Book contents
- Frontmatter
- Contents
- Notes on contributors
- Preface
- Abbreviations
- Introduction
- Chapter 1 πρῶτόν τε καὶ ὕστατον αἰὲν ἀείδειν
- Chapter 2 Relative chronology and an ‘Aeolic phase’ of epic
- Chapter 3 The other view
- Chapter 4 Late features in the speeches of the Iliad
- Chapter 5 Tmesis in the epic tradition
- Chapter 6 The Doloneia revisited
- Chapter 7 Odyssean stratigraphy
- Chapter 8 Older heroes and earlier poems
- Chapter 9 The Catalogue of Women within the Greek epic tradition
- Chapter 10 Intertextuality without text in early Greek epic
- Chapter 11 Perspectives on neoanalysis from the archaic hymns to Demeter
- Chapter 12 The relative chronology of the Homeric Catalogue of Ships and of the lists of heroes and cities within the Catalogue
- Chapter 13 Towards a chronology of early Greek epic
- Bibliography
- General index
- Index locorum
Chapter 3 - The other view
Focus on linguistic innovations in the Homeric epics
Published online by Cambridge University Press: 05 January 2012
- Frontmatter
- Contents
- Notes on contributors
- Preface
- Abbreviations
- Introduction
- Chapter 1 πρῶτόν τε καὶ ὕστατον αἰὲν ἀείδειν
- Chapter 2 Relative chronology and an ‘Aeolic phase’ of epic
- Chapter 3 The other view
- Chapter 4 Late features in the speeches of the Iliad
- Chapter 5 Tmesis in the epic tradition
- Chapter 6 The Doloneia revisited
- Chapter 7 Odyssean stratigraphy
- Chapter 8 Older heroes and earlier poems
- Chapter 9 The Catalogue of Women within the Greek epic tradition
- Chapter 10 Intertextuality without text in early Greek epic
- Chapter 11 Perspectives on neoanalysis from the archaic hymns to Demeter
- Chapter 12 The relative chronology of the Homeric Catalogue of Ships and of the lists of heroes and cities within the Catalogue
- Chapter 13 Towards a chronology of early Greek epic
- Bibliography
- General index
- Index locorum
Summary
1
This study is about the question how the epic language of an oral poet who was active for some time and has left us more than one work should be expected to have shifted. There are hardly any new detailed results contained in it; its main goal is rather, as the title suggests, a change of perspective.
Two suppositions have to be made in order for this question to make sense at all: the identity of the poet of the Iliad and that of the Odyssey (I will call him Homer) and an Aeolic phase preceding the Ionic one as the explanation of the linguistic mixture we are confronted with in the text we have of the two epics.
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- Relative Chronology in Early Greek Epic Poetry , pp. 65 - 79Publisher: Cambridge University PressPrint publication year: 2011
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