Book contents
- Ralph Ellison in Context
- Ralph Ellison in Context
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Abbreviations
- Introduction
- Part I Geographical, Institutional, and Interpersonal Contexts
- Part II Historical, Political, and Cultural Contexts
- Part III Literary and Critical Contexts
- Part IV Reception and Reputation
- Chapter 29 Critical Reputation, 1994–2020
- Chapter 30 Reading Invisible Man by Design
- Chapter 31 Reception of the Hickman Novel
- Chapter 32 Reception of the Essay Collections
- Chapter 33 Reception in the Soviet Union (1953–1991) and Post-Soviet States (1991–2020)
- Chapter 34 Biographies of Ellison
- Chapter 35 Ellison and Digital Humanities
- Index
Chapter 33 - Reception in the Soviet Union (1953–1991) and Post-Soviet States (1991–2020)
from Part IV - Reception and Reputation
Published online by Cambridge University Press: 14 January 2022
- Ralph Ellison in Context
- Ralph Ellison in Context
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Abbreviations
- Introduction
- Part I Geographical, Institutional, and Interpersonal Contexts
- Part II Historical, Political, and Cultural Contexts
- Part III Literary and Critical Contexts
- Part IV Reception and Reputation
- Chapter 29 Critical Reputation, 1994–2020
- Chapter 30 Reading Invisible Man by Design
- Chapter 31 Reception of the Hickman Novel
- Chapter 32 Reception of the Essay Collections
- Chapter 33 Reception in the Soviet Union (1953–1991) and Post-Soviet States (1991–2020)
- Chapter 34 Biographies of Ellison
- Chapter 35 Ellison and Digital Humanities
- Index
Summary
The chapter will dwell on the history of translation, teaching and reception of Ralph Ellison’s works in the USSR and post-Soviet countries and on the curious fact of Ralph Ellison’s “invisibility” there: his masterpiece, Invisible Man, still remains untranslated – and yet studied – in Russia and other formerly Soviet states. Soviet/post-Soviet Ellisoniana includes several editions of Ellison’s short stories and chapters, and a dozen critical studies. Trying to explain this paradox, one has to turn to the characteristics of Soviet editing policy and of the post-Soviet “literary field,” including economics of literature, university teaching practices, literary criticism, academic research, and the way these factors shaped Ellison’s image.
- Type
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- Information
- Ralph Ellison in Context , pp. 365 - 375Publisher: Cambridge University PressPrint publication year: 2021