Book contents
- Theatrical Reenactment in Pindar and Aeschylus
- Cambridge Classical Studies
- Theatrical Reenactment in Pindar and Aeschylus
- Copyright page
- Contents
- Acknowledgments
- Introduction
- Chapter 1 Voices of Others Embedded Speech in Pindar and Aeschylus
- Chapter 2 Anachronistic Harmonies Agamemnon parodos, Pythian 4
- Chapter 3 Vocal Tools Pythian 12, Olympian 13, Seven Against Thebes
- Chapter 4 Somatic Semblances Choephoroi, Olympian 8, Pythian 2
- Chapter 5 Locating the Revenant Pythian 8, Persians
- Conclusion
- References
- Index
Chapter 3 - Vocal Tools Pythian 12, Olympian 13, Seven Against Thebes
Published online by Cambridge University Press: 07 July 2019
- Theatrical Reenactment in Pindar and Aeschylus
- Cambridge Classical Studies
- Theatrical Reenactment in Pindar and Aeschylus
- Copyright page
- Contents
- Acknowledgments
- Introduction
- Chapter 1 Voices of Others Embedded Speech in Pindar and Aeschylus
- Chapter 2 Anachronistic Harmonies Agamemnon parodos, Pythian 4
- Chapter 3 Vocal Tools Pythian 12, Olympian 13, Seven Against Thebes
- Chapter 4 Somatic Semblances Choephoroi, Olympian 8, Pythian 2
- Chapter 5 Locating the Revenant Pythian 8, Persians
- Conclusion
- References
- Index
Summary
This chapter explores how the dynamics of Pindar’s and Aeschylus’ embedded speeches are refracted through their exploration of crafted tools as metaphors for the transfer of voice from one performer to another.
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- Theatrical Reenactment in Pindar and Aeschylus , pp. 98 - 160Publisher: Cambridge University PressPrint publication year: 2019