Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Henry V after the War on Terror
- Economies of Gunpowder and Ecologies of Peace: Accounting for Sustainability
- Shakespeare and Religious War: New Developments on the Italian Sources of Twelfth Night
- ‘Thou Laidst No Sieges to the Music-Room’: Anatomizing Wars, Staging Battles
- Shakespearian Narratives of War: Trauma, Repetition and Metaphor
- War Without Shakespeare: Reading Shakespearian Absence, 1642–1649
- Antic Dispositions: Shakespeare, War and Cabaret
- The Comedy of Hamlet in Nazi-Occupied Warsaw: An Exploration of Lubitsch’s To Be or Not to Be (1942)
- The Lion and the Lamb: Hamlet in London during World War II
- Dividing to Conquer or Joining the ReSisters: Shakespeare’s Lady Anne (and Woolf’s Three Guineas) in the Wake of #MeToo
- The Homeland of Coriolanus: War Homecomings between Shakespeare’s Stage and Current Complex TV
- Scholarly Method, Truth and Evidence in Shakespearian Textual Studies
- Beautiful Polecats: The Living and the Dead in Julius Caesar
- Ancient Aesthetics and Current Conflicts: Indian Rasa Theory and Vishal Bhardwaj’s Haider (2014)
- Failure to Thrive
- Tippett’s Tempest: Shakespeare in The Knot Garden
- Tautological Character: Troilus and Cressida and the Problems of Personation
- ‘Rude Wind’: King Lear – Canonicity versus Physicality
- Content but Also Unwell: Distributed Character and Language in The Merchant of Venice
- Autistic Culture, Shakespeare therapy and the Hunter Heartbeat Method
- The Senecan Tragedy of Feste in Twelfth Night
- Shakespeare Performances in England, 2018
- Professional Shakespeare Productions in the British Isles, January–December 2017
- The Year’s Contributions To Shakespeare Studies
- 1. Critical Studies
- 2. Shakespeare in Performance
- 3. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 72
- Index
- References
3. - Editions and Textual Studies
from The Year’s Contributions To Shakespeare Studies
Published online by Cambridge University Press: 18 September 2019
By
Edited by
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Henry V after the War on Terror
- Economies of Gunpowder and Ecologies of Peace: Accounting for Sustainability
- Shakespeare and Religious War: New Developments on the Italian Sources of Twelfth Night
- ‘Thou Laidst No Sieges to the Music-Room’: Anatomizing Wars, Staging Battles
- Shakespearian Narratives of War: Trauma, Repetition and Metaphor
- War Without Shakespeare: Reading Shakespearian Absence, 1642–1649
- Antic Dispositions: Shakespeare, War and Cabaret
- The Comedy of Hamlet in Nazi-Occupied Warsaw: An Exploration of Lubitsch’s To Be or Not to Be (1942)
- The Lion and the Lamb: Hamlet in London during World War II
- Dividing to Conquer or Joining the ReSisters: Shakespeare’s Lady Anne (and Woolf’s Three Guineas) in the Wake of #MeToo
- The Homeland of Coriolanus: War Homecomings between Shakespeare’s Stage and Current Complex TV
- Scholarly Method, Truth and Evidence in Shakespearian Textual Studies
- Beautiful Polecats: The Living and the Dead in Julius Caesar
- Ancient Aesthetics and Current Conflicts: Indian Rasa Theory and Vishal Bhardwaj’s Haider (2014)
- Failure to Thrive
- Tippett’s Tempest: Shakespeare in The Knot Garden
- Tautological Character: Troilus and Cressida and the Problems of Personation
- ‘Rude Wind’: King Lear – Canonicity versus Physicality
- Content but Also Unwell: Distributed Character and Language in The Merchant of Venice
- Autistic Culture, Shakespeare therapy and the Hunter Heartbeat Method
- The Senecan Tragedy of Feste in Twelfth Night
- Shakespeare Performances in England, 2018
- Professional Shakespeare Productions in the British Isles, January–December 2017
- The Year’s Contributions To Shakespeare Studies
- 1. Critical Studies
- 2. Shakespeare in Performance
- 3. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 72
- Index
- References
Summary
Following two years that have featured major new Complete Works projects, 2017–18 has been something of a year of consolidation and diversification in the world of Shakespeare editing. The projects surveyed in this essay comprise primarily new introductions, revised editions and a new series reorienting the Arden Shakespeare at practitioners. The reframing of existing edited texts at new audiences has been accompanied by some thoughtful work reflecting on both the history and future of Shakespeare in print, making this a good year to reflect on how today’s texts are shaping future histories.
- Type
- Chapter
- Information
- Shakespeare Survey 72 , pp. 369 - 381Publisher: Cambridge University PressPrint publication year: 2019
References
Works Reviewed
Ash, C. K., Pérez Díez, José A. and Smith, Emma, eds., Reanimating Playbooks: Editing for Performance, Performance for Editing, special issue of Shakespeare Bulletin 34 (2016), 1–127Google Scholar
Depledge, Emma, Shakespeare’s Rise to Cultural Prominence: Politics, Print and Alteration, 1640–1700 (Cambridge, 2018)Google Scholar
Salzman, Paul, Editors Construct the Renaissance Canon, 1825–1915 (Basingstoke, 2018)CrossRefGoogle Scholar
Werstine, Paul, ed., special issue of Shakespeare Quarterly 68. 1 (2017), 1–92CrossRefGoogle Scholar