Book contents
- Pontormo and the Art of Devotion in Renaissance Italy
- Pontormo and the Art of Devotion in Renaissance Italy
- Copyright page
- Contents
- Plates
- Illustrations
- Acknowledgments
- Abbreviations
- Introduction Drawing Devotion, Imitating Nature in Cinquecento Florence
- One Performing the Passion at the Certosa del Galluzzo
- Two Pictorial Theology and the Paragone in the Capponi Chapel
- Three Elusive Rhetoric at San Lorenzo
- Four A Pontormo Legacy in Florence?
- Notes
- Bibliography
- Index
- Plate Section (PDF Only)
Two - Pictorial Theology and the Paragone in the Capponi Chapel
Published online by Cambridge University Press: 12 January 2022
- Pontormo and the Art of Devotion in Renaissance Italy
- Pontormo and the Art of Devotion in Renaissance Italy
- Copyright page
- Contents
- Plates
- Illustrations
- Acknowledgments
- Abbreviations
- Introduction Drawing Devotion, Imitating Nature in Cinquecento Florence
- One Performing the Passion at the Certosa del Galluzzo
- Two Pictorial Theology and the Paragone in the Capponi Chapel
- Three Elusive Rhetoric at San Lorenzo
- Four A Pontormo Legacy in Florence?
- Notes
- Bibliography
- Index
- Plate Section (PDF Only)
Summary
Pontormo’s decoration of the Capponi Chapel represented the artist’s visual disquisition on the theological underpinnings of the classic paragone debate. For Pontormo, this artistic comparison between the painter and the sculptor was inextricably linked to the more fundamental comparison between the artist and God.
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- Pontormo and the Art of Devotion in Renaissance Italy , pp. 73 - 110Publisher: Cambridge University PressPrint publication year: 2021