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Conclusions

Published online by Cambridge University Press:  aN Invalid Date NaN

Marie-Louise Lillywhite
Affiliation:
University of Oxford
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Summary

The conclusions commence with the warnings against idolatry contained in the ancient inscriptions of the basilica of San Marco, words that appear to have taken on a new resonance in light of the image debates of the Cinquecento. Some observations on the prevailing mindset with regard to majestically constructed and adorned churches are then made, contrasting the wide acceptance for such projects amongst late sixteenth-century Catholics to the Protestant distaste for the ‘idolatrous’ statues and images to be found throughout Venice. This book closes by reasserting one its central themes: the ability of contemporary artists in the city to invent novel visual solutions that encouraged certain beliefs at a fertile moment in the history of art.

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Publisher: Cambridge University Press
Print publication year: 2025

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  • Conclusions
  • Marie-Louise Lillywhite, University of Oxford
  • Book: Reforming Art in Renaissance Venice
  • Online publication: 24 January 2025
  • Chapter DOI: https://doi.org/10.1017/9781009557474.011
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  • Conclusions
  • Marie-Louise Lillywhite, University of Oxford
  • Book: Reforming Art in Renaissance Venice
  • Online publication: 24 January 2025
  • Chapter DOI: https://doi.org/10.1017/9781009557474.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Conclusions
  • Marie-Louise Lillywhite, University of Oxford
  • Book: Reforming Art in Renaissance Venice
  • Online publication: 24 January 2025
  • Chapter DOI: https://doi.org/10.1017/9781009557474.011
Available formats
×