Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-fscjk Total loading time: 0 Render date: 2024-12-26T01:46:32.024Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  22 February 2019

Hugh Macdonald
Hugh Macdonald
Affiliation:
Washington University, St Louis
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Saint-Saëns and the Stage
Operas, Plays, Pageants, a Ballet and a Film
 , pp. 394 - 404
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Secondary Sources

Ratner, 2012  Ratner, Sabina Teller. Camille Saint-Saëns 1835–1921: A Thematic Catalogue of his Complete Works, Vol. II, The Dramatic WorksOxford University Press, 2012.Google Scholar
Soret, 2012  Soret, Marie-Gabrielle (ed.). Camille Saint-Saëns: Écrits sur la Musique et les Musiciens 1870–1921, Vrin, 2012.Google Scholar
Saint-Saëns, 1885  Saint-Saëns, Camille. Harmonie et Mélodie, Paris, Calmann-Lévy, [1885].Google Scholar
Saint-Saëns, 1894 a  Saint-Saëns, Camille. Problèmes et Mystères, Paris, Flammarion, 1894.Google Scholar
Saint-Saëns, 1894 b  Saint-Saëns, Camille. Charles Gounod et le Don Juan de Mozart, Paris, Ollendorff, 1894.Google Scholar
Saint-Saëns, 1899  Saint-Saëns, Camille. Portraits et Souvenirs, Paris, Calmann-Lévy, 1899, 21909.Google Scholar
Saint-Saëns, 1913  Saint-Saëns, Camille. L’École buissonnière. Notes et souvenirs, Paris, Pierre Lafitte, [1913].Google Scholar
Saint-Saëns, 1914  Saint-Saëns, Camille. Au Courant de la vie, Paris, Dorbon-Ainé, [1914].Google Scholar
Saint-Saëns, 1919  Saint-Saëns, Camille. Musical Memories, translated by Edwin Gile Rich, Boston, MA, Small, Maynard & Co., 1919.Google Scholar
Saint-Saëns, 1990  Saint-Saëns, Camille. Regards sur mes contemporains, ed. Gérard, Yves, Arles, Bernard Coutaz, 1990.Google Scholar
Saint-Saëns, 2008  Saint-Saëns, Camille. Camille Saint-Saëns on Music and Musicians, ed.  Nichols, Roger, Oxford University Press, 2008.Google Scholar
Nectoux, Jean-Michel (ed.). Camille Saint-Saëns et Gabriel Fauré: Correspondance, Paris, Heugel, 1973.Google Scholar
Bondeville, Emmanuel (ed.). Camille Saint-Saëns 1835–1921. Correspondance inédite, Paris, La Revue Musicale, 1983.Google Scholar
Jousse, Eurydice et Gérard, Yves (ed.). Lettres de compositeurs à Camille Saint-Saëns, Lyon, Symétrie, 2009.Google Scholar
Soret, Marie-Gabrielle (ed.). Camille Saint-Saëns Jacques Rouché Correspondance (1913–1921), Actes Sud, 2016.Google Scholar
Soret, Marie-Gabrielle et Herlin, Denis (eds.). Camille Saint-Saëns: Correspondance avec Auguste et Jacques Durand, forthcoming.Google Scholar
Aguétant, 1938  Aguétant, Pierre. Saint-Saëns par lui-même d’après des lettres reçues et commentées, Paris, Alsatia, [1938].Google Scholar
Augé de Lassus, 1894  Augé de Lassus, Lucien. Les Grands Maîtres mis en petites comédies, Paris, Ollendorf, 1894.Google Scholar
Augé de Lassus, 1914  Augé de Lassus, Lucien. Saint-Saëns, Paris, Delagrave, 1914.Google Scholar
Avant-scène, 1978  Saint-Saëns, Camille. Samson et Dalila, L’Avant-Scène Opéra, no. 15, May–June 1978.Google Scholar
Barbares, 2014  Saint-Saëns, Camille. Les Barbares, CD-book, Venice, Palazzetto Bru Zane, 2014.Google Scholar
