Book contents
- Pulp Vietnam
- Military, War, and Society in Modern American History
- Pulp Vietnam
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction: Warrior Heroes and Sexual Conquerors
- Chapter 1 Macho Pulp and the American Cold War Man
- Chapter 2 My Father’s War: The Allure of World War II and Korea
- Chapter 3 The Imagined “Savage” Woman
- Chapter 4 The Vietnamese Reality
- Chapter 5 War and Sexual Violence Come to Vietnam
- Conclusion: Male Veterans Remember Their War
- Notes
- Index
- Plate Section (PDF Only)
Chapter 2 - My Father’s War: The Allure of World War II and Korea
Published online by Cambridge University Press: 22 October 2020
- Pulp Vietnam
- Military, War, and Society in Modern American History
- Pulp Vietnam
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction: Warrior Heroes and Sexual Conquerors
- Chapter 1 Macho Pulp and the American Cold War Man
- Chapter 2 My Father’s War: The Allure of World War II and Korea
- Chapter 3 The Imagined “Savage” Woman
- Chapter 4 The Vietnamese Reality
- Chapter 5 War and Sexual Violence Come to Vietnam
- Conclusion: Male Veterans Remember Their War
- Notes
- Index
- Plate Section (PDF Only)
Summary
Adventure magazines constructed a version of World War II and Korea that depicted heroic men as warriors, protectors, and sexual conquerors. Here was both a friendly genre for veterans and a way for curious young men to get a glimpse of what war might be like. Many of these wartime stories were written by veterans themselves. Some wrote to honor their fallen comrades, others to deal with the traumas of war by sharing their experiences, still others to advocate for veterans’ rights and opportunities in an increasingly consumer-oriented society. The narratives were simple in construction, stories of good versus evil revolving around individual men or small groups of heroes. A militarized version of masculinity seemed an antidote to Cold War emasculation. In these storylines, tough men survived the worst of war and proved that democracy could still produce the best soldiers. Adventure magazines also demonstrated that war was meritocratic – anyone could be a hero. Yet the magazines’ stories and the vibrant artwork skirted the harsh realities of war, focusing on individual triumphs rather than the horrors of combat. By avoiding the truths of war’s ugly side, adventure mags constructed a battlefield memory that relied mostly on an imagined reality.
- Type
- Chapter
- Information
- Pulp VietnamWar and Gender in Cold War Men's Adventure Magazines, pp. 65 - 97Publisher: Cambridge University PressPrint publication year: 2020