Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-gbm5v Total loading time: 0 Render date: 2024-12-26T02:32:38.548Z Has data issue: false hasContentIssue false

2 - Modernism, love, and truth

from PART II - RELATIONSHIP PROBLEMS

Published online by Cambridge University Press:  05 September 2012

J. P. E. Harper-Scott
Affiliation:
Royal Holloway, University of London
Get access

Summary

Troilus, Cressida, and takeaway sex

The assumption of a male and female, female and female, or male and male subject position in a sexual relationship, in which each participant takes an externally given and predetermined gendered position, is an ideological commonplace of the world. Even in the democratic West, where there has been a gradual development towards acceptance of queer gender identities and sexual practices, gendering of some kind, as a butch lesbian, an exaggeratedly feminine transexual, a misogynistic gay man, a new-age metrosexual man,… is an ideological requirement. The ever-expanding list of sexual possibilities tends to reduce sexual impulses and behaviours to the pleasure-numbing variety of a 500-item Chinese takeaway menu. It is a small step from the enthusiastic liberal-bourgeois acceptance of a basically infinite range of (consensual) sexual practices to the image of a punter placing an order in some kind of hyper-solicitous brothel: ‘I'll have number 215 and then number 389 to finish’; ‘OK, madam, so that's double penetration while being strapped to the ceiling followed by being lathered in blancmange by three eunuchs.’ This liberality explicitly denies the claim that sex is a much less varied and indeed a more universal experience than postmodernism allows (multiple in its forms, but not as multiple as the dominant discourse would have us think). The claim that a sex- (or better a love-) relationship grants access to ‘truth’, and that ofa revolutionary sort, would of course be dismissed along with every other claim to universal truths of any kind.

Type
Chapter
Information
The Quilting Points of Musical Modernism
Revolution, Reaction, and William Walton
, pp. 45 - 80
Publisher: Cambridge University Press
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×