Book contents
- Frontmatter
- Contents
- Acknowledgements
- Prologue
- 1 Anatomy of a warhorse: Il trovatore from A to Z
- 2 On opera and society (assuming a relationship)
- 3 Opera and the novel: antithetical or complementary?
- 4 Opera by other means
- 5 Opera and/as lyric
- 6 From separatism to union: aesthetic theorizing from Reynolds to Wagner
- 7 Toward a characterization of modernist opera
- 8 Anti-theatricality in twentieth-century opera
- 9 A brief consumers' history of opera
- Epilogue
- WORKS CITED
- Index
Contents
Published online by Cambridge University Press: 05 August 2011
- Frontmatter
- Contents
- Acknowledgements
- Prologue
- 1 Anatomy of a warhorse: Il trovatore from A to Z
- 2 On opera and society (assuming a relationship)
- 3 Opera and the novel: antithetical or complementary?
- 4 Opera by other means
- 5 Opera and/as lyric
- 6 From separatism to union: aesthetic theorizing from Reynolds to Wagner
- 7 Toward a characterization of modernist opera
- 8 Anti-theatricality in twentieth-century opera
- 9 A brief consumers' history of opera
- Epilogue
- WORKS CITED
- Index
Summary

- Type
- Chapter
- Information
- Situating OperaPeriod, Genre, Reception, pp. viiPublisher: Cambridge University PressPrint publication year: 2010