Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-26T15:05:33.902Z Has data issue: false hasContentIssue false

Select Bibliography

Published online by Cambridge University Press:  23 July 2021

Edited by
Natalya Lusty
Natalya Lusty
Affiliation:
University of Melbourne
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Surrealism , pp. 401 - 418
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Select Bibliography

Abel, Richard, French Film Theory and Criticism: A History/Anthology, 1907–1939, 2 vols. (Princeton: Princeton University Press, 1988).Google Scholar
Aberth, Susan, Leonora Carrington: Surrealism, Alchemy and Art (London: Lund Humphries, 2004).Google Scholar
Acevedo-Muñoz, Ernesto R., Surrealist Collage in Text and Image. Dissecting the Exquisite Corpse (Cambridge, UK: Cambridge University Press, 1998).Google Scholar
Acevedo-Muñoz, Ernesto R. Buñuel and Mexico: The Crisis of National Cinema (Berkeley: University of California Press, 2003).Google Scholar
Adams, Carol J. and Gruen, Lori, eds., Ecofeminism: Feminist Intersections with Other Animals and the Earth (New York: Bloomsbury, 2014).CrossRefGoogle Scholar
Ades, Dawn, Dada and Surrealism Reviewed (London: Arts Council of Great Britain, 1978).Google Scholar
Ades, Dawn Dali’s Optical Illusions (New Haven and London: Yale University Press, 2000).Google Scholar
Ades, Dawn The Colour of My Dreams: The Surrealist Revolution in Art (Vancouver: Vancouver Art Gallery, 2011).Google Scholar
Ades, Dawn and Baker, Simon, Undercover Surrealism: Georges Bataille and Documents (Cambridge, MA: MIT Press, 2006).Google Scholar
Ades, Dawn, Richardson, Michael, and Fijalkowski, Krzyztof, eds., The Surrealism Reader: An Anthology of Ideas (Chicago: University of Chicago Press, 2016).Google Scholar
Adonis, , Sufism and Surrealism (London: Saqi, 2013).Google Scholar
Ahluwalia, Pal, Surrealist Art, trans. Gordon Clough (London: Thames and Hudson, 1970).Google Scholar
Ahluwalia, Pal Politics and Post-Colonial Theory: African Inflections (London: Routledge, 2001).Google Scholar
Allen, Chadwick, Trans-Indigenous: Methodologies for Global Native Literary Studies (Minneapolis: University of Minnesota Press, 2012).Google Scholar
Allmer, Patricia, ed., Intersections. Women Artists / Surrealism / Modernism (Manchester: Manchester University Press, 2016).Google Scholar
Altshuler, Bruce, The Avant-Garde in Exhibition: New Art in the 20th Century (New York: Abrams, 1994).Google Scholar
Aragon, Louis, Écrits sur l’art moderne (Paris: Flammarion, 1981).Google Scholar
Aragon, Louis Paris Peasant, trans. Simon Watson Taylor (Boston: Exact Change, 1994 [1971]).Google Scholar
Aragon, Louis “A Wave of Dreams,” [1924] trans. Susan de Muth, Papers of Surrealism 1 (Winter, 2003), 2.Google Scholar
Aranda, Francisco, Luis Buñuel: A Critical Biography (New York: De Capo Press, 1976).Google Scholar
Arp, Jean, Arp on Arp: Poems, Essays, Memories, trans. Joachim Neugroschel, edited by Jean, Marcel (New York: Viking, 1970).Google Scholar
Bachelard, Gaston, “Le Surrationalisme,” Inquisitions 1 (June, 1936), 1–6.Google Scholar
Bachelard, Gaston The New Scientific Spirit, trans. Arthur Goldhammer (Boston: Beacon Press, 1984).Google Scholar
Bachelard, Gaston “Le surrationalisme,” Inquisitions: fac-similé de la revue augmenté de document inédits présenté par Henri Béhar (Paris: Éditions du CNRS, 1990), 1–6.Google Scholar
Baldassari, Anne, The Surrealist Picasso (Basel: Fondation Beyeler and Flammarion, 2005).Google Scholar
Barron-Duncan, Rachael, “Transatlantic Translations: Surrealist Modes of Advertising in France and the United States of America,” Visual Resources 34.3–4 (2018), 232–264.Google Scholar
Barthes, Roland, The Pleasure of the Text, trans. Richard Miller (New York: Farrar, Straus & Giroux, 1975).Google Scholar
Barthes, Roland The Responsibility of Forms (Berkeley: University of California Press, 1991).Google Scholar
Barthes, Roland The Grain of the Voice: Interviews 1962–1980, trans. Linda Coverdale (Evanston: Northwestern University Press, 2009).Google Scholar
Bataille, Georges, Visions of Excess: Selected Writings, 1927–1939, edited by Stoekl, Allan (Minneapolis: University of Minnesota Press, 1985).Google Scholar
Bataille, Georges Inner Experience, trans. Leslie Ann Boldt (Albany: State University of New York Press, 1988).Google Scholar
Bataille, Georges The Absence of Myth: Writings on Surrealism, edited and trans. Richardson, Michael (London: Verso, 1994).Google Scholar
Bataille, Georges Georges Bataille: Essential Writings, edited by Richardson, Michael (Nottingham, UK: Sage, 1998).Google Scholar
Bataille, Georges Literature and Evil, trans. Alastair Hamilton (London: Penguin Classics, 2012).Google Scholar
Bate, David, “Mise-en-scene of Desire,” in Mise-en-Scene, edited by Bush, Kate (London: Institute of Contemporary Arts, 1994), 9–10.Google Scholar
Bate, David Art Photography (London: Tate Publications, 2016).Google Scholar
Bearor, Karen A., Irene Rice Pereira: Her Paintings and Philosophy (Austin: University of Texas Press, 1993).Google Scholar
Beaujour, Michel, “Sartre and Surrealism,” Yale French Studies 30 (1963), 86–95.Google Scholar
Beauvoir, Simone de, Le Deuxième Sexe [The Second Sex, 1949], trans. Constance Borde and Sheila Malovany-Chevallier (New York: Vintage Press, 2011).Google Scholar
Bédouin, Jean-Louis, Benjamin Péret (Paris: Seghers, 1961).Google Scholar
Benayoun, Robert, Érotique du surréalisme (Paris: Jean-Jacques Pauvert, 1965).Google Scholar
Benjamin, Walter, Reflections: Essays, Aphorisms, Autobiographical Writings, trans. Edmund Jephcott (New York: Schocken Books, 1978).Google Scholar
Benjamin, Walter Walter Benjamin: Selected Writings: Volume 2, 1927–1934, trans. Rodney Livingstone et al. (Cambridge, MA: Bellknap Press, 1999).Google Scholar
Bennett, Jane, Vibrant Matter: A Political Ecology of Things (Durham: Duke University Press, 2010).Google Scholar
Bishop, Claire, Artificial Hells: Participatory Art and the Politics of Spectatorship (London and New York: Verso, 2012).Google Scholar
Blanchot, Maurice, La part du feu (Paris: Gallimard, 1949).Google Scholar
Blanchot, Maurice The Infinite Conversation, trans. Susan Hanson (Minneapolis and London: University of Minnesota Press, 1993).Google Scholar
Blanchot, Maurice The Work of Fire, trans. Charlotte Mandell (Stanford: Stanford University Press, 1995).CrossRefGoogle Scholar
Bohr, Niels, Atomic Theory and the Description of Nature (Cambridge, UK: Cambridge University Press, 1934).Google Scholar
Bois, Yve-Alain and Krauss, Rosalind E., eds., Formless: A User’s Guide (New York: Zone Books, 1997).Google Scholar
Boncardo, Robert, Mallarmé and the Politics of Literature: Sartre, Kristeva, Badiou, Rancière (Edinburgh: Edinburgh University Press, 2018).Google Scholar
Bonnet, Marguerite, ed., Adhérer au Parti communiste? Septembre–décembre 1926 (Paris: Gallimard, 1992).Google Scholar
