Book contents
- Tragedy and Postcolonial Literature
- Tragedy and Postcolonial Literature
- Copyright page
- Dedication
- Contents
- Preface and Acknowledgments
- Chapter 1 Introduction
- Chapter 2 Ethical Cosmopolitanism and Shakespeare’s Othello
- Chapter 3 History and the Conscription to Colonial Modernity in Chinua Achebe’s Rural Novels
- Chapter 4 Ritual Dramaturgy and the Social Imaginary in Wole Soyinka’s Tragic Theatre
- Chapter 5 Archetypes, Self-Authorship, and Melancholia
- Chapter 6 Form, Freedom, and Ethical Choice in Toni Morrison’s Beloved
- Chapter 7 On Moral Residue and the Affliction of Second Thoughts
- Chapter 8 Enigmatic Variations, Language Games, and the Arrested Bildungsroman
- Chapter 9 Distressed Embodiment and the Burdens of Boredom
- Chapter 10 Conclusion
- Bibliography
- Index
Chapter 7 - On Moral Residue and the Affliction of Second Thoughts
J. M. Coetzee’s Waiting for the Barbarians
Published online by Cambridge University Press: 05 February 2021
- Tragedy and Postcolonial Literature
- Tragedy and Postcolonial Literature
- Copyright page
- Dedication
- Contents
- Preface and Acknowledgments
- Chapter 1 Introduction
- Chapter 2 Ethical Cosmopolitanism and Shakespeare’s Othello
- Chapter 3 History and the Conscription to Colonial Modernity in Chinua Achebe’s Rural Novels
- Chapter 4 Ritual Dramaturgy and the Social Imaginary in Wole Soyinka’s Tragic Theatre
- Chapter 5 Archetypes, Self-Authorship, and Melancholia
- Chapter 6 Form, Freedom, and Ethical Choice in Toni Morrison’s Beloved
- Chapter 7 On Moral Residue and the Affliction of Second Thoughts
- Chapter 8 Enigmatic Variations, Language Games, and the Arrested Bildungsroman
- Chapter 9 Distressed Embodiment and the Burdens of Boredom
- Chapter 10 Conclusion
- Bibliography
- Index
Summary
In Chapter 7, we find that the characters in J. M. Coetzee’s novels are afflicted by second thoughts in a manner that brings to mind the structure of sceptical interlocution and the abolition of philia that we saw in Fanon. With the particular case of the Magistrate in Waiting for the Barbarians, this thought-affliction produces an edginess that is directly related to the character’s unerring perception of the force of the Empire’s ideology and to his sense of having been compromised for being their unwitting agent. As the novel progresses, the Magistrate’s edginess moves from being a feature of his internal interlocution to being defined by his material conditions: he is thrown into jail and tortured. It also impacts on the moral contradictions of his position – having to choose between allegiance to the Empire and care for the barbarian girl. The question of moral residue and ethical choice are carefully examined with respect to the Magistrate.
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- Tragedy and Postcolonial Literature , pp. 213 - 237Publisher: Cambridge University PressPrint publication year: 2021