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Published online by Cambridge University Press: 01 June 2020
This chapter describes the role of private individuals who aimed to collect the traces of the French Revolution amidst the tumultuous events. It is centred on the figure of Jean-Louis Soulavie, and his unique collection of prints and drawings, now split between the Louvre and regional archives. It discusses how Soulavie acquired and interpreted this corpus of images, drawing connections with his changing political convictions, and the different functions ascribed to the image, including the commemorative (especially for victims of the Terror), the explanatory (seeking to understand the cause-and-effect of revolutionary processes) and the predictive (echoing Soulavie’s belief in the occult power of images). It connects Soulavie’s engagement with visual culture with other aspects of his collecting and considers the dispersal of many cabinets assembled by this first generation of collector-historians during the Restoration.
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