Bouhasanne, Ami, Lee Miller, A Life with Food, Friends, and Recipes (Oslo: Grapefrukt forlag, 2017).Google Scholar
Bourdieu, Pierre, The Rules of Art: Genesis and Structure of the Literary Field, trans. Susan Emanuel (Stanford: Stanford University Press, 1996).Google Scholar
Brassaï, , Conversations with Picasso, trans. Jane Marie Todd (Chicago and London: University of Chicago Press, 1999).Google Scholar
Breton, André, Les Masques (Paris: Editions du Seuil, 1948).Google Scholar
Breton, André Nadja, trans. Richard Howard (New York: Grove Press, 1960).Google Scholar
Breton, André Manifestoes of Surrealism, trans. Richard Seaver and Helen R. Lane (Ann Arbor: University of Michigan Press, 1969).CrossRefGoogle Scholar
Breton, André Surrealism and Painting, trans. Simon Watson Taylor (New York: Harper & Row, 1972 [1965]).Google Scholar
Breton, André What Is Surrealism? Selected Writings, edited and Introduction by Rosemont, Franklin (London: Pluto Press, 1978).Google Scholar
Breton, André Mad Love, trans. Mary Ann Caws (Lincoln: University of Nebraska Press, 1987).Google Scholar
Breton, André Œuvres complètes I et III (Paris: Gallimard 1988; 1999).Google Scholar
Breton, André Communicating Vessels, trans. Mary Ann Caws and Geoffrey T. Harris (Lincoln and London: University of Nebraska Press, 1990).Google Scholar
Breton, André Conversations: The Autobiography of Surrealism, trans. Mark Polizzotti (New York: Marlowe and Company, 1993).Google Scholar
Breton, André The Lost Steps, trans. Mark Polizzotti (Lincoln: University of Nebraska Press, 1996).Google Scholar
Breton, André Selections, edited by Polizzotti, Mark (Berkeley: University of California Press, 2003).Google Scholar
Breton, André Poems of André Breton, trans. and edited by Cauvin, Jean-Pierre and Ann Caws, Mary (Boston: Black Widow Press, 2006).Google Scholar
Breton, André Anthology of Black Humour, trans. Mark Polizzotti (London: Telegram, 2009).Google Scholar
Breton, André, Éluard, Paul, and Soupault, Philippe, The Automatic Message: The Magnetic Fields – The Immaculate Conception, trans. D. Gascoyne, A. Melville, and J. Graham (London: Atlas, 1997).Google Scholar
Broglie, Louis de, Matter and Light: The New Physics, trans. W. H. Johnstone (London: George Allen and Unwin, 1939).Google Scholar
Brooker, Peter, Bru, Sacha, Thacker, Andrew, and Weikop, Christian, eds., The Oxford Critical and Cultural History of Modernist Magazines: Volume III, Europe 1880–1940 (Oxford: Oxford University Press, 2013).Google Scholar
Brown, Bill, Things (Chicago: University of Chicago Press, 2004).Google Scholar
Brown, Bill Other Things (Chicago: University of Chicago Press, 2015).Google Scholar
Brunt, Peter, “Falling into the World: The Global Art World of Aloï Pilioko and Nicolaï Michoutouchkine,” in Harney, Elizabeth and Phillips, Ruth M., eds., Mapping Modernisms: Art, Indigeneity, Colonialism (Durham, NC: Duke University Press, 2019).Google Scholar
Buchanan, Ian and Collins, Lorna, eds., Deleuze and the Schizoanalysis of Visual Art (London: Bloomsbury Press, 2014).CrossRefGoogle Scholar
Buñuel, Luis, My Last Breath, trans. Abigail Israel (London: Flamingo, 1985).Google Scholar
Buñuel, Luis An Unspeakable Betrayal: Selected Writings, trans. Garrett White (Berkeley: University of California Press, 2000).Google Scholar
Burns, Thom and Graubard, Allan, eds., Invisible Heads: Surrealists in North America – An Untold Story (Flagstaff, AZ: Anon, 2014).Google Scholar
Butler, Rex and Donaldson, A. D. S., “Surrealism and Australia: Towards a World History of Surrealism,” Journal of Art Historiography 9 (December, 2013), 1–15.Google Scholar
Caillois, Roger, Méduse et Cie (Paris: Gallimard, 1960).Google Scholar
Caillois, Roger The Edge of Surrealism: A Roger Caillois Reader (Durham, NC: Duke University Press, 2003).Google Scholar
Callaghan, Barry, ed., Fifteen Years in Exile, Vol. 1 (Toronto: Exile Editions, 1992).Google Scholar
Carrington, Leonora, “The Bird Superior, Max Ernst,” View 1 (April, 1942), 13.Google Scholar
Carrington, Leonora “The Debutante,” in The House of Fear (New York: E. P. Dutton, 1988), 44.Google Scholar
Carrington, Leonora The Seventh Horse and Other Tales (New York: E. P. Dutton, 1988).Google Scholar
Carrington, Leonora The Hearing Trumpet (New York: Penguin Classics, 2005).Google Scholar
Carrington, Leonora Leonora Carrington: What She Might Be, edited by Grimberg, Salomón (Dallas: Dallas Museum of Art, 2008).Google Scholar
Caws, Mary Ann, The Surrealist Look: An Erotics of Encounter (Cambridge, MA: The MIT Press, 1997).Google Scholar
Caws, Mary Ann, Kuenzli, Rudolf E., and Raaberg, Gwen, eds., Surrealism and Women (Cambridge, MA: MIT Press, 1991).Google Scholar
Césaire, Aimé, Les Armes Miraculeuses (Paris: Gallimard, 1946).Google Scholar
Césaire, Aimé Discourse on Colonialism, trans. Joan Pinkham (New York: Monthly Review Press, 1972).Google Scholar
Césaire, Aimé The Complete Poetry of Aimé Césaire, trans. A. James Arnold and Clayton Eshleman (Middletown, CT: Wesleyan University Press, 2017).Google Scholar
Césaire, Suzanne, The Great Camouflage: Writings of Dissent (1941–1945), trans. Keith L. Walker (Middleton, CT: Wesleyan University Press, 2012).Google Scholar
Chadwick, Whitney, “Leonora Carrington: Evolution of a Feminist Consciousness,” Woman’s Art Journal 7.1 (Spring–Summer, 1986), 37–42.Google Scholar
Chakrabarty, Dipesh, Provincializing Europe: Postcolonial Thought and Historical Difference (Princeton: Princeton University Press, 2000).Google Scholar
Chambers, Matthew, Modernism, Periodicals, and Cultural Poetics (Basingstoke, UK: Palgrave Macmillan, 2015).Google Scholar
Chare, Nicholas, Hoorn, Jeanette and Yue, Audrey, eds., Rereading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis (New York: Routledge, 2019).Google Scholar
Chen, Mel, Animacies: Biopolitics, Racial Mattering, and Queer Affect (Durham, NC: Duke University Press, 2012).Google Scholar
Chénieux-Gendron, Jacqueline, ed., “Il y aura une fois”: Une anthologie du Surréalisme (Paris: Gallimard, 2003).Google Scholar
Chirico, Giorgio de, Hebdomeros: With Monsieur Dudron’s Adventure and Other Metaphysical Writings, trans. John Ashbery (Cambridge, MA: Exact Change, 1992).Google Scholar
Cixous, Hélène, “Fiction and Its Phantoms: A Reading of Freud’s Das Unheimliche (The Uncanny),” New Literary History 7.3 (1976), 525–548.Google Scholar
Cixous, Hélène “Coming to Writing” and Other Essays, trans. Sarah Cornell, Ann Liddle, and Susan Sellers, edited by Jensen, Deborah (Cambridge, MA: Harvard University Press, 1991).Google Scholar
Cixous, Hélène and Clément, Catherine, The Newly Born Woman, trans. Betsy Wing (Minneapolis: University of Minnesota Press, 2007).Google Scholar
Clark, T. J., The Image of the People: Gustave Courbet and the 1848 Revolution (London: Thames & Hudson, 1973).Google Scholar
Clében, Jean-Paul, Dictionnaire du Surréalisme (Paris: Éditions du Seuil, 1996).Google Scholar
