Book contents
- Frontmatter
- King Lear: A Retrospect, 1980–2000
- How Shakespeare Knew King Leir
- Contracts of Love and Affection: Lear, Old Age, and Kingship
- Headgear as a Paralinguistic Signifier in King Lear
- What becomes of the broken-hearted: King Lear and the Dissociation of Sensibility
- Lear’s Afterlife
- Songs of Madness: The Lyric Afterlife of Shakespeare’s Poor Tom
- Secularizing King Lear: Shakespeare, Tate, and the Sacred
- ‘Look on her, look’: The Apotheosis of Cordelia
- Jacob Gordin’s Mirele Efros: King Lear as Jewish Mother
- ‘How fine a play was Mrs Lear’: The Case for Gordon Bottomley’s King Lear's Wife
- Some Lears
- King Lear and Endgame
- Shakespeare in Pain: Edward Bond’s Lear and the Ghosts of History
- ‘Think about Shakespeare’: King Lear on Pacific Cliffs
- Actors, Editors, and the Annotation of Shakespearian Playscripts
- Titus Andronicus: The Classical Presence
- Julius Caesar, Machiavelli, and the Uses of History
- Scepticism and Theatre in Macbeth
- Revels End, and the Gentle Body Starts
- ‘Taking just care of the impression’: Editorial Intervention in Shakespeare's Fourth Folio, 1685
- ‘A world elsewhere’: Shakespeare in South Africa
- Shakespeare Performances in England, 2001
- Professional Shakespeare Productions in the British Isles January–December 2000
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Editions and Textual Studies (1) and (2)
- Books Received
- Index
3 - Editions and Textual Studies (1) and (2)
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- King Lear: A Retrospect, 1980–2000
- How Shakespeare Knew King Leir
- Contracts of Love and Affection: Lear, Old Age, and Kingship
- Headgear as a Paralinguistic Signifier in King Lear
- What becomes of the broken-hearted: King Lear and the Dissociation of Sensibility
- Lear’s Afterlife
- Songs of Madness: The Lyric Afterlife of Shakespeare’s Poor Tom
- Secularizing King Lear: Shakespeare, Tate, and the Sacred
- ‘Look on her, look’: The Apotheosis of Cordelia
- Jacob Gordin’s Mirele Efros: King Lear as Jewish Mother
- ‘How fine a play was Mrs Lear’: The Case for Gordon Bottomley’s King Lear's Wife
- Some Lears
- King Lear and Endgame
- Shakespeare in Pain: Edward Bond’s Lear and the Ghosts of History
- ‘Think about Shakespeare’: King Lear on Pacific Cliffs
- Actors, Editors, and the Annotation of Shakespearian Playscripts
- Titus Andronicus: The Classical Presence
- Julius Caesar, Machiavelli, and the Uses of History
- Scepticism and Theatre in Macbeth
- Revels End, and the Gentle Body Starts
- ‘Taking just care of the impression’: Editorial Intervention in Shakespeare's Fourth Folio, 1685
- ‘A world elsewhere’: Shakespeare in South Africa
- Shakespeare Performances in England, 2001
- Professional Shakespeare Productions in the British Isles January–December 2000
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Editions and Textual Studies (1) and (2)
- Books Received
- Index
Summary
Genuinely monumental studies of Shakespeare’s texts tend to appear, with curious regularity, once every nineteen years: the recent milestones being 1963 (Hinman’s Printing and Proof-reading of the First Folio of Shakespeare), 1982 (Blayney’s The Texts of ‘King Lear’ and Their Origins), and now 2001 with the publication of Anthony James West’s The Shakespeare First Folio: The History of the Book, the first of four projected volumes presenting the results of West’s decade-long census of the extant copies of the First Folio. Through a combination of careful archival research and tireless legwork, West has located 228 copies – a remarkable seventy more than were listed in Sidney Lee’s 1902 Census of Extant Copies. The first volume in West’s study reports on the sales and prices of copies of the First Folio since it left the press in 1623 through 2000; the forthcoming Volume ii will provide concise descriptions of each extant copy including its location, condition, provenance, and binding; West is currently engaged in the further Herculean labour of collating all of the 228 copies world-wide and recording full bibliographical descriptions of each, to be presented in Volume iii; Volume iv will then round out the project with a cultural history of the First Folio, a biography of the book.
- Type
- Chapter
- Information
- Shakespeare SurveyAn Annual Survey of Shakespeare Studies and Production, pp. 386 - 396Publisher: Cambridge University PressPrint publication year: 2002