Book contents
- The Ruins of Rome
- Frontispiece
- The Ruins of Rome
- Copyright page
- Contents
- Figures
- Preface
- Acknowledgements
- Abbreviations
- 1 Ruins in Antiquity
- 2 How Rome Became Ruinous
- 3 Mediaeval Responses to the Ruins of Rome
- 4 The Watershed
- 5 The Battle for the Ruins
- 6 From Topographical Treatise to Guidebook
- 7 The Ruins Visualised
- 8 ‘Virtual’ Rome
- 9 Remembering the Grand Tour
- 10 Ruins in the Landscape Garden
- 11 Conservation, Restoration and Presentation of Ruins
- 12 Literary Responses to the Ruins
- Epilogue
- Notes
- Bibliography
- Index
7 - The Ruins Visualised
Paintings and Vedute, Drawings and Engravings, Photographs
Published online by Cambridge University Press: 02 January 2025
- The Ruins of Rome
- Frontispiece
- The Ruins of Rome
- Copyright page
- Contents
- Figures
- Preface
- Acknowledgements
- Abbreviations
- 1 Ruins in Antiquity
- 2 How Rome Became Ruinous
- 3 Mediaeval Responses to the Ruins of Rome
- 4 The Watershed
- 5 The Battle for the Ruins
- 6 From Topographical Treatise to Guidebook
- 7 The Ruins Visualised
- 8 ‘Virtual’ Rome
- 9 Remembering the Grand Tour
- 10 Ruins in the Landscape Garden
- 11 Conservation, Restoration and Presentation of Ruins
- 12 Literary Responses to the Ruins
- Epilogue
- Notes
- Bibliography
- Index
Summary
The seventh chapter explores the developing aesthetic value now attached to Rome’s ruins, tracing for instance the way in which they move up scale from illustrations in books or in the background staffage of Renaissance painting to become the foregrounded subject matter in the paintings of the Baroque era and especially the eighteenth century. Engraved views, vedute and photographs provided tourists with inexpensive and portable souvenirs. The ruins have by now acquired full aesthetic validation as the principal subject matter of paintings by Claude or in the engravings of Piranesi. Thanks to the aesthetic appreciation of the ruins, images of them become common features of interior decoration.
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- The Ruins of RomeA Cultural History, pp. 119 - 157Publisher: Cambridge University PressPrint publication year: 2025