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Cambridge Studies in Opera

Published online by Cambridge University Press:  24 August 2018

Harriet Boyd-Bennett
Harriet Boyd-Bennett
Affiliation:
University of Nottingham
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Opera in Postwar Venice
Cultural Politics and the Avant-Garde
 , pp. ii - iv
Publisher: Cambridge University Press
Print publication year: 2018

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References

Published titles

Opera Buffa in Mozart’s Vienna Edited by Hunter, Mary and Webster, JamesGoogle Scholar
German Opera: From the Beginnings to Wagner Warrack, JohnGoogle Scholar
Johann Strauss and Vienna: Operetta and the Politics of Popular Culture Crittenden, CamilleGoogle Scholar
Opera and Drama in Eighteenth-Century London: The King’s Theatre, Garrick and the Business of Performance Woodfield, IanGoogle Scholar
Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy’s La Juive Hallman, Diana R.Google Scholar
Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosi fan tutte Goehring, Edmund J.Google Scholar
Landscape and Gender in Italian Opera: The Alpine Virgin from Bellini to Puccini Senici, EmanueleGoogle Scholar
Aesthetics of Opera in the Ancien Régime, 1647–1785 Thomas, Downing A.Google Scholar
The Puccini Problem: Opera, Nationalism, and Modernity Wilson, AlexandraGoogle Scholar
The Prima Donna and Opera, 1815–1930 Rutherford, SusanGoogle Scholar
Opera and Society in Italy and France from Monteverdi to Bourdieu Edited by Johnson, Victoria, Fulcher, Jane F., and Ertman, ThomasGoogle Scholar
Wagner’s Ring Cycle and the Greeks Foster, Daniel H.Google Scholar
When Opera Meets Film Citron, Marcia J.Google Scholar
Situating Opera: Period, Genre, Reception Lindenberger, HerbertGoogle Scholar
Rossini in Restoration Paris: The Sound of Modern Life Walton, BenjaminGoogle Scholar
Italian Opera in the Age of the American Revolution Polzonetti, PierpaoloGoogle Scholar
Opera in the Novel from Balzac to Proust Newark, CormacGoogle Scholar
Opera in the Age of Rousseau: Music, Confrontation, Realism Charlton, DavidGoogle Scholar
The Sounds of Paris in Verdi’s La traviata Sala, EmilioGoogle Scholar
The Rival Sirens: Performance and Identity on Handel’s Operatic Stage Aspden, SuzanneGoogle Scholar
Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama Castelvecchi, StefanoGoogle Scholar
Verdi, Opera, Women Rutherford, SusanGoogle Scholar
Rounding Wagner’s Mountain: Richard Strauss and Modern German Opera Gilliam, BryanGoogle Scholar
Opera and Modern Spectatorship in Late Nineteenth-Century Italy Campana, AlessandraGoogle Scholar
Opera Acts: Singers and Performance in the Late Nineteenth Century Henson, KarenGoogle Scholar
Foreign Opera at the London Playhouses: From Mozart to Bellini Fuhrmann, ChristinaGoogle Scholar
Dance and Drama in French Baroque Opera: A History Harris-Warrick, RebeccaGoogle Scholar
Technology and the Diva: Sopranos, Opera, and Media from Romanticism to the Digital Age Henson, KarenGoogle Scholar
Female Singers on the French Stage, 1830–1848 White, KimberlyGoogle Scholar
Opera in Postwar Venice: Cultural Politics and the Avant-Garde Boyd-Bennett, HarrietGoogle Scholar

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