Book contents
- Stefan Wolpe and the Avant-Garde Diaspora
- New perspectives in music history and criticism
- Stefan Wolpe and the Avant-Garde Diaspora
- Copyright page
- Contents
- Illustrations and musical examples
- Acknowledgments
- Introduction
- 1 Wolpe’s Self-Revelatory Poetics and Critical Reflections, Circa 1951
- 2 Weimar-Era Montage and Avant-Garde Community
- 3 “Amalgamated” Musics and NationalVisions in 1930s Palestine
- 4 The Mid-Century Poetics and Politics of Experimental Community
- Epilogue:
- Select Bibliography
- Index
3 - “Amalgamated” Musics and NationalVisions in 1930s Palestine
Published online by Cambridge University Press: 05 February 2014
- Stefan Wolpe and the Avant-Garde Diaspora
- New perspectives in music history and criticism
- Stefan Wolpe and the Avant-Garde Diaspora
- Copyright page
- Contents
- Illustrations and musical examples
- Acknowledgments
- Introduction
- 1 Wolpe’s Self-Revelatory Poetics and Critical Reflections, Circa 1951
- 2 Weimar-Era Montage and Avant-Garde Community
- 3 “Amalgamated” Musics and NationalVisions in 1930s Palestine
- 4 The Mid-Century Poetics and Politics of Experimental Community
- Epilogue:
- Select Bibliography
- Index
Summary
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- Type
- Chapter
- Information
- Stefan Wolpe and the Avant-Garde Diaspora , pp. 140 - 201Publisher: Cambridge University PressPrint publication year: 2012