Book contents
- Schoenberg and Redemption
- Series page
- Schoenberg and Redemption
- Copyright page
- Dedication
- Dedication
- Contents
- Figures
- Music examples
- Acknowledgements
- Abbreviations
- Introduction
- 1 Schoenberg, history, trauma?
- 2 Schoenberg as Christ
- 3 Otto Weininger, Richard Wagner and musical discourse in turn-of-the-century Vienna
- 4 Schoenberg and WagnerianDeutschtum
- 5 Compositional innovation and the redemption of Ahasuerus
- 6 Woman and the symbolism of self-redemption
- 7 Rereading Schoenberg’s musical idea
- 8 Coda: Changing history into memory
- Appendix
- Notes
- Bibliography
- Index
5 - Compositional innovation and the redemption of Ahasuerus
Published online by Cambridge University Press: 05 July 2014
- Schoenberg and Redemption
- Series page
- Schoenberg and Redemption
- Copyright page
- Dedication
- Dedication
- Contents
- Figures
- Music examples
- Acknowledgements
- Abbreviations
- Introduction
- 1 Schoenberg, history, trauma?
- 2 Schoenberg as Christ
- 3 Otto Weininger, Richard Wagner and musical discourse in turn-of-the-century Vienna
- 4 Schoenberg and WagnerianDeutschtum
- 5 Compositional innovation and the redemption of Ahasuerus
- 6 Woman and the symbolism of self-redemption
- 7 Rereading Schoenberg’s musical idea
- 8 Coda: Changing history into memory
- Appendix
- Notes
- Bibliography
- Index
- Type
- Chapter
- Information
- Schoenberg and Redemption , pp. 99 - 124Publisher: Cambridge University PressPrint publication year: 2014