Book contents
- The Viennese Ballroom in the Age of Beethoven
- The Viennese Ballroom in the Age of Beethoven
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Acknowledgements
- Abbreviations
- Introduction
- 1 The Public Ball in Viennese Musical Life, 1770–1830
- 2 Early Viennese Waltz Dances
- 3 The Minuet
- 4 The Viennese Contredanse
- 5 Dance Arrangements from the Viennese Stage
- 6 Battle Waltzes
- 7 ‘The Congress Dances’
- Epilogue
- Appendix: Selected Original Musical Sources Consulted
- Bibliography
- Index
1 - The Public Ball in Viennese Musical Life, 1770–1830
Published online by Cambridge University Press: 25 November 2021
- The Viennese Ballroom in the Age of Beethoven
- The Viennese Ballroom in the Age of Beethoven
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Acknowledgements
- Abbreviations
- Introduction
- 1 The Public Ball in Viennese Musical Life, 1770–1830
- 2 Early Viennese Waltz Dances
- 3 The Minuet
- 4 The Viennese Contredanse
- 5 Dance Arrangements from the Viennese Stage
- 6 Battle Waltzes
- 7 ‘The Congress Dances’
- Epilogue
- Appendix: Selected Original Musical Sources Consulted
- Bibliography
- Index
Summary
This chapter examines the political, social and economic factors that shaped the early development of Vienna’s public ball culture from the time Joseph II opened the imperial ballrooms to the public in 1772. The number of public dancing venues in the city expanded rapidly in the decades around 1800, resulting in an increased influence of the middle classes over Viennese dance culture, and the rise of a new area of professional musical life. These developments gave dance orchestras a prominent position in Vienna’s musical landscape, and contributed to the emergence of new listening practices associated with dance music.
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- The Viennese Ballroom in the Age of Beethoven , pp. 10 - 31Publisher: Cambridge University PressPrint publication year: 2021