Clében, Jean-Paul Mythologie d’André Masson (Geneva: Pierre Cailler, 1971).Google Scholar
Clifford, James, The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art (Cambridge, MA: Harvard University Press, 1988).Google Scholar
Cohen, Margaret, Profane Illumination: Walter Benjamin and the Paris of Surrealist Revolution (Berkeley, Los Angeles, London: University of California Press, 1993).Google Scholar
Conley, Katharine, “Joyce Mansour’s Ambivalent Poetic Body,” French Forum 20.2 (May, 1995), 221–238.Google Scholar
Conley, Katharine “Modernist Primitivism in 1933: Brassaï’s ‘Involuntary Sculptures’ in Minotaure,” Modernism/modernity 10.1 (2003), 127–140.Google Scholar
Conley, Katharine “ ‘Not a Nervous Woman’: Robert Desnos and Surrealist Literary History,” South Central Review 20.2–4 (Summer–Winter, 2003), 111–130.CrossRefGoogle Scholar
Conley, Katharine Automatic Woman: The Representation of Woman in Surrealism (Lincoln: University of Nebraska Press, 1996).Google Scholar
Conley, Katharine “Surrealism and Outsider Art: From the ‘Automatic Message’ to André Breton’s Collection,” Yale French Studies 109 (Surrealism and Its Others) (2006), 129–143.Google Scholar
Conley, Katharine Surrealist Ghostliness (Lincoln: University of Nebraska Press, 2013).Google Scholar
Cooper, Sam, The Situationist International in Britain: Modernism, Surrealism, and the Avant-Gardes (New York: Routledge, 2017).Google Scholar
Cox, Ailsa, Hewison, James, Man, Michelle, and Shannon, Roger, eds., Leonora Carrington: Living Legacies (Wilmington: Vernon Press, 2020).Google Scholar
Creed, Barbara, The Monstrous-Feminine: Film, Feminism, Psychoanalysis (London: Routledge, 1993).Google Scholar
Creed, Barbara “The Unheimlich Pacific of Popular Film: Surreal Geography and the Darwinian Sublime,” Papers of Surrealism 6 (Autumn, 2007), 6.Google Scholar
Curzon, Lucy D., Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain (London: Routledge, 2017).Google Scholar
Cusset, François, French Theory: How Foucault, Derrida, Deleuze, & Co. Transformed the Intellectual Life of the United States, trans. Jeff Fort (Minneapolis: University of Minnesota Press, 2008).Google Scholar
Dalí, Salvador, The Secret Life of Salvador Dalí (New York: Dial Press, 1942).Google Scholar
Dalí, Salvador The Collected Writings of Salvador Dalí, edited and trans. Finkelstein, Haim (Cambridge, UK: Cambridge University Press, 1998).Google Scholar
Dalí, Salvador Maniac Eyeball: The Secret Confessions of Salvador Dalí, trans. André Parinaud (Paris: Elektron Books, 2013 [1937]).Google Scholar
Darwin, Charles, The Descent of Man, and Selection in Relation to Sex (New York: Greenwood Press, 1969).Google Scholar
Daston, Lorraine and Park, Katharine, Wonders and the Order of Nature 1150–1750 (New York: Zone Books, 1998).Google Scholar
Davis, Thomas S., The Extinct Scene: Late Modernism and Everyday Life. New York: Columbia University Press, 2016).Google Scholar
De Nooy, Juliana, Derrida, Kristeva, and the Dividing Line: An Articulation of Two Theories of Difference (New York: Garland Publishing, 1998).Google Scholar
Dean, Carolyn “Claude Cahun’s Double,” Yale French Studies 90 (Same Sex/Different Text? Gay and Lesbian Writing in French) (1996), 71–92.Google Scholar
Debaene, Vincent, “ ‘Like Alice Through the Looking Glass’: Claude Lévi-Strauss in New York,” French Politics, Culture and Society 28.1 (Spring, 2010), 46–57.CrossRefGoogle Scholar
Deleuze, Gilles, Kafka: Toward a Minor Literature, trans. Dana Polan (Minneapolis: University of Minnesota Press, 1986).Google Scholar
Deleuze, Gilles Cinema II: The Time-Image (London: Bloomsbury, 2013 [1985]).Google Scholar
Deleuze, Gilles and Guattari, Félix, Anti-Oedipus: Capitalism and Schizophrenia (Minneapolis: University of Minnesota Press, 1983).Google Scholar
Deleuze, Gilles and Guattari, Félix A Thousand Plateaus. Capitalism and Schizophrenia, edited by Massumi, Brian (London: Athlone Press, 1988).Google Scholar
Demos, T. J., The Exiles of Marcel Duchamp (Cambridge, MA: MIT Press, 2007).Google Scholar
Demos, T. J. Against the Anthropocene: Visual Culture and Environment Today (Berlin: Sternberg Press, 2017).Google Scholar
Derrida, Jacques, “Structure, Sign and Play in the Discourse of the Human Sciences,” in Writing and Difference, trans. Alan Bass (Chicago: University of Chicago Press, 1978 [1967]), 278–294.Google Scholar
Derrida, Jacques “Eating Well, or the Calculation of the Subject,” in Points …: Interviews, 1974–1994 (Stanford: Stanford University Press, 1995), 255–287.CrossRefGoogle Scholar
Derrida, Jacques The Animal That Therefore I Am, trans. David Wills, edited by Marie-Louise, Mallet (New York: Fordham University Press, 2008).Google Scholar
Dunlop, Ian, The Shock of the New: Seven Historic Exhibitions of Modern Art (London: Weidenfeld & Nicolson, 1972).Google Scholar
Durozoi, Gérard, History of the Surrealist Movement, trans. Alison Anderson (Chicago: University of Chicago Press, 2002).Google Scholar
Eburne, Jonathan P., “Antihumanism and Terror: Surrealism, Theory, and the Postwar Left,” Yale French Studies 109 (Surrealism and Its Others) (2006), 39–51.Google Scholar
Eburne, Jonathan P. Surrealism and the Art of Crime (Ithaca, NY: Cornell University Press, 2008).Google Scholar
Eburne, Jonathan P. and McAra, Catriona, eds., Leonora Carrington and the International Avant-Garde (Manchester: Manchester University Press, 2017).Google Scholar
Eddington, Arthur, The Nature of the Physical World (Cambridge, UK: Cambridge University Press, 1928).Google Scholar
Eddington, Arthur Space, Time and Gravitation (New York: Harper & Row, 1959 [1920]).Google Scholar
Ehrenzweig, Anton, The Hidden Order of Art: A Study in the Psychology of Artistic Imagination (London: Weidenfeld and Nicolson, 1993).Google Scholar
Einstein, Albert, Relativity: The Special and the General Theory (London: Methuen, 1960 [1920]).Google Scholar
Elias, Ann, Coral Empire: Underwater Oceans, Colonial Tropics, Visual Modernity (Durham, NC: Duke University Press, 2019).Google Scholar
Ernst, Max, Beyond Painting (New York: Wittenborn, Schultz, 1948).Google Scholar
Ernst, Max Écritures (Paris: Gallimard, 1970).Google Scholar
Ernst, Max Max Ernst: A Retrospective, trans. Werner Spies (London: Tate Gallery, 1991), 309–310.Google Scholar
Esposito, Roberto, Terms of the Political: Community, Immunity, Biopolitics, trans. Rhiannon Noel Welch (New York: Fordham University Press, 2012).Google Scholar
Esposito, Roberto The Third Person: Politics of Life and Philosophy of the Impersonal, trans. Zakia Hanafi (Cambridge, UK: Polity, 2012).Google Scholar
Etgar, Yuval, The Ends of Collage (London: Luxembourg & Dayan, 2017).Google Scholar
Evans, Caroline, “Masks, Mirrors and Mannequins: Elsa Schiaparelli and the Decentered Subject,” Fashion Theory 3.1 (1999), 3–31.Google Scholar
Fanon, Frantz, The Wretched of the Earth, trans. Constance Farrington (New York: Grove Press, 1963).Google Scholar
