Book contents
- The Prosthetic Imagination
- The Prosthetic Imagination
- Copyright page
- Dedication
- Epigraph
- Contents
- Illustrations
- Acknowledgements
- Introduction
- Part I The Body and the Early Modern State: From More to Cavendish
- Part II The Colonial Body: From Behn to Goethe
- Chapter 2 Economies of Scale from Aphra Behn to Sarah Scott
- Chapter 3 Organic Aesthetics from Richardson to Goethe
- Part III The Manufactured Body: From Wollstonecraft to Stoker
- Part IV The Modernist Body: From James to Beckett
- Part V The Posthuman Body: From Orwell to Atwood
- Notes
- Bibliography
- Index
Chapter 2 - Economies of Scale from Aphra Behn to Sarah Scott
from Part II - The Colonial Body: From Behn to Goethe
Published online by Cambridge University Press: 18 September 2020
- The Prosthetic Imagination
- The Prosthetic Imagination
- Copyright page
- Dedication
- Epigraph
- Contents
- Illustrations
- Acknowledgements
- Introduction
- Part I The Body and the Early Modern State: From More to Cavendish
- Part II The Colonial Body: From Behn to Goethe
- Chapter 2 Economies of Scale from Aphra Behn to Sarah Scott
- Chapter 3 Organic Aesthetics from Richardson to Goethe
- Part III The Manufactured Body: From Wollstonecraft to Stoker
- Part IV The Modernist Body: From James to Beckett
- Part V The Posthuman Body: From Orwell to Atwood
- Notes
- Bibliography
- Index
Summary
This chapter reassesses the role of the novel in producing an economy of scale within which to picture the eighteenth-century body, under colonial conditions. It suggests that the novel of the period is driven by two imperatives, at once to produce an expanded picture of the body at a remove from itself and to produce an opposite image of a bound, organically complete body, which is proof against the alienating effects of colonial distance. The chapter then goes on to explore the first of these two drives, as it is expressed in the novel from from Aphra Behn to Daniel Defoe to Jonathan Swift and Sarah Scott.
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- The Prosthetic ImaginationA History of the Novel as Artificial Life, pp. 73 - 116Publisher: Cambridge University PressPrint publication year: 2020