Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Schulte-sasse, Linda
1998.
Douglas Sirk'sSchlußakkordand the Question of Aesthetic Resistance.
The Germanic Review: Literature, Culture, Theory,
Vol. 73,
Issue. 1,
p.
2.
2004.
Ghouls, Gimmicks, and Gold.
p.
154.
2004.
Ghouls, Gimmicks, and Gold.
p.
180.
2004.
Ghouls, Gimmicks, and Gold.
p.
43.
2004.
Ghouls, Gimmicks, and Gold.
p.
202.
2004.
Ghouls, Gimmicks, and Gold.
p.
63.
2004.
Ghouls, Gimmicks, and Gold.
p.
16.
2004.
Ghouls, Gimmicks, and Gold.
p.
90.
2004.
Ghouls, Gimmicks, and Gold.
p.
263.
2004.
Ghouls, Gimmicks, and Gold.
p.
221.
2004.
Ghouls, Gimmicks, and Gold.
p.
113.
2004.
Ghouls, Gimmicks, and Gold.
p.
295.
2004.
Ghouls, Gimmicks, and Gold.
p.
134.
2004.
Ghouls, Gimmicks, and Gold.
p.
1.
Homewood, Chris
2005.
Von Trotta's The German Sisters and Petzold's The State I Am In: discursive boundaries in the films of the New German Cinema to the present day.
Studies in European Cinema,
Vol. 2,
Issue. 2,
p.
93.
Cooke, Paul
2007.
World Cinema's 'Dialogues' with Hollywood.
p.
17.
Davison, Carol Margaret
2008.
Le Gothic.
p.
166.
Ashkenazi, Ofer
2009.
Prisoners’ fantasies in Weimar film.
Journal of European Studies,
Vol. 39,
Issue. 3,
p.
290.
Etkind, Alexander
2010.
The tale of two turns:Khrustalev, My Car!and the cinematic memory of the Soviet past.
Studies in Russian and Soviet Cinema,
Vol. 4,
Issue. 1,
p.
45.
Ashkenazi, Ofer
2012.
Weimar Film and Modern Jewish Identity.
p.
77.