Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Bose, Brinda
2008.
Modernity, Globality, Sexuality, and the City:A Reading of Indian Cinema.
The Global South,
Vol. 2,
Issue. 1,
p.
35.
Mukhopadhyay, Anway
2015.
Ray Between Two Owls: Satyajit Ray and the Aporias of Enlightenment.
South Asian Review,
Vol. 36,
Issue. 1,
p.
37.
Ganguly, Suranjan
2015.
Excavating the Text: Ray's Adaptation of Pratidwandi/The Adversary.
South Asian Review,
Vol. 36,
Issue. 1,
p.
161.
Haider, Nishat
2015.
Framing Dalit: A Study of Satyajit Ray'sSadgati.
South Asian Review,
Vol. 36,
Issue. 1,
p.
197.
Bannerjee, Suchismita
2015.
Betraying Holy Wedlock: Imagining the Fate of Satyajit Ray'sCharulata, orThe Lonely Wife.
South Asian Review,
Vol. 36,
Issue. 1,
p.
131.
2015.
Editor's Column.
South Asian Review,
Vol. 36,
Issue. 1,
p.
7.
Roy, Piyush
2016.
Transcultural Negotiations of Gender.
p.
145.
Patra, Braja Gopal
Das, Dipankar
and
Bandyopadhyay, Sivaji
2017.
Labeling data and developing supervised framework for hindi music mood analysis.
Journal of Intelligent Information Systems,
Vol. 48,
Issue. 3,
p.
633.
Mowtushi, Mahruba T.
2018.
Africa in the Bengali literary and cinematic imagination: Kamaleshwar Mukherjee’s 2013 film adaptation of Bibhutibhusan Bandapadhyay’s African adventure novel,Chander Pahar(1937).
South Asian Diaspora,
Vol. 10,
Issue. 2,
p.
91.
Cardullo, R. J.
2019.
‘
Pather Panchali
and the cinema of Satyajit Ray, re-viewed’
.
South Asian Popular Culture,
Vol. 17,
Issue. 1,
p.
81.
Begum, Lipi
2020.
Neorealism, the Bra and the New Indian Woman in Satyajit Ray’sThe Big City.
Fashion Theory,
Vol. 24,
Issue. 5,
p.
697.
Mukherjee, Abhik
2022.
Sex Positivity of Satyajit Ray’s Women: Their Cinematic Journey Towards the Ancient Indian Heritage.
Media Watch,
Vol. 13,
Issue. 3,
p.
280.
Mukherjee, Abhik
2023.
Lawrence in India: Reading Lady Chatterley’s Lover through the Films of Satyajit Ray.
Quarterly Review of Film and Video,
p.
1.
Mishra, Rashi
2024.
METAPHORICAL RESONANCE: GURU DUTT’S CINEMATIC INTERPRETATION OF ‘KAAGAZ KE PHOOL’ AND ITS PARALLEL WITH ‘DEVDAS’.
ShodhKosh: Journal of Visual and Performing Arts,
Vol. 5,
Issue. 1,
Singh, Rupinder
and
Singh, Sneha
2024.
The Cultural Codes of Home in Indian Cinema.
Home Cultures,
p.
1.