Resonant Bodies in Contemporary European Art Cinema

Emilija Talijan

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Emilija Talijan, St John's College, Oxford

Publisher:: Edinburgh University Press
Online publication date:: November 2024
Print publication year:: 2022
Online ISBN:: 9781474483476

Subjects:: Film, Film, Media, Mass Communication

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Provides the first consideration of sound and the body in contemporary European art cinema.

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Resonant Bodies in Contemporary European Art Cinema

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Contents

Frontmatter
pp i-iv

Contents
pp v-v

List of Figures
pp vi-vi

Acknowledgements
pp vii-viii

Introduction
pp 1-24

Part I - The Unlistenable
pp 25-26

1 - The Body at Close Range: Volume and the Unlistenable in Catherine Breillat’s Anatomy of Hell
pp 27-50

2 - Sonic Subjection: Gaspar Noé’s Irreversible and the Dystopian Limits of the Resonant Body
pp 51-74

Part II - Migratory Noise
pp 75-76

3 - A Stranger Everywhere: The écho-monde of Tony Gatlif ’s Exiles
pp 77-97

4 - Feedback, Asynchronicity and Sonic Sociabilities: Arnaud des Pallières’s Adieu
pp 98-116

Part III - Nonhuman Noise
pp 117-118

5 - Listening at the Limit: Nonhuman Noise in Lars von Trier’s Antichrist
pp 119-144

6 - Listening to Things: Foley as ‘Alien Phenomenology’ and Peter Strickland’s Berberian Sound Studio
pp 145-168

Conclusion
pp 169-174

Filmography
pp 175-177

Bibliography
pp 178-186

Index
pp 187-189

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Resonant Bodies in Contemporary European Art Cinema

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