Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-fscjk Total loading time: 0 Render date: 2024-12-26T02:36:20.644Z Has data issue: false hasContentIssue false

11 - Jerusalems in the Caucasus?

Published online by Cambridge University Press:  17 January 2023

Get access

Summary

Jerusalem has always been a major focus for Christians in the Caucasus. The imagined city played a role in the foundation myths of both Armenia and Georgia, and the real city attracted pilgrims over the centuries. There is ample evidence for the presence of people from the Caucasus in and around the Holy City. Their formal presence is preserved in the inscriptions that accompany some of the earliest Christian mosaic floors to survive from around Jerusalem; and their informal presence is marked by the graffiti that medieval and later pilgrims have left throughout the region. In this chapter I examine the ways in which the idea of Jerusalem returned to the Caucasus: how it was embodied in the art and architecture of the region. Centralised buildings play a very important role in the architecture of the Caucasus, but I will argue that they were not seen as imitations of the Holy Sepulchre: Jerusalem was seen very differently in this region compared to the west of Europe. A different building type became associated with the holy places. The chapter has two parts: a general consideration of the status of Jerusalem in the traditions of the Caucasus, and then a more detailed consideration of the centralised buildings of the region and the alternative building types that can be associated with the Holy City.

The Topography Of Jerusalem And Georgia

In Georgia, the arrival of Christianity in the early fourth century in the east of the country – the regions of Kartli and Kakheti – is linked to the evangelism of St Nino. Her tale is told in Moktsevai Kartlisai (the chronicle of the conversion of Kartli), which was probably written in the course of the seventh century. The text recounts St Nino’s works to convert Mirian, the king of the region, who then led the conversion of all his subjects. Mirian was inspired by a vision to mark his conversion and that of his realm by erecting three monumental crosses across his kingdom. Two crosses were set up in prominent hilltop locations at Tkhoti to the west and at Ujarma to the east. The third was set up in the heart of his kingdom on the plateau overlooking Mtskheta, the old Georgian capital at the confluence of the Mtkvari and Aragvi rivers [Figs 11.1, 11.6].

Type
Chapter
Information
Tomb and Temple
Re-imagining the Sacred Buildings of Jerusalem
, pp. 211 - 232
Publisher: Boydell & Brewer
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×