Fanon, Frantz Black Skin, White Masks, trans. Charles Lam Markmann (New York: Grove Press, 1967).Google Scholar
Faucheux, Pierre, Écrire L’Espace (Paris: Robert Laffont, 1978).Google Scholar
Feldman, Hannah, From a Nation Torn: Decolonizing Art and Representation in France, 1945–1962 (Durham, NC: Duke University Press, 2014).Google Scholar
Fer, Bryony, “Surrealism, Myth and Psychoanalysis,” in Fer, Bryony, Batchelor, David, and Wood, Paul, eds., Realism, Rationalism, Surrealism (London: Yale University Press/Open University, 1993), 176–177.Google Scholar
Field, Jennifer, ed., Moon Dancers: Yup’ik Masks and the Surrealists (New York: Di Donna, 2018).Google Scholar
Fijalkowski, Krzysztof, “Invention, Imagination, Interpretation: Collective Activity in the Contemporary Czech and Slovak Surrealist Group,” Papers of Surrealism 3 (2005).Google Scholar
Fijalkowski, Krzysztof and Richardson, Michael, eds., Surrealism: Key Concepts (New York: Routledge, 2016).Google Scholar
Finkelstein, Haim N., Surrealism and the Crisis of the Object (Ann Arbor: University of Michigan Research Press, 1979).Google Scholar
Forest, Philippe, Histoire de Tel Quel, 1960–1982 (Paris: Seuil, 1995).Google Scholar
Foster, Hal, “The Primitive Unconscious of Modern Art,” in Recodings: Art, Spectacle, Cultural Politics (Washington: Bay Press, 1985).Google Scholar
Foster, Hal Compulsive Beauty (Cambridge, MA: MIT Press, 1993).Google Scholar
Foster, Hal, Krauss, Rosalind E., Bois, Yve-Alain , and Buchloh, Benjamin , Art Since 1900: Modernism, Antimodernism, Postmodernism (London: Thames & Hudson, 2016).Google Scholar
Foucault, Michel, This Is Not a Pipe (Berkeley: University of California Press, 1983).Google Scholar
Foucault, Michel Aesthetics, Method, and Epistemology: Essential Works of Foucault, 1954–1984, Vol. 2, trans. Robert Hurley (London: Penguin, 1998).Google Scholar
Fourier, Charles, The Social Destiny of Man: Or, Theory of the Four Movements, trans. Henry Clapp Jr. (New York: R. M. Dewitt, 1857).Google Scholar
Fourier, Charles Œuvres completes de Charles Fourier, Vol. X (Paris: Anthropos, 1966).Google Scholar
Fourier, Charles The Utopian Vision of Charles Fourier, trans. and Introduction Jonathan Beecher and Richard Bienvenu (Boston: Beacon Press, 1971).Google Scholar
Freud, Sigmund, The Standard Edition of the Complete Psychological Works of Sigmund Freud, trans. James Strachey (London: Hogarth Press, 1957).Google Scholar
Freud, Sigmund Art and Literature, Vol. 14 (London: Penguin Books, 1990).Google Scholar
Freud, Sigmund Beyond the Pleasure Principle and Other Writings (London: Penguin Books, 2003)Google Scholar
Freud, Sigmund Civilization and Its Discontents (London: Penguin, 2004).Google Scholar
Gascoyne, David, Collected Journals, 1936–42 (London: Skoob Books, 1991).Google Scholar
Gascoyne, David Journal, 1936–1937 (London: Entharmion Press, 1980).Google Scholar
Gateau, Jean-Jacques, Paul Éluard et la peinture surréaliste (1910–1939) (Geneva: Droz, 1982).Google Scholar
Gauthier, Xavière, Surréalisme et sexualité (Paris: Gallimard, 1971).Google Scholar
Gauthier, Xavière Rose saignée (Paris: Éditions des femmes, 1974).Google Scholar
Giles, Paul, Backgazing: Reverse Time in Modernist Culture (Oxford: Oxford University Press, 2019).Google Scholar
Gillespie, Susan H., ed., The Challenge of Surrealism: The Correspondence of Theodor W. Adorno and Elisabeth Lenk (Minneapolis: University of Minnesota Press, 2015).Google Scholar
Gleeson, James, “What Is Surrealism?,” Art in Australia 81 (November 25, 1940), 27–30.Google Scholar
Glissant, Edouard, Caribbean Discourse: Selected Essays, trans. J. Michael Dash (Charlottesville: University of Virginia Press, 1989).Google Scholar
Goodwin, Robin and Cramer, Duncan, eds., Inappropriate Relationships: The Unconventional, the Disapproved and the Forbidden (London: Lawrence Erlbaum Associates, 2002).Google Scholar
Greaney, Patrick, Untimely Beggar: Poverty and Power from Baudelaire to Benjamin (Minneapolis: University of Minnesota Press, 2008).Google Scholar
Green, Christopher, Cubism and Its Enemies: Modern Movements and Reaction in French Art, 1916–1928 (New Haven: Yale University Press, 1989).Google Scholar
Grossman, Wendy, “From Ethnographic Object to Modernist Icon: Photographs of African and Oceanic Sculpture and the Rhetoric of the Image,” Visual Resources 23.4 (December, 2007), 291–336.Google Scholar
Grossman, Wendy A. and Sebline, Edouard, eds., Man Ray: Human Equations (Berlin: Hatje Cantz, 2015).Google Scholar
Groth, Helen and Lusty, Natalya, Dreams and Modernity: A Cultural History (London and New York: Routledge, 2013).Google Scholar
Guigon, Emmanuel, ed., L’objet surréaliste (Paris: Jean Michel Place, 2005).Google Scholar
Hammond, Paul, L’Âge d’or (London: BFI, 1997).Google Scholar
Hammond, Paul Constellations of Miró, Breton (San Francisco: City Lights Books, 2000).Google Scholar
Hammond, Paul ed., The Shadow and Its Shadow: Surrealist Writings on Film (San Francisco: City Lights, 2000).Google Scholar
Haraway, Donna J., The Companion Species Manifesto: Dogs, People, and Significant Otherness (Chicago: Prickly Paradigm, 2003).Google Scholar
Harman, Graham, Object-Oriented Ontology; A New Theory of Everything (London: Penguin Random House, 2018).Google Scholar
Harmon, Katharine, You Are Here: Personal Geographies and Other Maps of the Imagination (New York: Princeton Architectural Press, 2004).Google Scholar
Harney, Elizabeth and Phillips, Ruth B., eds., Mapping Modernisms: Art, Indigeneity, Colonialism (Durham, NC: Duke University Press, 2019).Google Scholar
Harris, Steven, Surrealist Art and Thought in the 1930s: Art, Politics, and the Psyche (Cambridge, UK: Cambridge University Press, 2004).Google Scholar
Harrisson, Tom and Madge, Charles, Britain By Mass-Observation (London: Cresset Library, 1986).Google Scholar
Haworth-Booth, Mark, The Art of Lee Miller (London: V&A Publications, 2007).Google Scholar
Hayot, Eric and Walkowitz, Rebecca L., eds., A New Vocabulary for Global Modernism (New York: Columbia University Press, 2016).Google Scholar
Hegel, G. W. F., Hegel’s Philosophy of Nature. Part Two of the Encyclopaedia of the Philosophical Sciences (1830) (Oxford: Clarendon Press, 2004 [1970]).Google Scholar
Herbert, James D., Paris 1937: Worlds on Exhibition (Ithaca, NY: Cornell University Press, 1998).Google Scholar
Highmore, Ben, Everyday Life and Cultural Theory: An Introduction (London: Routledge, 2002).CrossRefGoogle Scholar
Hinton, James, The Mass Observers: A History, 1937–1949 (Oxford: Oxford University Press, 2013).Google Scholar
Hocquenghem, Guy, Homosexual Desire (Durham, NC: Duke University Press, 1993).Google Scholar
Hollier, Denis, ed., The College of Sociology, 1937–39, trans. Betsy Wing (Minneapolis: University of Minnesota Press 1988).Google Scholar
Hollier, Denis ed., A New History of French Literature (Cambridge, MA: Harvard University Press, 1994).Google Scholar
