Book contents
- Pirandello in Context
- Pirandello in Context
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Preface
- Acknowledgments
- Chronology
- List of Cited Titles in Translation and the Original Italian
- Part I Places
- Part II Institutions
- Part III Interlocutors
- Part IV Traditions and Trends, Techniques and Forms
- Part V Culture and Society
- Chapter 25 History
- Chapter 26 Celebrity
- Chapter 27 Cinema
- Chapter 28 Modernity
- Chapter 29 Fascism
- Chapter 30 Women
- Chapter 31 Religion
- Chapter 32 Madness
- Chapter 33 Suicide
- Part VI Reception and Legacy
- Further Reading
- Index
Chapter 26 - Celebrity
from Part V - Culture and Society
Published online by Cambridge University Press: 14 March 2024
- Pirandello in Context
- Pirandello in Context
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Preface
- Acknowledgments
- Chronology
- List of Cited Titles in Translation and the Original Italian
- Part I Places
- Part II Institutions
- Part III Interlocutors
- Part IV Traditions and Trends, Techniques and Forms
- Part V Culture and Society
- Chapter 25 History
- Chapter 26 Celebrity
- Chapter 27 Cinema
- Chapter 28 Modernity
- Chapter 29 Fascism
- Chapter 30 Women
- Chapter 31 Religion
- Chapter 32 Madness
- Chapter 33 Suicide
- Part VI Reception and Legacy
- Further Reading
- Index
Summary
This chapter explores Pirandello’s idiosyncratic relationship with fame by attempting to separate the artist and the man. Pirandello’s alleged unpretentious behavior and apparent dismissiveness often clashed with his fervent desire to be appreciated and recognized for his exceptional talent. Beginning with Pirandello’s relationship with the press and the political powers ruling Italy at that time, this chapter discusses the artist’s apprehension about the lure of fame and its corrosive effect on his true self. Likewise, in his fictional works Pirandello dramatized his own concerns about creating an artistic persona while attempting to tame the creative compulsion that often jarred his preoccupation with greatness. If at one point his celebrity status seemed to have become a burden and not even exile proved to be the cure to his resentment, Pirandello took refuge in his art, the only ambivalent space where his thirst for recognition could coexist with his awareness of the drawbacks of being famous.
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- Pirandello in Context , pp. 212 - 218Publisher: Cambridge University PressPrint publication year: 2024