Materiality, Orality and Performance
from Part I - Authentic Royal Voices
Published online by Cambridge University Press: 28 February 2020
This chapter conducts a material and linguistic analysis of royal Tudor proclamations, considering how the properties of the genre inform the performance of power in a text designed to be both spoken and seen. The analysis considers material features, such as layout, oversize initials and typeface, alongside key linguistic properties, including lexical bundles and nominal and pronominal references to monarch and subject. The findings are compared against the those for royal correspondence. The chapter proposes that proclamations underwent a process of epistolarization in the Tudor period, becoming more interactive and directly representative of the monarch's prerogative.
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