Hopkins, David, Dada’s Boys: Masculinity After Duchamp (New Haven: Yale University Press, 2008).Google Scholar
Hopkins, David ed., A Companion to Dada and Surrealism (Hoboken: John Wiley & Sons 2016).Google Scholar
Horrocks, Roger, Len Lye: A Biography (Auckland: Auckland University Press, 2001).Google Scholar
Horrocks, Roger Art that Moves: The Work of Len Lye (Auckland: Auckland University Press, 2009).Google Scholar
Hubble, Nick, Mass Observation and Everyday Life (Basingstoke, UK: Palgrave Macmillan, 2010).Google Scholar
Hubert, Renée Riese, “Three Women Poets: Renée Rivet, Joyce Mansour, Yvonne Caroutch,” Yale French Studies 21 (1958), 40–48.Google Scholar
Hughes, Robert, The Shock of the New: Art and the Century of Change (London: Thames & Hudson, 1991).Google Scholar
Hugnet, Georges, “In the Light of Surrealism,” in Barr, A. H., ed., Fantastic Art, Dada, Surrealism (New York: Museum of Modern Art/Arnos Press, 1937).Google Scholar
Hulten, Pontus, ed., The Surrealists Look at Art (Venice, CA: Lapis Press, 1990).Google Scholar
Huyssen, Andreas, “Mass Culture As Woman: Modernism’s Other,” in After the Great Divide: Modernism, Mass Culture, Postmodernism (Bloomington: Indiana University Press 1986), 39–57.Google Scholar
Irigaray, Luce, “When Our Lips Speak Together,” trans. Carolyn Burke Signs 6.1 (1980 [1976]), 69–79.Google Scholar
James, Klemens E., Against Repression: Surrealism, Sublimation and the Recuperation of Desire (Oxford: Peter Lang, 2018).Google Scholar
Jameson, Frederic, Postmodernism or the Cultural Logic of Late Capitalism (Durham, NC: Duke University Press, 1991).Google Scholar
Janover, Louis, “Réflexions sur l’art et le travail,” Front noir 9 (April, 1966).Google Scholar
Janover, Louis Surréalisme, art et politique (Paris: Éditions Galilée, 1980).Google Scholar
Janover, Louis La Révolution surréaliste (Paris: Librarie Plon, 1989).Google Scholar
Janover, Louis Surréalisme et situationnistes au rendez-vous des avant-gardes (Paris: Sens & Tonka, 2013).Google Scholar
Jennings, Humphrey, Poems (New York: The Weekend Press, 1951).Google Scholar
Jennings, Humphrey Pandaemonium, 1660–1886: The Coming of the Machine As Seen by Contemporary Observers, edited by Jennings, Mary-Lou and Madge, Charles (London: André Deutsch, 1985).Google Scholar
Jennings, Humphrey and Madge, Charles, May the Twelfth: Mass Observation Day-Surveys 1937 (London: Faber and Faber, 1937).Google Scholar
Jenny, Laurent, “From Breton to Dalí: The Adventures of Automatism,” trans. Thomas Trezise, October 51 (Winter, 1989), 114.Google Scholar
Jolles, Adam, The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925–1941 (University Park, PA: Penn State University Press, 2013).Google Scholar
Kachur, Lewis, Displaying the Marvelous: Marcel Duchamp, Salvador Dali, and Surrealist Exhibition Installations (Cambridge, MA.: MIT Press, 2001).Google Scholar
Kaplan, Donald M., “Surrealism and Psychoanalysis: Notes on a Cultural Affair,” American Imago 46.4 (1989), 319–327.Google Scholar
Keller, Sarah, Maya Deren: Incomplete Control (New York: Columbia University Press, 2015).Google Scholar
Kelley, Robin D. G., Freedom Dreams: The Black Radical Imagination (Boston: Beacon Press, 2002).Google Scholar
Kendell, Stuart, George Bataille (London: Reaktion, 2007).Google Scholar
Kenseth, Joy, The Age of the Marvelous (Hanover, NH: The Hood Museum, 1992).Google Scholar
King, Elliott H., Dalí, Surrealism and Cinema (Harpenden, UK: Kamera, 2007).Google Scholar
Kinnahan, Linda A., “Surrealism and the Female Body: Economies of Violence,” in Mina Loy, Twentieth-Century Photography, and Women Poets (London: Routledge 2017), 74–122.Google Scholar
Knabb, Kenneth, ed., Situationist International Anthology (Berkeley: Bureau of Public Secrets, 2007).Google Scholar
Kohlmann, Benjamin, Committed Styles: Modernism, Politics, and Left-Wing Literature in the 1930s (Oxford: Oxford University Press, 2014).Google Scholar
Krauss, Rosalind E., Joan Miró – Magnetic Fields (New York: Solomon R. Guggenheim Foundation, 1972).Google Scholar
Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths (Cambridge, MA and London: MIT Press, 1986).Google Scholar
Krauss, Rosalind E. “The Master’s Bedroom,” Representations 28 (1989), 55–76.Google Scholar
Krauss, Rosalind E. The Optical Unconscious (Cambridge, MA: MIT Press, 1993).Google Scholar
Kristeva, Julia, Revolution in Poetic Language, trans. Margaret Waller (New York: Columbia University Press, 1984 [1974]).Google Scholar
Kritsky, Gene, Mader, Daniel, and Smith, Jesse J., “Surreal Entomology: The Insect Imagery of Salvador Dalí,” American Entomologist 59.1 (2013), 28–37.Google Scholar
Kyrou, Ado, Le Surréalisme au cinéma (Paris: Ramsay, 2005).Google Scholar
Lacan, Jacques, “Some Reflections on the Ego,” International Journal of Psycho-Analysis 34 (1953), 11–17.Google Scholar
Lacan, Jacques Écrits (Paris: Éditions du Seuil, 1966).Google Scholar
Lacan, Jacques De la psychose paranoïaque dans ses rapports avec la personnalité, suivi de premiers écrits sur la paranoïa (Paris: Éditions du Seuil, 1975).Google Scholar
LaCoss, Donald, Surrealism in ’68: Paris, Prague, Chicago – Dreams of Arson & the Arson of Dreams (Chicago: Black Swan Press, 2008).Google Scholar
Lam, Wifredo, “ ‘My Painting Is an Act of Decolonization,’ an Interview with Wifredo Lam by Gerardo Mosquera (1980),” trans. Colleen Kattau and David Craven, Journal of Surrealism and the Americas 3.1–2 (2009), 1–8.Google Scholar
Lapaire, Claude, ed., Focus on Minotaure: The Animal-Headed Review (Geneva: Musée d’Art et d’Histoire, 1987).Google Scholar
Larson, Barbara and Brauer, Fae, eds., The Art of Evolution; Darwin, Darwinisms and Visual Culture (Hanover, NH: Dartmouth College and University Press of New England, 2009).Google Scholar
Lastra, James, “Buñuel, Bataille, and Buster, Or the Surrealist Life of Things,” Critical Quarterly 51.2 (2009), 16–38.Google Scholar
Latour, Bruno, Pandora’s Hope (Cambridge, MA: Harvard University Press, 1999).Google Scholar
Lautréamont, , Maldoror and Poems, trans. Paul Knight (London and New York: Penguin Books, 1978).Google Scholar
Laxton, Susan, Surrealism and Play (Durham, NC: Duke University Press, 2019).Google Scholar
Leake, Jonathan, “Root and Branch: A Radical Sixties Odyssey,” unpublished memoir (1992). The Tamiment Institute Library and Robert F. Wagner Labor Archives, New York University (TAM 530, box 1, folder 70).Google Scholar
Lehmann, Ulrich, Tigersprung: Fashion in Modernity (Cambridge, MA: MIT Press, 2002).Google Scholar
Lewis, Helena, The Politics of Surrealism (New York: Paragon House, 1988).Google Scholar
Lomas, David, The Haunted Self: Surrealism, Psychoanalysis, Subjectivity (New Haven: Yale University Press, 2000).Google Scholar
Lusty, Natalya, Surrealism, Feminism, Psychoanalysis (New York: Routledge, 2016).Google Scholar
Lusty, Natalya “Rethinking Historiography and Ethnography: Surrealism’s Intellectual Legacy,” Intellectual History Review 27.3 (2017), 413–414.Google Scholar
