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Music Since 1900

Published online by Cambridge University Press:  05 November 2015

Edited by
Erling E. Guldbrandsen  and
Julian Johnson
Erling E. Guldbrandsen
Affiliation:
Universitetet i Oslo
Julian Johnson
Affiliation:
Royal Holloway, University of London
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Transformations of Musical Modernism , pp. ii - iv
Publisher: Cambridge University Press
Print publication year: 2015

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References

Titles in the series

Cross, Jonathan The Stravinsky LegacyGoogle Scholar
Nyman, Michael Experimental Music: Cage and BeyondGoogle Scholar
Doctor, Jennifer The BBC and Ultra-Modern Music, 1922–1936Google Scholar
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Grant, M. J. Serial Music, Serial Aesthetics: Compositional Theory in Post-War EuropeGoogle Scholar
Rupprecht, Philip Britten’s Musical LanguageCrossRefGoogle Scholar
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Harper-Scott, J. P. E. Edward Elgar, ModernistCrossRefGoogle Scholar
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Straus, Joseph N. Twelve-Tone Music in AmericaGoogle Scholar
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van den Toorn, Pieter C. and McGinness, John Stravinsky and the Russian Period: Sound and Legacy of a Musical IdiomCrossRefGoogle Scholar
Beard, David Harrison Birtwistle’s Operas and Music TheatreCrossRefGoogle Scholar
Wiebe, Heather Britten’s Unquiet Pasts: Sound and Memory in Postwar ReconstructionCrossRefGoogle Scholar
Kutschke, Beate and Norton, Barley Music and Protest in 1968CrossRefGoogle Scholar
Griffiths, Graham Stravinsky’s Piano: Genesis of a Musical LanguageCrossRefGoogle Scholar
Iddon, Martin John Cage and David Tudor: Correspondence on Interpretation and PerformanceCrossRefGoogle Scholar
Iddon, Martin New Music at Darmstadt: Nono, Stockhausen, Cage, and BoulezCrossRefGoogle Scholar
Williams, Alastair Music in Germany Since 1968CrossRefGoogle Scholar
Earle, Ben Luigi Dallapiccola and Musical Modernism in Fascist ItalyCrossRefGoogle Scholar
Schuttenhelm, Thomas The Orchestral Music of Michael Tippett: Creative Development and the Compositional ProcessCrossRefGoogle Scholar
Nonken, Marilyn The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital AgeCrossRefGoogle Scholar
Boss, Jack Schoenberg’s Twelve-Tone Music: Symmetry and the Musical IdeaCrossRefGoogle Scholar
Mawer, Deborah French Music and Jazz in Conversation: From Debussy to BrubeckCrossRefGoogle Scholar
Rupprecht, Philip British Musical Modernism: The Manchester Group and their ContemporariesCrossRefGoogle Scholar
Wlodarski, Amy Lynn Musical Witness and Holocaust RepresentationCrossRefGoogle Scholar
Nielinger-Vakil, Carola Luigi Nono: A Composer in ContextCrossRefGoogle Scholar
Guldbrandsen, Erling E. and Johnson, Julian Transformations of Musical ModernismCrossRefGoogle Scholar

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