Bard, 2012  Saint-Saëns and his World, Bard Festival programme book, 2012.Google Scholar
Bartoli, 1996  Bartoli, Jean-Pierre. ‘À la recherche d’une représentation sonore de l’Égypte antique : l’égyptomanie musicale en France de Rossini à Debussy’, in L’Égyptomanie à l’épreuve de l’archéologie, Paris, Musée du Louvre, 1996.Google Scholar
Baumann, 1905  Baumann, Emile. Les Grandes Formes de la musique: l’œuvre de Camille Saint-Saëns, Paris: Ollendorff, 1905, with a second edition in 1923.Google Scholar
Bellaigue, 1890  Bellaigue, Camille. L’Année musicale octobre 1889 à octobre 1890, Paris: Delagrave, 1890.Google Scholar
Berlioz, 1852  Berlioz, Hector. Les Soirées de l’orchestre, Paris, Michel Lévy Frères, 1852.Google Scholar
Berlioz, 1975  Berlioz, Hector. Correspondance générale, Vol. II, ed. Robert, Frédéric. Paris, Flammarion, 1975.Google Scholar
Berlioz, 2001 Berlioz, Hector. Correspondance générale, Vol. VII, ed. Macdonald, Hugh, Paris, Flammarion, 2001.Google Scholar
Béziers, 1989  L’Opéra dans l’arène, ou l’aventure de Fernand Castelbon mécène à Béziers, Béziers, Conseil Général de l’Hérault, 1989.Google Scholar
Bizet, 1867  Bizet, Georges. ‘Causerie musicale’, La Revue nationale et étrangère, 3 August 1867.Google Scholar
Bonnaure, 2010  Bonnaure, Jacques. Saint-Saëns, Arles, Actes Sud, 2010.Google Scholar
Bonnerot, 1914  Bonnerot, Jean. C. Saint-Saëns. Sa Vie et son œuvre, Paris, Durand, 1914.Google Scholar
Bonnerot, 1922  Bonnerot, Jean. C. Saint-Saëns (1835–1921). Sa Vie et son œuvre, nouvelle édition, Paris, Durand, 1922.Google Scholar
Branger, 2012  Branger, Jean-Christophe. ‘Rivals and Friends: Saint-Saëns, Massenet, and Thaïs’, in Pasler 2012, p. 33–47.Google Scholar
Branger, 2017  Branger, Jean-Christophe and Lardic, Sabine Teulon (eds.). Provence et Languedoc à l’opéra en France au XIXe siècle: cultures et représentations, Publications de l’Université de Saint-Étienne, 2017, p. 333–51.Google Scholar
Brooks, 2008  Brooks, Erin. ‘« Une culture classique supérieure » : Saint-Saëns et l’esthétique antique’, in Figures de l’Antiquité dans l’opéra français: des Troyens de Berlioz à Œdipe d’Enesco, Actes du Colloque du IXe Festival Massenet, Saint-Étienne, 9 et 10 novembre 2007, ed. Branger, Jean-Christophe and Giroud, Vincent, Publications de l’Université de Saint-Étienne, 2008, pp. 235–58.Google Scholar
Bülow, 1907  Bülow, Hans von. Briefe, VI. Band, Leipzig, 1907.Google Scholar
Chabrier, 1994  Chabrier, Emmanuel. Correspondance, ed. Delage, Roger and Durif, Frans, Paris, Klincksieck, 1994.Google Scholar
Chantavoine, 1921  Chantavoine, Jean. L’Œuvre dramatique de Camille Saint-Saëns, Paris, 1921.Google Scholar
Chantavoine, 1947  Chantavoine, Jean. Camille Saint-Saëns, Paris, Richard Masse, 1947.Google Scholar
Charlton, 2003  Charlton, David (ed.). The Cambridge Companion to Grand Opera, Cambridge University Press, 2003.Google Scholar
Cœuroy, 1956  Cœuroy, André. Dictionnaire critique de la musique ancienne et moderne, Paris, Payot, 1956.Google Scholar