Lusty, Natalya “Eli Lotar’s Para-urban Visions,” in Brett, Donna West and Lusty, Natalya, eds., Photography and Ontology: Unsettling Images (New York: Routledge, 2019), 87–88.Google Scholar
Lyon, Janet, “Carrington’s Sensorium,” in Eburne, Jonathan P. and McAra, Catriona, eds., Leonora Carrington and the International Avant-Garde (Manchester: Manchester University Press, 2017), 163–176.Google Scholar
Mabille, Pierre, “Le Surréalisme, un nouveau climat sensible,” Front noir 1 (June, 1963), 13–22.Google Scholar
Mabille, Pierre “Surrealism: A New Outlook,” Resurgence 1 (September–October, 1964), 2–3.Google Scholar
Mabille, Pierre Mirror of the Marvelous, trans. Jody Gladding (Rochester, VT: Inner Traditions, 1998 [1940]).Google Scholar
MacClancy, Jeremy, “Brief Encounter: The Meeting, in Mass-Observation, of British Surrealism and Popular Anthropology,” Journal of the Royal Anthropological Institute 1 (1995), 495–512.Google Scholar
MacClancy, Jeremy “Mass-Observation, Surrealism, Social Anthropology: A Present-Day Assessment.” New Formations 44 (2001), 90–99.Google Scholar
Madge, Charles, “Surrealism for the English,” New Verse 6 (1933), 14–18.Google Scholar
Madge, Charles “The Meaning of Surrealism,” New Verse 10 (1934), 13–15.Google Scholar
Madge, Charles “Magic and Materialism.” Left Review 3.1 (1937), 31–35.Google Scholar
Madge, Charles “The Press and Social Consciousness,” Left Review 3.5 (1937), 284.Google Scholar
Madge, Charles Of Love, Time and Places: Selected Poems (London: Anvil Press, 1994).Google Scholar
Madge, Charles and Harrisson, Tom, Mass-Observation (London: Frederick Muller, 1937).Google Scholar
Madge, Charles and Harrisson, Tom First Year’s Work, 1937–1938 (London: Faber and Faber, 1938).Google Scholar
Mahler, Anne Garland, From the Tricontinental to the Global South: Race, Radicalism, and Transnational Solidarity (Durham, NC: Duke University Press, 2019).Google Scholar
Mahon, Alyce, Surrealism and the Politics of Eros, 1938–1968 (New York: Thames & Hudson, 2005).Google Scholar
Mahon, Alyce Jean Jacques Lebel: Barricades (Köln: Walther König, 2014).Google Scholar
Mahon, Alyce Dorothea Tanning (London: Tate, 2018).Google Scholar
Mahon, Alyce The Marquis de Sade and the Avant-Garde (Princeton and Oxford: Princeton University Press, 2020).Google Scholar
Mallarmé, Stéphane, Œuvres complètes II (Paris: Gallimard, 1998).Google Scholar
Mallarmé, Stéphane Divagations, trans. Barbara Johnson (Cambridge, MA: Harvard University Press, 2007).Google Scholar
Malt, Johanna, Obscure Objects of Desire: Surrealism, Fetishism, and Politics (Oxford: Oxford University Press, 2004).Google Scholar
Man Ray, , This Quartet, Vol. 1 [compilation album, September, 1932].Google Scholar
Man Ray, Self-Portrait (Boston: Little, Brown and Company, 1963).Google Scholar
Man Ray, “Interview: Man Ray,” Camera 74 (February, 1975), 39–40.Google Scholar
Mansour, Joyce, “Cris,” in Essential Poems and Writings of Joyce Mansour, trans. Serge Gavronsky (Boston: Black Widow Press, 2008).Google Scholar
Marcus, Laura, “Mass Observation As Poetics and Science.” New Formations 44 (special issue) (2001). www.lwbooks.co.uk/new-formations/44/introduction-the-project-of-mass-observation.Google Scholar
Marcuse, Herbert, Eros and Civilization: A Philosophical Inquiry into Freud (London: Ark Press, 1987).Google Scholar
Marks, Elaine and Courtivron, Isabelle, eds., New French Feminisms: An Anthology (Amherst: University of Massachusetts Press, 1980).Google Scholar
Masson, André, André Masson: Entrevisions (Paris: Galerie Louise Leiris, 1973).Google Scholar
Masson, André Le Rebelle du surréalisme: Écrits, edited by Will-Levaillant, Françoise (Paris: Hermann, 1976).Google Scholar
Matthews, J. H., Surrealism and Film (Ann Arbor: University of Michigan Press, 1971).Google Scholar
McAra, Catriona, A Surrealist Stratigraphy of Dorothea Tanning’s Chasm (London and New York: Routledge, 2017).Google Scholar
McLean, Ian, Rattling Spears: A History of Indigenous Australian Art (London: Reaktion Books, 2016).Google Scholar
Meisel, Perry, ed., Freud: A Collection of Critical Essays (Englewood Cliffs, NJ: Prentice-Hall, 1981).Google Scholar
Merleau-Ponty, Maurice, The Visible and the Invisible, trans. Alphonso Lingis, edited by Lefort, Claude (Evanston: Northwestern University Press, 1968).Google Scholar
Michel, Jean-Claude, The Black Surrealists (New York: Peter Lang, 2000).Google Scholar
Mignolo, Walter, Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking, second edn. (Princeton: Princeton University Press, 2012).Google Scholar
Mileaf, Janine, Please Touch: Dada and Surrealist Objects After the Readymade (Hanover, NH: University Press of New England, 2010).Google Scholar
Miller, Daniel, Materiality (Durham, NC: Duke University Press, 2005).Google Scholar
Miró, Joan, Selected Writings and Interviews, edited by Rowell, Margit (New York: Da Capo Press, 1992).Google Scholar
Mitchell, W. J. T., What Do Pictures Want? (Chicago: University of Chicago Press, 2005).Google Scholar
Mohanty, Chandra Talpade, Feminism without Borders: Decolonizing Theory, Practicing Solidarity (Durham, NC: Duke University Press, 2003).Google Scholar
Morel, Geneviève, Sexual Ambiguities (London: Karnac, 2011).Google Scholar
Morton, Timothy, Dark Ecology: For a Logic of Future Coexistence (New York: Columbia University Press, 2016).Google Scholar
Mulligan, Joseph, ed., Selected Writings of César Vallejo (Middletown, CT: Wesleyan University Press, 2015).Google Scholar
Mulvey, Laura, ed., Visual and Other Pleasures (London: Macmillan, 1989).Google Scholar
Mundy, Jennifer, Ades, Dawn, and Gille, Vincent, eds., Surrealism: Desire Unbound (London: Tate Publishing, 2001).Google Scholar
Nadeau, Maurice. The History of Surrealism, trans. Richard Howard (Cambridge, MA: Harvard University Press, 1989).Google Scholar
Nesbit, Molly, Atget’s Seven Albums (London: Yale University Press, 1992).Google Scholar
Nicholson, Melanie, Surrealism in Latin America: Searching for Breton’s Ghost (London: Palgrave, 2013).Google Scholar
Nigianni, Chrysanthi, ed., Deleuze and Queer Theory (Edinburgh: Edinburgh University Press, 2005).Google Scholar
Noheden, Kristoffer, Surrealism, Cinema, and the Search for a New Myth (Cham: Palgrave Macmillan, 2017).Google Scholar
Norris, Margot, Beasts of the Modern Imagination: Darwin, Nietzsche, Kafka, Ernst and Lawrence (Baltimore: The Johns Hopkins University Press, 1985).Google Scholar
O’Doherty, Brian, Inside the White Cube: The Ideology of the Gallery Space (Berkeley: University of California Press, 1999).Google Scholar
Ottinger, Didier, ed., Dictionnaire de l’objet surréaliste (Paris: Gallimard/Presses Centre Pompidou, 2013).Google Scholar
Ottinger, Didier La sculpture au défi: surréalisme et matérialisme (Paris: Echoppe, 2013).Google Scholar
Paalen, Wolfgang, “On the Meaning of Cubism Today,” Dyn 6 (1944), 4–8.Google Scholar
