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Published online by Cambridge University Press:  05 April 2013

Thomas Schmidt-Beste
Thomas Schmidt-Beste
Affiliation:
University of Wales, Bangor
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The Sonata , pp. 243 - 249
Publisher: Cambridge University Press
Print publication year: 2011

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References

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Allsop, Peter, The Italian Trio Sonata from its Origins until Corelli (Oxford: Clarendon, 1992)Google Scholar
Barnett, Gregory Richard, Bolognese Instrumental Music, 1660–1710: Spiritual Comfort, Courtly Delight, and Commercial Triumph (Aldershot: Ashgate, 2008)Google Scholar
Bates, Carol Henry, ‘The Early French Sonata for Solo Instruments: A Study in Diversity’, in Recherches sur la musique Française classique, 27 (1991), 71–98Google Scholar
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Bonta, Stephen, The Church Sonatas of Giovanni Legrenzi (Ph.D. thesis, Harvard University, 1964)Google Scholar
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Heidlberger, Frank, Canzon da sonar. Studien zu Terminologie, Gattungsproblematik und Stilwandel in der Instrumentalmusik Oberitaliens um 1600, Würzburger Musikhistorische Beiträge, 19, 2 vols (Tutzing: Schneider, 2000)Google Scholar
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Schulenberg, David, ‘The Sonate auf Concertenart: A Postmodern Invention?’ in Bach Perspectives, 7 (2008), 55–96Google Scholar
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Barford, Philip, The Keyboard Music of C. P. E. Bach: Considered in Relation to his Musical Aesthetic and the Rise of the Sonata Principle (London: Barrie and Rockliff, 1965)Google Scholar
Berman, Boris, Prokofiev's Piano Sonatas: A Guide for the Listener and the Performer (New Haven, CT and London: Yale University Press, 2008)CrossRefGoogle Scholar
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