Book contents
- Frontmatter
- Shakespeare’s Romances since 1958: A Retrospect
- Puzzle and Artifice: The Riddle as Metapoetry in ‘Pericles’
- ‘Pericles’ in a Book-List of 1619 from the English Jesuit Mission and Some of the Play's Special Problems
- George Wilkins and the Young Heir
- Theatrical Virtuosity and Poetic Complexity in ‘Cymbeline’
- Noble Virtue in ‘Cymbeline’
- Directing the Romances
- Shakespeare and the Ideas of his Time
- The Letter of the Law in ‘The Merchant of Venice’
- Shakespeare’s Use of the ‘Timon’ Comedy
- Re-enter the Stage Direction: Shakespeare and Some Contemporaries
- The Staircases of the Frame: New Light on the Structure of the Globe
- Shakespeare in Max Beerbohm’s Theatre Criticism
- A Danish Actress and Her Conception of the Part of Lady Macbeth
- Towards a Poor Shakespeare: The Royal Shakespeare Company at Stratford in 1975
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Textual Studies
- Index
- Plate Section
Noble Virtue in ‘Cymbeline’
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare’s Romances since 1958: A Retrospect
- Puzzle and Artifice: The Riddle as Metapoetry in ‘Pericles’
- ‘Pericles’ in a Book-List of 1619 from the English Jesuit Mission and Some of the Play's Special Problems
- George Wilkins and the Young Heir
- Theatrical Virtuosity and Poetic Complexity in ‘Cymbeline’
- Noble Virtue in ‘Cymbeline’
- Directing the Romances
- Shakespeare and the Ideas of his Time
- The Letter of the Law in ‘The Merchant of Venice’
- Shakespeare’s Use of the ‘Timon’ Comedy
- Re-enter the Stage Direction: Shakespeare and Some Contemporaries
- The Staircases of the Frame: New Light on the Structure of the Globe
- Shakespeare in Max Beerbohm’s Theatre Criticism
- A Danish Actress and Her Conception of the Part of Lady Macbeth
- Towards a Poor Shakespeare: The Royal Shakespeare Company at Stratford in 1975
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Textual Studies
- Index
- Plate Section
Summary
Cymbeline has had small notice and less praise. It was reported ‘Well likte by the kinge’ when played at Court in 1633, and the Folger Library holds a copy of the Second Folio in which late in the seventeenth century someone inscribed the single word ‘good’ on the first pages of The Comedy of Errors, The Merry Wives of Windsor, The Merchant of Venice, and Much Ado About Nothing, and on the first page of Cymbeline, the word ‘rare’. Dr Johnson, on the other hand, thought the play characterized by ‘unresisting imbecility’, and his view is the more prevalent today.
The play undoubtedly poses difficulties, but it has also had needless difficulties foisted upon it. Its opening scene, for example, is usually understood as clarifying stable values:
He that has miss'd the princess is a thing
Too bad for bad report: and he that hath her
(I mean, that married her, alack good man,
And therefore banish'd) is a creature such
As, to seek through the regions of the earth
For one his like; there would be something failing
In him that should compare. I do not think
So fair an outward, and such stuff within
Endows a man, but he.
(I, i, I6-24)- Type
- Chapter
- Information
- Shakespeare Survey , pp. 51 - 62Publisher: Cambridge University PressPrint publication year: 1976