15e Congrès de l’Association Internationale pour l’Histoire du Verre (2001), 190–2.Google Scholar
Goffman, Daniel. The Ottoman Empire and Early Modern Europe: New Approaches to European History. Cambridge: Cambridge University Press, 2002.CrossRefGoogle Scholar
Han, Verena. “Les courants des styles dans les métiers d’art des artisans chrétiens au XVIe et durant les premières décennies du XVIIe siècle dans les régions centrales des Balkans.Balcanica 1 (1970), 239–71.Google Scholar
Hedrick, Tera Lee. “The Power of Objects: Ars Sacra and the Negotiation of the Sacred in Late Byzantium (13th–16th Centuries).” Ph.D. dissertation. Northwestern University, Evanston, IL, 2016.Google Scholar
Heilo, Olof. “When Did Constantinople Actually Fall?” In Wanted, Byzantium: The Desire for a Lost Empire, edited by Saradi, Hélène, Crostini Lappin, Barbara, Stephenson, Paul, and Nilsson, Ingela, pp. 7792. Studia Byzantina Upsaliensia 15. Uppsala: Uppsala Universitet, 2014.Google Scholar
Hillenbrand, Robert. “Eastern Islamic Influences in Syria: Raqqa and Qal‘at Ja‘bar in the Later 12th Century.” In The Art of Syria and the Jazira 1100–1250, edited by Julian Raby, Oxford Studies in Islamic Art 1, pp. 2148. Oxford, 1985.Google Scholar
Hilsdale, Cecily J. “Gift.Studies in Iconography 33 (2012): 171–82.Google Scholar
Hodgson, Marshall. The Venture of Islam. Chicago: University of Chicago Press, 1974.CrossRefGoogle Scholar
Hoffman, Eva R.Christian–Islamic Encounters on Thirteenth-Century Ayyubid Metalwork: Local Culture, Authenticity, and Memory.Gesta 43, no. 2 (2004): 129–42.CrossRefGoogle Scholar
Hoffman, Eva R. Late Antique and Medieval Art of the Mediterranean World. Malden, MA: Blackwell, 2007.Google Scholar
Hoffman, Eva R.Pathways to Portability: Islamic and Christian Interchange from the Tenth to the Twelfth Century.Art History 24, no. 1 (2001): 1750.CrossRefGoogle Scholar
Holcomb, Melanie. “‘Ugly but … Important’: The Albanian Hoard and the Making of the Archaeological Treasure in the Early Twentieth Century.Early Medieval Europe 16, no. 1 (2008): 322.CrossRefGoogle Scholar
Hunt, Lucy-Anne. Byzantium, Eastern Christendom, and Islam: Art at the Crossroads of the Medieval Mediterranean. London: Pindar Press, 1998.Google Scholar
Immerzeel, Mat, and Snelders, Bas. “The Thirteenth-Century Flabellum from Deir al-Surian in the Musée Royal de Mariemont (Morlanwelz, Belgium).Eastern Christian Art in Its Late Antique and Islamic Contexts 1 (2004), 113–39.Google Scholar
Kaldellis, Anthony. The Byzantine Republic: People and Power in New Rome. Cambridge, MA: Harvard University Press, 2015.CrossRefGoogle Scholar
Koehler, Wilhelm. “Byzantine Art in the West.Dumbarton Oaks Papers 1 (1941): 6287.CrossRefGoogle Scholar
Lawton, David. “1453 and the Stream of Time.Journal of Medieval and Early Modern Studies 37, no. 3 (2007): 469–91.CrossRefGoogle Scholar
Leroy, Jules. Les manuscrits syriaques à peintures, conservés dans les Bibliothèques dʾEurope et dʾOrient. 2 vols. Paris, 1964.Google Scholar
Leroy, JulesUn flabellum syriaque daté du Deir Souriani (Égypte).Cahiers de Mariemont 56 (1974–5): 31–9.Google Scholar
