Book contents
- Frontmatter
- Contents
- List of music examples and figures
- Acknowledgements
- Introduction
- 1 A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century
- 2 Dialectical opposition in Schoenberg's music and thought
- 3 Dramatic conflict in Pelleas und Melisande
- 4 Motive and memory in Schoenberg's First String Quartet
- 5 Uncanny expressions of time in the music of Arnold Schoenberg
- 6 The tone row as the source of dramatic conflict in Moses und Aron
- 7 The String Trio: metaleptic Schoenberg
- Notes
- Bibliography
- General index – names and topics
- Index of Schoenberg's works and writings
Contents
Published online by Cambridge University Press: 22 September 2009
Book contents
- Frontmatter
- Contents
- List of music examples and figures
- Acknowledgements
- Introduction
- 1 A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century
- 2 Dialectical opposition in Schoenberg's music and thought
- 3 Dramatic conflict in Pelleas und Melisande
- 4 Motive and memory in Schoenberg's First String Quartet
- 5 Uncanny expressions of time in the music of Arnold Schoenberg
- 6 The tone row as the source of dramatic conflict in Moses und Aron
- 7 The String Trio: metaleptic Schoenberg
- Notes
- Bibliography
- General index – names and topics
- Index of Schoenberg's works and writings
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- Schoenberg's Musical Imagination , pp. viiPublisher: Cambridge University PressPrint publication year: 2007