Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Henry V after the War on Terror
- Economies of Gunpowder and Ecologies of Peace: Accounting for Sustainability
- Shakespeare and Religious War: New Developments on the Italian Sources of Twelfth Night
- ‘Thou Laidst No Sieges to the Music-Room’: Anatomizing Wars, Staging Battles
- Shakespearian Narratives of War: Trauma, Repetition and Metaphor
- War Without Shakespeare: Reading Shakespearian Absence, 1642–1649
- Antic Dispositions: Shakespeare, War and Cabaret
- The Comedy of Hamlet in Nazi-Occupied Warsaw: An Exploration of Lubitsch’s To Be or Not to Be (1942)
- The Lion and the Lamb: Hamlet in London during World War II
- Dividing to Conquer or Joining the ReSisters: Shakespeare’s Lady Anne (and Woolf’s Three Guineas) in the Wake of #MeToo
- The Homeland of Coriolanus: War Homecomings between Shakespeare’s Stage and Current Complex TV
- Scholarly Method, Truth and Evidence in Shakespearian Textual Studies
- Beautiful Polecats: The Living and the Dead in Julius Caesar
- Ancient Aesthetics and Current Conflicts: Indian Rasa Theory and Vishal Bhardwaj’s Haider (2014)
- Failure to Thrive
- Tippett’s Tempest: Shakespeare in The Knot Garden
- Tautological Character: Troilus and Cressida and the Problems of Personation
- ‘Rude Wind’: King Lear – Canonicity versus Physicality
- Content but Also Unwell: Distributed Character and Language in The Merchant of Venice
- Autistic Culture, Shakespeare therapy and the Hunter Heartbeat Method
- The Senecan Tragedy of Feste in Twelfth Night
- Shakespeare Performances in England, 2018
- Professional Shakespeare Productions in the British Isles, January–December 2017
- The Year’s Contributions To Shakespeare Studies
- 1. Critical Studies
- 2. Shakespeare in Performance
- 3. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 72
- Index
- References
1. - Critical Studies
from The Year’s Contributions To Shakespeare Studies
Published online by Cambridge University Press: 18 September 2019
Edited by
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Henry V after the War on Terror
- Economies of Gunpowder and Ecologies of Peace: Accounting for Sustainability
- Shakespeare and Religious War: New Developments on the Italian Sources of Twelfth Night
- ‘Thou Laidst No Sieges to the Music-Room’: Anatomizing Wars, Staging Battles
- Shakespearian Narratives of War: Trauma, Repetition and Metaphor
- War Without Shakespeare: Reading Shakespearian Absence, 1642–1649
- Antic Dispositions: Shakespeare, War and Cabaret
- The Comedy of Hamlet in Nazi-Occupied Warsaw: An Exploration of Lubitsch’s To Be or Not to Be (1942)
- The Lion and the Lamb: Hamlet in London during World War II
- Dividing to Conquer or Joining the ReSisters: Shakespeare’s Lady Anne (and Woolf’s Three Guineas) in the Wake of #MeToo
- The Homeland of Coriolanus: War Homecomings between Shakespeare’s Stage and Current Complex TV
- Scholarly Method, Truth and Evidence in Shakespearian Textual Studies
- Beautiful Polecats: The Living and the Dead in Julius Caesar
- Ancient Aesthetics and Current Conflicts: Indian Rasa Theory and Vishal Bhardwaj’s Haider (2014)
- Failure to Thrive
- Tippett’s Tempest: Shakespeare in The Knot Garden
- Tautological Character: Troilus and Cressida and the Problems of Personation
- ‘Rude Wind’: King Lear – Canonicity versus Physicality
- Content but Also Unwell: Distributed Character and Language in The Merchant of Venice
- Autistic Culture, Shakespeare therapy and the Hunter Heartbeat Method
- The Senecan Tragedy of Feste in Twelfth Night
- Shakespeare Performances in England, 2018
- Professional Shakespeare Productions in the British Isles, January–December 2017
- The Year’s Contributions To Shakespeare Studies
- 1. Critical Studies
- 2. Shakespeare in Performance
- 3. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 72
- Index
- References
Summary
In homage to Patricia Parker’s brilliant and baroque book, Shakespearean Intersections: Language, Contexts, Critical Keywords, I start where I should end with the ‘arsy-versy’ or the preposterous, as a new collective noun for a group of books on Shakespeare. In this amblongus pie of textual delicacies, Parker addresses ‘key’ terms through which other words or phrases may be unlocked or interconnected. Returning to many of the avenues and intersections that Parker explored in her – now classic – Shakespeare from the Margins, the book devotes itself to the ebullient performances of meaning that take place across the drama and invites us to the often indigestible feast of language as both a guest and an onlooker.
- Type
- Chapter
- Information
- Shakespeare Survey 72 , pp. 339 - 354Publisher: Cambridge University PressPrint publication year: 2019
References
Works Reviewed
Akhimie, Patricia, Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World (London, 2018)Google Scholar
Clegg, Cyndia Susan, Shakespeare’s Reading Audiences: Early Modern Books and Audience Interpretation (Cambridge, 2018)Google Scholar
Fulton, Thomas, and Poole, Kristen, The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England (Cambridge, 2018)Google Scholar
Gamboa, Brett, Shakespeare’s Double Plays: Dramatic Economy on the Early Modern Stage (Cambridge, 2018)Google Scholar
McEachern, Claire, Believing in Shakespeare: Studies in Longing (Cambridge, 2018)CrossRefGoogle Scholar
Parker, Patricia, Shakespearean Intersections: Language, Contexts, Critical Keywords (Philadelphia, PA, 2018)Google Scholar
Rutter, Tom, Shakespeare and the Admiral’s Men: Reading Across Repertories on the London Stage, 1594–1600 (Cambridge, 2018)Google Scholar
Shohet, Lauren, ed., Temporality, Genre, and Experience in the Age of Shakespeare: Forms of Time (London, 2018)CrossRefGoogle Scholar
Sokol, B. J., Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in his Plays and Poems (London, 2018)CrossRefGoogle Scholar