Book contents
- On Style in Victorian Fiction
- On Style in Victorian Fiction
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgements
- Chapter 1 On Style: An Introduction
- Part I Aspects of Style
- Part II Authors
- Chapter 7 Thackeray: Styles of Fallibility
- Chapter 8 Jane Eyre’s Style
- Chapter 9 Windburn on Planet Brontë
- Chapter 10 The Man in White: Wilkie Collins’s Styles
- Chapter 11 Fiction and the Law: Stylistic Uncertainties in Trollope’s Orley Farm
- Chapter 12 George Eliot’s Rhythms
- Chapter 13 The Late Great Dickens: Style Distilled
- Chapter 14 Meredith’s Style
- Chapter 15 Hardy and Style
- Chapter 16 Kipling; and
- Chapter 17 ‘All the unspoken’: James’s Style
- Select Bibliography
- Index
Chapter 17 - ‘All the unspoken’: James’s Style
from Part II - Authors
Published online by Cambridge University Press: 23 December 2021
- On Style in Victorian Fiction
- On Style in Victorian Fiction
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgements
- Chapter 1 On Style: An Introduction
- Part I Aspects of Style
- Part II Authors
- Chapter 7 Thackeray: Styles of Fallibility
- Chapter 8 Jane Eyre’s Style
- Chapter 9 Windburn on Planet Brontë
- Chapter 10 The Man in White: Wilkie Collins’s Styles
- Chapter 11 Fiction and the Law: Stylistic Uncertainties in Trollope’s Orley Farm
- Chapter 12 George Eliot’s Rhythms
- Chapter 13 The Late Great Dickens: Style Distilled
- Chapter 14 Meredith’s Style
- Chapter 15 Hardy and Style
- Chapter 16 Kipling; and
- Chapter 17 ‘All the unspoken’: James’s Style
- Select Bibliography
- Index
Summary
Nicola Bradbury’s chapter on Henry James notices the force that comes from simple diction even as it expresses subtle, complicated thoughts, feelings and occasions in The Wings of the Dove (1902) and What Maisie Knew (1897). At times in these novels, a bold, clear style plays against the more verbose, analytical style we expect from late James. A style such as this repeatedly gestures towards an apprehension that is not fully expressed, something that goes behind and beyond the immediate statement. Here, style is measured at the level of the sentence and it is shown to comprise of a range of devices including alliteration, assonance, diction, syntax, rhythm, and cadence.
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- On Style in Victorian Fiction , pp. 296 - 308Publisher: Cambridge University PressPrint publication year: 2022