Collet, 1922  Collet, Henri. Samson et Dalila de C. Saint-Saëns: étude historique et critique, analyse musicale, Paris, Librairie Delaplane, 1922.Google Scholar
Condé, 2009  Condé, Gérard. Charles Gounod, Paris, Fayard, 2009.Google Scholar
Dandelot, 1930  Dandelot, Arthur. La Vie et l’œuvre de Saint-Saëns, Paris, Éditions Dandelot, 1930.Google Scholar
David, 1922  David, Marc. L’œuvre dramatique de Camille Saint-Saëns, Guide de Concert, 3 (1922), 31–32.Google Scholar
Debussy, 1987  Debussy, Claude. Monsieur Croche et autres écrits, ed. Lesure, François, Paris, Gallimard,1987.Google Scholar
Destranges, 1895  Destranges, Étienne. Une Partition méconnue: Proserpine de Camille Saint-Saëns: étude analytique, Paris, Fischbacher, 1895,Google Scholar
Dieppe, 2003  Camille Saint-Saëns et l’Algérie, Dieppe, Château-Musée de Dieppe, 2003.Google Scholar
Douche, 2005  Douche, Sylvie, ed. Camille Saint-Saëns, ‘Les Barbares’: dossier de presse parisienne (1901), Weinsberg, Musik-Edition Lucie Galland, 2005.Google Scholar
Dukas, 1948  Dukas, Paul. Les Écrits de Paul Dukas sur la musique, ed. Samazeuilh, G., Paris, Société d’éditions françaises et internationales, 1948.Google Scholar
Faure, 1985  Faure, Michel. Musique et Société, du Second Empire aux années vingt, Paris, Flammarion, 1985.Google Scholar
Fauré, 1951  Fauré, Gabriel. Lettres intimes, ed. Fauré-Fremiet, Philippe, Paris, Éditions du vieux Colombier, 1951.Google Scholar
Fauser, 2005  Fauser, Annegret. Musical Encounters at the 1889 Paris World’s Fair, University of Rochester Press, 2005.Google Scholar
Fulcher, 1987  Fulcher, Jane. The Nation’s Image: French Grand Opera as Politics and Politicized Art, Cambridge University Press, 1987.Google Scholar
Gallois, 2004  Gallois, Jean. Charles-Camille Saint-Saëns, Sprimont, Mardaga, 2004.Google Scholar
Gerhard, 1998  Gerhard, Anselm. The Urbanization of Opera: Music Theater in Paris in the Nineteenth Century, University of Chicago Press, 1998.Google Scholar
Gilcher, 2005  Gilcher, Dagmar. Studien zum Opernschaffen von Camille Saint-Saëns, Kaiserslautern, Reinhold Gondrom Verlag, 2005Google Scholar
Girdlestone, 1969  Girdlestone, Cuthbert. Jean-Philippe Rameau: His Life and Work, New York, Dover, 1969.Google Scholar
Goldbeck, 2015  Goldbeck, Melanie von (ed.). Lettres de Charles Gounod à Pauline Viardot, Arles, Actes Sud, 2015.Google Scholar
Gounod, 1896  Gounod, Charles. Mémoires d’un artiste, Paris, Calmann-Lévy, 1896.Google Scholar
Harding, 1965  Harding, James. Saint-Saëns and his Circle, London, Chapman & Hall, 1965.Google Scholar
Hervey, 1921  Hervey, Arthur. Saint-Saëns, London, John Lane, 1921.Google Scholar
Hippeau, 1883  Hippeau, Edmond. Henry VIII et l’opéra français, Paris, La Renaissance musicale, 1883.Google Scholar
Huebner, 1999  Huebner, Steven. French Opera at the Fin de Siècle: Wagnerism, Nationalism, and Style, Oxford University Press, 1999.Google Scholar
Johnson, 1995  Johnson, James H. Listening in Paris, Berkeley, CA, University of California Press, 1995.CrossRefGoogle Scholar
Lacombe, 1997  Lacombe, Hervé. Les Voies de l’opéra français au XIXe siècle, Paris, Fayard, 1997.Google Scholar