Parkins, Ilya and Sheehan, Elizabeth M., eds., Cultures of Femininity in Modern Fashion (Lebanon, NH: University Press of New England, 2011).Google Scholar
Parkinson, Gavin, Surrealism, Art and Modern Science: Relativity, Quantum Mechanics, Epistemology (New Haven: Yale University Press, 2008).Google Scholar
Parkinson, Gavin Futures of Surrealism: Myth, Science Fiction, and Fantastic Art in France, 1936–1969 (New Haven: Yale University Press, 2015).Google Scholar
Parkinson, Gavin ed., Surrealism, Science Fiction and Comics (Liverpool: Liverpool University Press, 2015).Google Scholar
Pearson, Roger, Mallarmé (London: Reaktion Books, 2010).Google Scholar
Penrose, Antony, Roland Penrose, The Friendly Surrealist (London: Prestel, 2001).Google Scholar
Penrose, Antony The Home of the Surrealists (London: Frances Lincoln, Penrose Film Productions, 2001).Google Scholar
Penrose, Roland, Wonder and Horror of the Human Head (London: Lund and Humphries, 1953).Google Scholar
Penrose, Roland Scrap Book, 1900–1981 (London: Thames & Hudson, 1981).Google Scholar
Pierre, José, Le Surréalisme (Lausanne: Editions Rencontre, 1966).Google Scholar
Pierre, José ed., Tracts surréalistes et déclarations collectives (1922–1969), 2 vols. (Paris: Losfeld, 1980).Google Scholar
Pierre, José André Breton et La Peinture (Paris: l’Age d’Homme, 1987).Google Scholar
Pierre, José Investigating Sex: Surrealist Discussions 1928–1932, trans. Malcolm Imrie (London: Verso, 1992).Google Scholar
Polizzotti, Mark, Revolution of the Mind: The Life of André Breton (New York: Da Capo Press, 1995).Google Scholar
Pollock, Griselda, “Moments and Temporalities of the Avant-Garde ‘in, of, and from’ the Feminine,” New Literary Histories 41.4 (2010), 795–820.Google Scholar
Posman, Sarah, Reverseau, Anne, Ayers, David, Bru, Sascha, and Hjartarson, Benedikt, The Aesthetics of Matter. Modernism, the Avant-Garde and Material Exchange (Berlin and Boston: De Gruyter, 2013).Google Scholar
Prashad, Vijay, The Darker Nations: A People’s History of the Third World (New York: The New Press, 2007).Google Scholar
Price, Sally and Jamin, Jean, “A Conversation with Michel Leiris,” Current Anthropology 29.1 (February, 1988), 157–174.Google Scholar
Puchner, Martin, Poetry of the Revolution: Marx, Manifestos and the Avant-Gardes (Princeton: Princeton University Press, 2006).Google Scholar
Rabaté, Jean-Michel, “Loving Freud Madly: Surrealism between Hysterical and Paranoid Modernism,” Journal of Modern Literature 24.2–3 (2002), 58–74.Google Scholar
Radcliffe, Charles, Don’t Start Me Talking: Subculture, Situationism and the Sixties (e-book: Bread & Circuses Publishing, 2018).Google Scholar
Raine, Kathleen, “David Gascoyne and the Prophetic Role,” in Defending Ancient Springs (West Stockridge, MA: Lindesfarne Press, 1985), 35–65.Google Scholar
Raine, Kathleen Autobiographies (San Rafael: Coracle Press, 1991).Google Scholar
Ravaisson, Félix, Of Habit, trans. Clare Carlisle and Mark Sinclair (London: Continuum, 2009).Google Scholar
Rawes, Peg, Space, Geometry and Aesthetics: Through Kant and towards Deleuze (New York: Palgrave Macmillan, 2008).Google Scholar
Remy, Michel, Surrealism in Britain (Aldershot, UK: Ashgate, 1999).Google Scholar
Rentzou, Effie, “The Minotaur’s Revolution,” L’Esprit Créateur 51.4 (2011), 58–72.Google Scholar
Rentzou, Effie “Minotaure: On Ethnography and Animals,” Symposium 67.1 (Spring, 2013), 25–37.Google Scholar
Richardson, Michael, Surrealism and Cinema (Oxford: Berg, 2006).Google Scholar
Richardson, Michael and Fijalkowski, Krzysztof, eds. and trans., Refusal of the Shadow: Surrealism and the Caribbean (London: Verso, 1996).Google Scholar
Richardson, Michael and Fijalkowski, Krzysztof Surrealism against the Current: Tracts and Declarations (London: Pluto Press, 2001).Google Scholar
Ricoeur, Paul, Freud and Philosophy: An Essay on Interpretation, trans. Denis Savage (New Haven and London: Yale University Press, 1970).Google Scholar
Rose, Alan, Surrealism and Communism: The Early Years (New York: Peter Lang, 1991).Google Scholar
Rosemont, Franklin, “Herbert Marcuse and Surrealism,” Arsenal 4 (1989), 39–46.Google Scholar
Rosemont, Franklin and Radcliffe, Charles, eds., Dancin’ in the Streets!: Anarchists, IWWs, Surrealists, Situationists & Provos in the 1960s As Recorded in the Pages of “The Rebel Worker” and “Heatwave” (Chicago: Charles H. Kerr Publishing Company, 2005).Google Scholar
Rosemont, Franklin, Rosemont, Penelope, and Garon, Paul, eds., “Unmasked,” in The Forecast Is Hot!: Tracts and Other Collective Declarations of the Surrealist Movement in the United States, 1966–1976 (Chicago: Black Swan Press, 1997).Google Scholar
Rosemont, Penelope, ed., Surrealist Women: An International Anthology (Austin: University of Texas Press, 1998).Google Scholar
Röske, Thomas and von Beyme, Ingrid, eds., Surrealism and Madness (Heidelberg: Wunderhorn, 2009).Google Scholar
Rosmer, Alfred, ed., Trotsky and the Origins of Trotskyism (London: Francis Boutle, 2002).Google Scholar
Roudinesco, Elisabeth, Jacques Lacan and Co.: A History of Psychoanalysis in France, 1925–1985, trans. Jeffrey Mehlem (Chicago: University of Chicago Press, 1990).Google Scholar
Roudinesco, Elisabeth Histoire de la psychanalyse en France 2, 1925–1985 (Paris: Fayard, 1994).Google Scholar
Rubin, William, Dada and Surrealist Art (New York: Harry N. Abrams, 1968).Google Scholar
Rubin, William ed., “Primitivism” in 20th Century Art: Affinity of the Tribal and the Modern (New York: Museum of Modern Art, 1984).Google Scholar
Rubin, William and Lancher, Carolyn, André Masson (New York: Museum of Modern Art, 1976).Google Scholar
Rudosky, Christina, “Une collection qui a du chien: l’atelier d’André Breton,” Histoires littéraries 53 (2013), 35–46.Google Scholar
Sakolsky, Ron, Dreams of Anarchy and the Anarchy of Dreams: Adventures at the Intersection of Anarchy and Surrealism (Brooklyn: Autonomedia, 2020).Google Scholar
Sawin, Martica, Surrealism in Exile and the Beginning of the New York School (Cambridge, MA: MIT Press, 1995).Google Scholar
Sayer, Derek, Making Trouble: Surrealism and the Human Sciences (Chicago: Prickly Paradigm Press, 2017).Google Scholar
Schmitt, Patrice “De la psychose paranoïaque dans ses rapports avec Salvador Dalí,” in Salvador Dalí, catalogue d’exposition (Paris: Centre Georges Pompidou, 1979), 262–266.Google Scholar
Scopelliti, Paolo, L’Influence du surréalisme sur la psychanalyse (Paris: L’Âge d’homme, 2002).Google Scholar
Shepard, Todd, The Invention of Decolonization: The Algerian War and the Remaking of France (Ithaca, NY: Cornell University Press, 2006).Google Scholar
Sheringham, Michael, ed., Parisian Fields (London: Reaktion Books, 1996).Google Scholar
Sheringham, Michael Everyday Life: Theories and Practices from Surrealism to the Present (Oxford: Oxford University Press, 2006).Google Scholar
