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Chapter 20 - Surrealism and écriture féminine

from Part III - Applications: Heterodoxies and New Worlds

Published online by Cambridge University Press:  23 July 2021

Natalya Lusty
Affiliation:
University of Melbourne
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Summary

This chapter explores the genealogies between Surrealism’s quest to express or represent the unconscious unrestrained by rational thought, and the pursuit in 1970s avant-garde feminism of a new language – an “écriture féminine” – that would be uncontaminated by phallocentric logic. Through a reading of selected works by two figures situated at the intersection of these two aesthetic and theoretical movements – feminist theorist Xavière Gauthier and artist and writer Dorothea Tanning – the chapter demonstrates that these links are not unidirectional but a dynamic dialogue. This dialogue signals not only an allegiance to Surrealism at the heart of poststructuralist/psychoanalytic feminism but also a germinal feminist poetics in historical Surrealism – that would come to full fruition in 1970s Surrealist activity.

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Surrealism , pp. 363 - 379
Publisher: Cambridge University Press
Print publication year: 2021

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