Leteuré, 2014  Leteuré, Stéphane. Camille Saint-Saëns et le Politique de 1870 à 1921 : le Drapeau et la Lyre, Paris, Vrin, 2014.Google Scholar
Leteuré, 2017 Leteuré, Stéphane. Camille Saint-Saëns, le compositeur globe-trotter (1857–1921), Arles, Actes Sud, 2017.Google Scholar
Locke, 1991  Locke, Ralph. ‘Constructing the Oriental “Other”: Saint-Saëns’s Samson et Dalila’, Cambridge Opera Journal 3 (1991), 261–302.Google Scholar
Locke, 2009  Locke, Ralph P. Musical Exoticism: Images and Reflections. Cambridge University Press, 2009.Google Scholar
Lyle, 1923  Lyle, Watson. Camille Saint-Saëns: His Life and Art, London, Kegan Paul, Trench, Trubner & Co, 1923.Google Scholar
Macdonald, 1993  Macdonald, Hugh. ‘Dr. Mephistopheles: Doctors and Devils in the Librettos of Barbier and Carré’, Journal of Musicological Research, 13 (1993), 67–78.CrossRefGoogle Scholar
Macdonald, 2014  Macdonald, Hugh. ‘Lost Legacy’, Opera News, 78/11 (May 2014), 32–35.Google Scholar
Marks, 2012  Marks, Martin. ‘Saint-Saëns and Silent Film / Sound Film and Saint-Saëns’, in Pasler 2012, pp. 357–69.Google Scholar
Massenet, 1992  Massenet, Jules. Mes Souvenirs, ed. Condé, Gérard, Paris, Plume, 1992.Google Scholar
Massenet, 2001  Massenet, Anne. Jules Massenet en toutes lettres, Paris, Éditions de Fallois, 2001.Google Scholar
Montargis, 1919  Montargis, Jean. Camille Saint-Saëns. L’œuvre – l’artiste, Paris, La Renaissance du Livre, 1919.Google Scholar
Morris, 2012  Morris, Mitchell. ‘Saint-Saëns in (Semi) Private’, in Pasler 2012, pp. 2–7.CrossRefGoogle Scholar
Mortier, 1878  Mortier, Arnold. Les Soirées parisiennes de 1877 par un monsieur de l’orchestre, Paris, St Germain, 1878.Google Scholar
Murphy, 2015  Murphy, Kerry. ‘Saint-Saëns’ poème lyrique Hélène, Nellie Melba and Beyond’, Musicology Australia, 37(2) (2015), 122–34.Google Scholar
Nectoux, 1991  Nectoux, Jean-Michel. ‘Notes sur les spectacles musicaux aux Arènes de Béziers 1898–1910’, in 150 Ans de musique française, Lyon, Actes Sud, 1991, pp. 151–61.Google Scholar
Nectoux, 2008  Nectoux, Jean-Michel. Gabriel Fauré: les voix du clair-obscur, 2nd edn, Paris, Fayard, 2008.Google Scholar
Neitzel, 1899  Neitzel, Otto. Camille Saint-Saëns, Berlin, Harmonie, 1899.Google Scholar
Pasler, 2009  Pasler, Jann. Composing the Citizen: Music as Public Utility in Third Republic France, Berkeley, CA, University of California Press, 2009.Google Scholar
Pasler, 2012  Pasler, Jann, ed. Camille Saint-Saëns and his World, Princeton University Press, 2012.CrossRefGoogle Scholar
Pons, 2014  Pons, José. ‘Albert Vizentini, an Enlightened Theatre Director’, in Dimitri, CD-book, Venice, Palazzetto Bru Zane, Ediciones Singulares, 2014, pp. 69–74.Google Scholar
Proserpine, 2016  Saint-Saëns, , Camille, . Proserpine, CD-book, Venice, Palazzetto Bru Zane, 2016.Google Scholar
Ratner, 1997  Ratner, Sabina Teller. ‘Saint-Saëns’s Self-Borrowings’, Échos de France & d’Italie, Paris, Buchet/Castel, 1997.Google Scholar
Ratner, 2002  Ratner, Sabina Teller. Camille Saint-Saëns 1835–1921: A Thematic Catalogue of his Complete Works, vol. I, The Instrumental Works, Oxford University Press, 2002.Google Scholar
