Book contents
- Wild Abandon
- Cambridge Studies in American Literature and Culture
- Wild Abandon
- Copyright page
- Contents
- Acknowledgments
- Introduction Modern Environmentalism’s Identity Politics
- Chapter 1 The Ecological Alternative
- Chapter 2 The Entheogenic Landscape
- Chapter 3 The Universal Wilderness
- Chapter 4 The Essential Ecosystem
- Chapter 5 The Death of the Supertramp
- Conclusion Ecological Consistency
- Notes
- Bibliography
- Index
- Recent Books in This Series (continued from page ii)
Chapter 1 - The Ecological Alternative
Civilization, Selfhood, and Environment in the 1960s
Published online by Cambridge University Press: 26 November 2020
- Wild Abandon
- Cambridge Studies in American Literature and Culture
- Wild Abandon
- Copyright page
- Contents
- Acknowledgments
- Introduction Modern Environmentalism’s Identity Politics
- Chapter 1 The Ecological Alternative
- Chapter 2 The Entheogenic Landscape
- Chapter 3 The Universal Wilderness
- Chapter 4 The Essential Ecosystem
- Chapter 5 The Death of the Supertramp
- Conclusion Ecological Consistency
- Notes
- Bibliography
- Index
- Recent Books in This Series (continued from page ii)
Summary
“The Ecological Alternative” examines the intersection of appeals to ecology and authenticity among the American New Left and its environmentalist affiliates. The chapter also considers how literary representations of this alliance dramatize its contradictions. Many student radicals, especially those receptive to Murray Bookchin’s philosophy of social ecology, sought to structure alternative social arrangements that would liberate the individual psyche, the institutions that repressed it, and the environment itself. However, Bookchin’s writing, like that of the New Left’s primary theoretical influences, drew substantially on a psychoanalytic narrative that, when grafted to ecology, framed the self prized so highly by student radicals as yet another repression – one that obscured the reality of ecological interconnection. Edward Abbey, especially, documented this subjective confusion in Desert Solitaire (1968). Far from uncritically celebrating nature’s purity, Abbey and other nature writers of the decade established a representational tension between self and ecosystem that would characterize postwar literary treatment of ecology.
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- Wild AbandonAmerican Literature and the Identity Politics of Ecology, pp. 27 - 58Publisher: Cambridge University PressPrint publication year: 2020