Makariou, Sophie. Orient de Saladin: l’art des Ayyoubides. Exposition présentée à l’Institut du monde arabe, Paris, du 23 octobre 2001 au 10 mars 2002. Paris: Insitut du monde arabe; Gallimard, 2001.Google Scholar
Matakieva-Lilkova, Teofana. Christian Art in Bulgaria. Sofia: Borina, 2001.Google Scholar
Matakieva-Lilkova, Teofana Church Plate from the Collections of the National Museum of History. Sofia: Borina, 1995.Google Scholar
Metzger, Marcel, ed. Les constitutions apostoliques. Sources chrétiennes 320, 329, 336. Paris: Cerf, 1985–6.Google Scholar
Moutafov, Emmanuel, and Toth, Ida. “Byzantine and Post-Byzantine Art: Crossing Borders, Exploring Boundaries.” In Vizantiĭsko i postvizantiĭsko izkustvo: presichane na granitsi, pp.1129. Sofia: Institute of Art Studies, 2018.Google Scholar
Mundell Mango, Marlia. Silver from Early Byzantium: The Kaper Koraon and Related Treasures. Baltimore: Trustees of the Walters Art Gallery, 1986.Google Scholar
Museum of Applied Art, Belgrade. Masterpieces of Serbian Goldsmiths’ Work, 13th–18th Century: An Exhibition. London: Victoria and Albert Museum, 1981.Google Scholar
Nassar, Nahla. “Saljuq or Byzantine: Two Related Styles of Jaziran Miniature Painting.” In The Art of Syria and the Jazira, 1100–1250, edited by Raby, Julian, pp. 8597. Oxford: Oxford University Press, 1985.Google Scholar
Necipoğlu, Gülru. The Age of Sinan: Architectural Culture in the Ottoman Empire. Princeton: Princeton University Press, 2005.Google Scholar
Nelson, Robert S.An Icon at Mt. Sinai and Christian Painting in Muslim Egypt during the Thirteenth and Fourteenth Centuries.Art Bulletin 65, no. 2 (1983): 201–18.Google Scholar
Nelson, Robert S.Letters and Language/Ornament and Identity in Byzantium and Islam.” In The Experience of Islamic Art on the Margins of Islam, edited by Bierman, Irene A., pp. 6188. Reading: Ithaca Press, 2005.Google Scholar
Nelson, Robert S.Living on the Byzantine Borders of Western Art.Gesta 35, no. 1 (1996): 311.CrossRefGoogle Scholar
Nelson, Robert S.The Map of Art History.The Art Bulletin 79, no. 1 (1997): 2840.CrossRefGoogle Scholar
Nelson, Robert S.Palaeologan Illuminated Ornament and the Arabesque.Wiener Jahrbuch für Kunstgeschichte 41 (1988): 722.CrossRefGoogle Scholar
Nelson, Robert S., and Collins, Kristen M., eds. Holy Image, Hallowed Ground: Icons from Sinai. Los Angeles: J. Paul Getty Museum, 2006.Google Scholar
Papadopoulos, Theodore H. Studies and Documents Relating to the History of the Greek Church and People under Turkish Domination. Brussels: Scaldis, 1952.Google Scholar
Peers, Glenn, and Roggema, Barbara, Orthodox Magic in Trebizond and Beyond: A Fourteenth-Century Greco-Arabic Amulet Roll. Seyssel: La Pomme d’or, 2018.Google Scholar
Pejić, Svetlana. Manastir Sveti Nikola Dabarski. Belgrade: Republicki Zavod za Zastitu Spomenika Kulture, 2009.Google Scholar
Pekić, Mila. “The Old State in the Foundations of the Renewed Church.” In Byzantine Heritage and Serbian Art, vol. 2: Sacral Art of the Serbian Lands in the Middle Ages, edited by Vojvodić, Dragan and Popović, Danica, pp. 553–63. Belgrade: Serbian National Committee of Byzantine Studies, 2016.Google Scholar
Pick, Lucy K.Edward Said, Orientalism, and the Middle Ages.Medieval Encounters 5, no. 3 (1999): 265–71.CrossRefGoogle Scholar
