Book contents
- Shakespeare at War
- Shakespeare at War
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Note on the Text
- Introduction
- Chapter 1 ‘The Truth for Which We Are Fighting’
- Chapter 2 The Seven Years’ War (1756–1763) and Garrick’s Shakespearean Nationalism
- Chapter 3 Revolutionary Shakespeare
- Chapter 4 Hamlet Mobilized
- Chapter 5 Shakespeare, the North-West Passage, and the Russian War
- Chapter 6 ‘Now for Our Irish Wars’
- Chapter 7 Shakespeare and the Survival of Middle England
- Chapter 8 Ellen Terry Stars at the Shakespeare Hut
- Chapter 9 The 1916 Shakespeare Tercentenary at № 1 Camp in Calais
- Chapter 10 Shakespeare Does His Bit for the War Effort
- Chapter 11 Germanizing Shakespeare during the First World War
- Chapter 12 Readers and Rebels
- Chapter 13 Forgotten Histories
- Chapter 14 ‘Now Good or Bad, ’tis but the Chance of War’
- Chapter 15 ‘Precurse of Feared Events’
- Chapter 16 But What Are We Fighting For?
- Chapter 17 Henry V and the Battle of Powerscourt
- Chapter 18 Unser Shakespeare in Nazi Germany
- Chapter 19 Framing the Jew
- Chapter 20 G. Wilson Knight’s ‘Royal Propaganda’ in ‘This Sceptred Isle’ (1941)
- Chapter 21 Shakespeare’s Desert Camouflage
- Chapter 22 ‘May I with Right and Conscience Make This Claim?’
- Chapter 23 Henry V and the Invasion of Iraq
- Chapter 24 Who Pays the Price?
- Chapter 25 ‘Mere Prattle, without Practice, Is All His Soldiership’
- Chapter 26 ‘Thou Hast Set Me on the Rack’
- Afterword
- Notes
- Index
Chapter 13 - Forgotten Histories
The Barnbow Lasses in Maggie Smales’s Henry V (Upstage Centre, 41 Monkgate, York, 2015)
Published online by Cambridge University Press: 17 August 2023
- Shakespeare at War
- Shakespeare at War
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Note on the Text
- Introduction
- Chapter 1 ‘The Truth for Which We Are Fighting’
- Chapter 2 The Seven Years’ War (1756–1763) and Garrick’s Shakespearean Nationalism
- Chapter 3 Revolutionary Shakespeare
- Chapter 4 Hamlet Mobilized
- Chapter 5 Shakespeare, the North-West Passage, and the Russian War
- Chapter 6 ‘Now for Our Irish Wars’
- Chapter 7 Shakespeare and the Survival of Middle England
- Chapter 8 Ellen Terry Stars at the Shakespeare Hut
- Chapter 9 The 1916 Shakespeare Tercentenary at № 1 Camp in Calais
- Chapter 10 Shakespeare Does His Bit for the War Effort
- Chapter 11 Germanizing Shakespeare during the First World War
- Chapter 12 Readers and Rebels
- Chapter 13 Forgotten Histories
- Chapter 14 ‘Now Good or Bad, ’tis but the Chance of War’
- Chapter 15 ‘Precurse of Feared Events’
- Chapter 16 But What Are We Fighting For?
- Chapter 17 Henry V and the Battle of Powerscourt
- Chapter 18 Unser Shakespeare in Nazi Germany
- Chapter 19 Framing the Jew
- Chapter 20 G. Wilson Knight’s ‘Royal Propaganda’ in ‘This Sceptred Isle’ (1941)
- Chapter 21 Shakespeare’s Desert Camouflage
- Chapter 22 ‘May I with Right and Conscience Make This Claim?’
- Chapter 23 Henry V and the Invasion of Iraq
- Chapter 24 Who Pays the Price?
- Chapter 25 ‘Mere Prattle, without Practice, Is All His Soldiership’
- Chapter 26 ‘Thou Hast Set Me on the Rack’
- Afterword
- Notes
- Index
Summary
The interview with Maggie Smales explores the approach and directorial decisions taken in her all-female production of Henry V at 41 Monkgate, York in 2015. Smales set the production at a munitions factory operated by women during the First World War in order to focus on the home-front perspective of female war workers and their sacrifices, drawing on the history of a local factory and the lives of local women who worked there. The women’s enactment of the text is the device used for a re-examination of Henry V’s significance in the context of the First World War.
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- Shakespeare at WarA Material History, pp. 129 - 136Publisher: Cambridge University PressPrint publication year: 2023