Book contents
- Shakespeare at War
- Shakespeare at War
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Note on the Text
- Introduction
- Chapter 1 ‘The Truth for Which We Are Fighting’
- Chapter 2 The Seven Years’ War (1756–1763) and Garrick’s Shakespearean Nationalism
- Chapter 3 Revolutionary Shakespeare
- Chapter 4 Hamlet Mobilized
- Chapter 5 Shakespeare, the North-West Passage, and the Russian War
- Chapter 6 ‘Now for Our Irish Wars’
- Chapter 7 Shakespeare and the Survival of Middle England
- Chapter 8 Ellen Terry Stars at the Shakespeare Hut
- Chapter 9 The 1916 Shakespeare Tercentenary at № 1 Camp in Calais
- Chapter 10 Shakespeare Does His Bit for the War Effort
- Chapter 11 Germanizing Shakespeare during the First World War
- Chapter 12 Readers and Rebels
- Chapter 13 Forgotten Histories
- Chapter 14 ‘Now Good or Bad, ’tis but the Chance of War’
- Chapter 15 ‘Precurse of Feared Events’
- Chapter 16 But What Are We Fighting For?
- Chapter 17 Henry V and the Battle of Powerscourt
- Chapter 18 Unser Shakespeare in Nazi Germany
- Chapter 19 Framing the Jew
- Chapter 20 G. Wilson Knight’s ‘Royal Propaganda’ in ‘This Sceptred Isle’ (1941)
- Chapter 21 Shakespeare’s Desert Camouflage
- Chapter 22 ‘May I with Right and Conscience Make This Claim?’
- Chapter 23 Henry V and the Invasion of Iraq
- Chapter 24 Who Pays the Price?
- Chapter 25 ‘Mere Prattle, without Practice, Is All His Soldiership’
- Chapter 26 ‘Thou Hast Set Me on the Rack’
- Afterword
- Notes
- Index
Chapter 10 - Shakespeare Does His Bit for the War Effort
Authorship and Material Culture in the 1917 British Red Cross Shakespeare Exhibition
Published online by Cambridge University Press: 17 August 2023
- Shakespeare at War
- Shakespeare at War
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Note on the Text
- Introduction
- Chapter 1 ‘The Truth for Which We Are Fighting’
- Chapter 2 The Seven Years’ War (1756–1763) and Garrick’s Shakespearean Nationalism
- Chapter 3 Revolutionary Shakespeare
- Chapter 4 Hamlet Mobilized
- Chapter 5 Shakespeare, the North-West Passage, and the Russian War
- Chapter 6 ‘Now for Our Irish Wars’
- Chapter 7 Shakespeare and the Survival of Middle England
- Chapter 8 Ellen Terry Stars at the Shakespeare Hut
- Chapter 9 The 1916 Shakespeare Tercentenary at № 1 Camp in Calais
- Chapter 10 Shakespeare Does His Bit for the War Effort
- Chapter 11 Germanizing Shakespeare during the First World War
- Chapter 12 Readers and Rebels
- Chapter 13 Forgotten Histories
- Chapter 14 ‘Now Good or Bad, ’tis but the Chance of War’
- Chapter 15 ‘Precurse of Feared Events’
- Chapter 16 But What Are We Fighting For?
- Chapter 17 Henry V and the Battle of Powerscourt
- Chapter 18 Unser Shakespeare in Nazi Germany
- Chapter 19 Framing the Jew
- Chapter 20 G. Wilson Knight’s ‘Royal Propaganda’ in ‘This Sceptred Isle’ (1941)
- Chapter 21 Shakespeare’s Desert Camouflage
- Chapter 22 ‘May I with Right and Conscience Make This Claim?’
- Chapter 23 Henry V and the Invasion of Iraq
- Chapter 24 Who Pays the Price?
- Chapter 25 ‘Mere Prattle, without Practice, Is All His Soldiership’
- Chapter 26 ‘Thou Hast Set Me on the Rack’
- Afterword
- Notes
- Index
Summary
In January 1917, the Red Cross Shakespeare Exhibition, which opened at the Grafton Galleries in London, was advertised with two different posters. One displayed an oversize red cross on a white background – the Red Cross emblem and the English national flag. The other depicted Shakespeare’s coat of arms. The exhibition, described in the press as the most comprehensive show of Shakespeareana ever exhibited, was originally curated in Manchester as part of the celebrations of the 1916 Tercentenary, the commemoration of the three hundred-year anniversary of Shakespeare’s death. In London, it became part of the war effort, the way civilians at the ‘Home Front’ did their bit to help the British Army in the trenches. The exhibition, a successful charity venture, moved to London thanks to the collaboration of actor-manager Martin Harvey and the British Red Cross, one of several wartime collaborations between the British NPO and the theatrical profession to bring relief to Western Front soldiers. The poster portraying Shakespeare’s coat of arms aimed to present Shakespeare as an English gentleman, to counteract the influence of the Baconians who questioned Shakespeare’s authorship. This exhibition was one of several ways in which Shakespeare’s cultural capital was enlisted to raise funds in wartime.
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- Shakespeare at WarA Material History, pp. 101 - 110Publisher: Cambridge University PressPrint publication year: 2023