Raby, Julian. “The Principle of Parsimony and the Problem of the ‘Mosul School of Metalwork.’” In Metalwork and Material Culture in the Islamic World: Art, Craft and Text. Essays Presented to James W. Allan, edited by Porter, Venetia and Rosser-Owen, Miriam, pp. 1185. London: I. B. Tauris, 2012.Google Scholar
Rakić, Zoran. “Art of the Restored Patriarchate of Peć (1557–1690).” In Byzantine Heritage and Serbian Art, vol. 2: Sacral Art of the Serbian Lands in the Middle Ages, edited by Vojvodić, Dragan and Popović, Danica, pp. 515–27. Belgrade: Serbian National Committee of Byzantine Studies, 2016.Google Scholar
Rousseva, Ralitsa, ed. National Museum of History Catalogue. Sofia: Pygmalion, 2006.Google Scholar
Runciman, Steven. The Great Church in Captivity: A Study of the Patriarchate of Constantinople from the Eve of the Turkish Conquest to the Greek War of Independence. London: Cambridge University Press, 1968.Google Scholar
Šakota, Mirjana. Riznica manastira Banje kod Priboja. Belgrade: Republički Zavod za Zaštitu Spomenika Kulture, 2007.Google Scholar
Shepard, Jonathan. “Byzantium’s Overlapping Circles.” In Proceedings of the 21st International Congress of Byzantine Studies, London, 21–26 August 2006, vol. 1: Plenary Papers, edited by Jeffreys, Elizabeth, pp. 1555. Aldershot: Ashgate, 2006.Google Scholar
Shepard, Jonathan, ed. The Cambridge History of the Byzantine Empire c. 500–1492. Cambridge; New York: Cambridge University Press, 2008.Google Scholar
Snelders, Bas. Identity and Christian–Muslim Interaction: Medieval Art of the Syrian Orthodox from the Mosul Area. Leuven; Walpole, MA: Peeters, 2010.Google Scholar
Stouraitis, Ioannis. “Roman Identity in Byzantium: A Critical Approach.Byzantinische Zeitschrift 107, no. 1 (2014): 175220.CrossRefGoogle Scholar
Sugar, Peter. Southeastern Europe under Ottoman Rule, 1354–1804. Seattle: University of Washington Press, 1983.Google Scholar
Thomas, Thelma. “The Arts of Christian Communities in the Medieval Middle East.” In Byzantium: Faith and Power (1261–1557), edited by Evans, Helen C., pp. 256–71. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2004.Google Scholar
Todorova, Maria. “The Ottoman Legacy in the Balkans.” In Imperial Legacy: The Ottoman Imprint in the Balkans and the Middle East, edited by Brown, L. Carl, pp. 4577. New York: Columbia University Press, 1996.Google Scholar
Topkapı Sarayı Müzesi. Palace of Gold and Light: Treasures from the Topkapı, İstanbul. Washington, DC: Palace Arts Foundation, 2000.Google Scholar
Trifonova, Alexandra. “Τα ριπίδια της Παλαιάς Μητροπόλεως Σερρών,” in Ναός Περικάλλης: Ψηφίδες ιστορίες και ταυτότητας του ιερού Ναού των Αγίων Θεοδώρων Σερρών, edited by Penna, Vassiliki, pp. 255–66. Serres: n.p., 2013.Google Scholar
Walker, Alicia. The Emperor and the World: Exotic Elements and the Imaging of Middle Byzantine Imperial Power, Ninth to Thirteenth Centuries c.e. Cambridge: Cambridge University Press, 2012.CrossRefGoogle Scholar
Zeitler, Barbara. “Cross-Cultural Interpretations of Imagery in the Middle Ages.Art Bulletin 76, no. 4 (1994): 680–94.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×