Short, Robert, “The Politics of Surrealism, 1920–36,” Journal of Contemporary History 1.2 (1966), 3–25.Google Scholar
Sitney, P. Adams, Visionary Film: The American Avant-Garde, 1943–2000 (Oxford and New York: Oxford University Press, 2002).Google Scholar
Smith, Bernard, European Vision and the South Pacific, 1768–1850: A Study in the History of Art and Ideas (Oxford: Clarendon Press, 1960).Google Scholar
Smith, Bernard Modernism’s History: A Study in Twentieth-Century Art and Ideas (New Haven: Yale University Press, 1998).Google Scholar
Smith, Marquard, The Erotic Doll. A Modern Fetish (New Haven: Yale University Press, 2010).Google Scholar
Smith, Matthew J., Red and Black in Haiti: Radicalism, Conflict, and Political Change, 1934–1957 (Chapel Hill: University of North Carolina Press, 2009).Google Scholar
Spiteri, Raymond, “Oceania,” in International Encyclopedia of Surrealism (London: Bloomsbury, 2019), 105.Google Scholar
Spiteri, Raymond and LaCoss, Donald, eds., Surrealism, Politics, and Culture (Aldershot, UK: Ashgate Publishing, 2003).Google Scholar
Stafford, Hélène, Mallarmé and the Poetics of Everyday Life (Amsterdam: Editions Rodopi, 2000).Google Scholar
Stewart, Susan, On Longing (Baltimore: Johns Hopkins University Press, 1984).Google Scholar
Stone, Rob and Gutiérrez-Albilla, Julián Daniel, eds., A Companion to Luis Buñuel (Chichester, UK: Wiley-Blackwell, 2014).Google Scholar
Strom, Kirsten, The Animal Surreal: The Role of Darwin, Animals, and Evolution in Surrealism (New York: Routledge, 2017).Google Scholar
Suleiman, Susan Rubin, Subversive Intent: Gender, Politics, and the Avant-Garde (Cambridge, MA: Harvard University Press, 1990).Google Scholar
Suleiman, Susan Rubin ed., The Female Body in Western Culture (Cambridge, MA: Harvard University Press, 1996).Google Scholar
Sulloway, Frank J., Freud, Biologist of the Mind (Cambridge, MA: Harvard University Press, 1992 [1979]).Google Scholar
Susik, Abigail, “Chicago Surrealism, Herbert Marcuse, and the Affirmation of the ‘Present and Future Viability of Surrealism’,” Journal of Surrealism and the Americas 11.1 (2020), 42–62.Google Scholar
Susik, Abigail and King, Elliott H, “Surrealism as Radicalism,” in Radical Dreams: Surrealism, Counterculture, Resistance (State College, PA: Penn State University Press, 2021).Google Scholar
Sweeney, James Johnson, “Joan Miró: Comment and Interview,” Partisan Review (February, 1948), 206–212.Google Scholar
Symons, Julian, The Thirties: A Dream Revolved (London: Faber, 1975).Google Scholar
Tanning, Dorothea, Between Lives: An Artist and Her World (New York: W. W Norton & Company, 2001).Google Scholar
Tanning, Dorothea Chasm: A Weekend (London: Virago, 2004).Google Scholar
Taylor, Sue, Hans Bellmer: The Anatomy of Anxiety (Cambridge. MA: MIT Press, 2002).Google Scholar
Thévenin, Paule, ed., Bureau de recherches surréalistes: Cahier de la permanence, octobre 1924-avril 1925 (Paris: Gallimard, 1988).Google Scholar
Thirion, André, Revolutionaries without Revolution, trans. Joachim Neugroschel (New York: Macmillan, 1975).Google Scholar
Topor, Roland, Anthologie (Paris: Jean-Jacques Pauvert, 1961).Google Scholar
Torrance, John, ed., The Concept of Nature: The Herbert Spencer Lectures (Oxford: Clarendon Press, 1992).Google Scholar
Troy, Nancy J., Couture Culture: A Study in Modern Art and Fashion (Cambridge, MA: MIT Press, 2003).Google Scholar
Tythacott, Louise, Surrealism and the Exotic (London: Routledge, 2003).Google Scholar
Ungureanu, Delia, From Paris to Tlön: Surrealism As World Literature (New York: Bloomsbury, 2018).Google Scholar
Walker, Ian, City Gorged with Dreams: Surrealism and Documentary Photography in Interwar Paris (Manchester: Manchester University Press, 2002).Google Scholar
Walkowitz, Rebecca L., Cosmopolitan Style: Modernism beyond the Nation (New York: Columbia University Press, 2006).Google Scholar
Walz, Robin, Pulp Surrealism: Insolent Popular Culture in Early Twentieth-Century Paris (Berkeley: University of California Press, 2000).Google Scholar
Warehime, Marja, “ ‘Vision Sauvage’ and Images of Culture: Georges Bataille, Editor of Documents,” French Review 60.1 (October, 1986), 39–45.Google Scholar
Warrior, Robert, “Native American Scholarship and the Transnational Turn,” Cultural Studies Review 15.2 (September, 2009), 119–130.Google Scholar
Watz, Anna, Angela Carter and Surrealism: “A Feminist Libertarian Aesthetic” (London and New York: Routledge, 2017).Google Scholar
Weisner, Ulrich, ed., Picassos Surrealismus, Werke 1925–1937 (Stuttgart: Verlag Gerd Htje, 1991).Google Scholar
Whitford, Margaret, ed., The Irigaray Reader (Oxford: Blackwell, 1996).Google Scholar
Wilder, Gary, Freedom Time: Negritude, Decolonization, and the Future of the World (Durham, NC: Duke University Press, 2015).Google Scholar
Willet, Cynthia, Interspecies Ethics (New York: Columbia University Press, 2014).Google Scholar
Williams, Raymond, “Problems of Materialism,” in Problems in Materialism and Culture: Selected Essays (London: Verso, 1980).Google Scholar
Witkovsky, Matthew S., “Dada Breton,” October 105 (Summer, 2003), 125–136.Google Scholar
Wittgenstein, Ludwig, Philosophical Investigations, trans. G. E. M. Anscombe (Oxford: Basil Blackwell, 1958).Google Scholar
Wolfe, Cary, What Is Posthumanism? (Minneapolis: University of Minnesota Press, 2009).Google Scholar
Wolin, Richard, Walter Benjamin: An Aesthetic of Redemption (New York: Columbia University Press, 1982).Google Scholar
Wollen, Peter, “The Situationist International,” New Left Review I.174 (March–April, 1989), 67–95.Google Scholar
Wood, Ghislaine, ed., Surreal Things: Surrealism and Design (London: V&A Publications, 2007).Google Scholar
Wood, Ghislaine The Surreal Body: Fetish and Fashion (London: V&A Publications 2007).Google Scholar
Workman, Lance, Charles Darwin: The Shaping of Evolutionary Thinking (New York: Palgrave Macmillan, 2014).Google Scholar
Wright, Alexis, Carpentaria (Artarmon, New South Wales: Giramondo, 2007).Google Scholar
Zalman, Sandra, Consuming Surrealism in American Culture: Dissident Modernism (Farnham, UK: Ashgate Publishing, 2015).Google Scholar
Zepke, Stephen, Art As Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari (London: Routledge, 2001).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Select Bibliography
  • Edited by Natalya Lusty, University of Melbourne
  • Book: Surrealism
  • Online publication: 23 July 2021
  • Chapter DOI: https://doi.org/10.1017/9781108862639.023
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Select Bibliography
  • Edited by Natalya Lusty, University of Melbourne
  • Book: Surrealism
  • Online publication: 23 July 2021
  • Chapter DOI: https://doi.org/10.1017/9781108862639.023
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Select Bibliography
  • Edited by Natalya Lusty, University of Melbourne
  • Book: Surrealism
  • Online publication: 23 July 2021
  • Chapter DOI: https://doi.org/10.1017/9781108862639.023
Available formats
×