Book contents
- Theology and the Mythic Sensibility
- Reviews
- Theology and the Mythic Sensibility
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Introduction
- Part I Myth/Making
- Chapter 1 Mythic Sensibility
- Chapter 2 Making
- Chapter 3 Creation and Participation
- Part II Myth and Culture
- Part III All in Christ
- Conclusion
- Bibliography
- Index
Chapter 2 - Making
from Part I - Myth/Making
Published online by Cambridge University Press: 07 November 2024
- Theology and the Mythic Sensibility
- Reviews
- Theology and the Mythic Sensibility
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Introduction
- Part I Myth/Making
- Chapter 1 Mythic Sensibility
- Chapter 2 Making
- Chapter 3 Creation and Participation
- Part II Myth and Culture
- Part III All in Christ
- Conclusion
- Bibliography
- Index
Summary
It would be impossible to do justice to recent theological conversation about creation and creativity without giving serious attention to the offerings of process theology. Characterised by a privileging of creativity within both the world and the godhead, and offering an attractive connection between human and divine creativity, process theology provides what seems to be a promising avenue for the theological work required. Catherine Keller’s Face of the Deep represents the most compelling and influential recent articulation of a process theology of creation and creativity. Its careful, daring, and imaginative engagement with scripture, and the literary and philosophical traditions presents the best of the process theological tradition. By a close examination of Keller’s Face of the Deep, however, I demonstrate how, despite its manifest attractions to a theology of mythopoiesis, Keller’s process theology is unable to account for the novum of human making while preserving the witness of the creedal tradition of Christian faith or falling into a dangerous nihilism.
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- Theology and the Mythic SensibilityHuman Myth-Making and Divine Creativity, pp. 38 - 54Publisher: Cambridge University PressPrint publication year: 2024