from Part III - Literary and Intellectual Contexts
Published online by Cambridge University Press: 08 July 2021
In the years following Richard Wright’s death in 1960, fellow author Margaret Walker created a somewhat vengeful portrait of the author, one that characterized his literary aspirations as tied to his aspersion for African American women authors. This essay shows how Wright worked alongside African American women writers and could be quite helpful to them – even though he never acknowledged a debt to black women writers or white women writers (like Stowe), with the exception of the modernist Stein. The “antagonistic cooperation” found in his relationships with Hurston, Walker, Brooks, and other women authors ultimately demonstrates African American literature’s gradual enrichment through variety if not fellowship.
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