Book contents
- Theatre in Market Economies
- Theatre and Performance Theory
- Theatre in Market Economies
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgements
- Introduction Show Business
- Chapter 1 Industry
- Chapter 2 Productivity
- Chapter 3 Citizenship
- Chapter 4 Security
- Chapter 5 Confidence
- Conclusion
- Notes
- Bibliography
- Index
Chapter 4 - Security
Published online by Cambridge University Press: 12 February 2021
- Theatre in Market Economies
- Theatre and Performance Theory
- Theatre in Market Economies
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgements
- Introduction Show Business
- Chapter 1 Industry
- Chapter 2 Productivity
- Chapter 3 Citizenship
- Chapter 4 Security
- Chapter 5 Confidence
- Conclusion
- Notes
- Bibliography
- Index
Summary
Chapter 4 explores how the Haskell Free Library and Opera House, a theatre and library built directly on the US-Canada border and opened in 1904, has become both an exceptional and exemplary civic institution in a time of increased securitisation. This chapter considers the Haskell as a local institution that promises to ameliorate geopolitical and geoeconomic antagonisms, but from a position within these realms rather than outside them. The Haskell’s civic promise is an is an effect of political economy and historical geography, and is the result of more than a century-long process of securitisation. Its civic appeal depends not so much on its equidistance from the state and the market but on a deeply embedded relationship with them. Seen this way, the Haskell becomes a distinctively theatrical – and distinctively social – technology of political economic governance: it localises social bonds that state-secured marketisation threatens to disperse and, in doing so, it retrieves social exchange from its wholesale appropriation by the state and the market.
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- Theatre in Market Economies , pp. 112 - 137Publisher: Cambridge University PressPrint publication year: 2021