Rees, 1999  Rees, Brian. Camille Saint-Saëns: A Life, London, Faber & Faber, 1999.Google Scholar
Servières, 1923  Servières, Georges. Saint-Saëns, Paris, Félix Alcan, 1923.Google Scholar
Shaw, 1932  Shaw, George Bernard. Music in London 1890–94, London, Constable, 3 vols., 1932.Google Scholar
Soret, 2017  Soret, Marie-Gabriel. ‘Dans les coulisses des Barbares (1901), « tragédie lyrique » de Saint-Saëns’, in Provence et Languedoc à l’opéra en France au XIXe siècle : cultures et représentations, ed. Branger, Jean-Christophe and Lardic, Sabine Teulon, Publications de l’Université de Saint-Étienne, 2017, pp. 177–98.Google Scholar
Soubies, , 1893  Soubies, Albert and Malherbe, Charles. Histoire de l’Opéra-Comique. La Seconde Salle Favart 1860–1887, Paris, Flammarion, 1893.Google Scholar
Stegemann, 1984  Stegemann, Michael. Camille Saint-Saëns und das französische Solokonzert von 1850 bis 1920, Mainz, Schott, 1984. In English as Camille Saint-Saëns and the French Solo Concerto from 1850 to 1920, Portland, Amadeus Press, 1991.Google Scholar
Stegemann, 1988  Stegemann, Michael. Camille Saint-Saëns, Reinbek, Rowohlt, 1988.Google Scholar
Studd, 1999  Studd, Stephen. Saint-Saëns: A Critical Biography, London, Cygnus Arts, 1999.Google Scholar
Thorel, 1903  Thorel, René. ‘La genèse d’Henry VIII racontée par Ch. Gounod, Camille Saint-Saëns et Armand Silvestre’, Le Gaulois, 17 May 1903, 1–2.Google Scholar
Wagner, 1911  Wagner, Richard. My Life, 2 vols., London, Constable, 1911.Google Scholar
Walsh, 1975  Walsh, T. J. Monte Carlo Opera 1879–1909, Dublin, Gill and Macmillan, 1975.Google Scholar
Walsh, 1981  Walsh, T. J. Second Empire Opera. The Théâtre Lyrique, Paris, 1851–1870, London, Calder, 1981.Google Scholar
Wild, 1997  Wild, Nicole. ‘Eugène Lacoste et la création de Henry VIII à l’Opéra de Paris en 1883’, in Échos de France & d’Italie : Liber amicorum Yves Gérard, ed. Mongrédien, and Mussat, Nectoux, Paris, Buchet/Castel, 1997, pp. 213–32.Google Scholar
Yon, 2007  Yon, Jean-Claude. ‘Lucien Augé de Lassus (1841–1914) : passeur culturel ou simple vulgarisateur ?’, in Pitres et pantins : transformations du masque comique : de l’Antiquité au théâtre d’ombres, ed. Basch, Sophie and Chuvin, Pierre, Paris, Presses de l’Université Paris-Sorbonne, 2007, pp. 193–210.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Hugh Macdonald, Washington University, St Louis
  • Book: Saint-Saëns and the Stage
  • Online publication: 22 February 2019
  • Chapter DOI: https://doi.org/10.1017/9781108550925.018
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Hugh Macdonald, Washington University, St Louis
  • Book: Saint-Saëns and the Stage
  • Online publication: 22 February 2019
  • Chapter DOI: https://doi.org/10.1017/9781108550925.018
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Hugh Macdonald, Washington University, St Louis
  • Book: Saint-Saëns and the Stage
  • Online publication: 22 February 2019
  • Chapter DOI: https://doi.org/10.1017/9781108550925.018
Available formats
×