Book contents
- On Jazz
- Reviews
- On Jazz
- Copyright page
- Dedication
- Contents
- Preface
- Chapter 1 Getting Started
- Chapter 2 New Orleans 1976
- Chapter 3 Before Katrina
- Chapter 4 Two Women of New Orleans
- Chapter 5 Finding Fats
- Chapter 6 Swing Era Legends
- Chapter 7 Louis Armstrong
- Chapter 8 Count Basie
- Chapter 9 Duke Ellington
- Chapter 10 Dizzy and Bird
- Chapter 11 The Modern Jazz Quartet
- Chapter 12 The ‘Swing Drummer’
- Chapter 13 Jackie McLean and Sonny Rollins
- Chapter 14 Oscar Peterson and His Trios
- Chapter 15 The Dawn of Fusion
- Chapter 16 A Taste of Freedom
- Chapter 17 Looking Back and Looking Forward
- Acknowledgements
- Notes
- Select Bibliography
- Index
- Plate Section (PDF Only)
Chapter 4 - Two Women of New Orleans
Published online by Cambridge University Press: 31 March 2022
- On Jazz
- Reviews
- On Jazz
- Copyright page
- Dedication
- Contents
- Preface
- Chapter 1 Getting Started
- Chapter 2 New Orleans 1976
- Chapter 3 Before Katrina
- Chapter 4 Two Women of New Orleans
- Chapter 5 Finding Fats
- Chapter 6 Swing Era Legends
- Chapter 7 Louis Armstrong
- Chapter 8 Count Basie
- Chapter 9 Duke Ellington
- Chapter 10 Dizzy and Bird
- Chapter 11 The Modern Jazz Quartet
- Chapter 12 The ‘Swing Drummer’
- Chapter 13 Jackie McLean and Sonny Rollins
- Chapter 14 Oscar Peterson and His Trios
- Chapter 15 The Dawn of Fusion
- Chapter 16 A Taste of Freedom
- Chapter 17 Looking Back and Looking Forward
- Acknowledgements
- Notes
- Select Bibliography
- Index
- Plate Section (PDF Only)
Summary
A conversation with Dr John (Mac Rebennack) sets the scene for surveying a cross-section of New Orleans music in the years just prior to Hurrcane Katrina and the irrevocable changes it wrought on the city and its music. On his album Nawlins, Dr John inolved many of the musicians who crossed boundaries between jazz, blues and funk. As well as drummers Smokey Johnson and Herman Ernest III, the discussion covers such pianists as Dave Williams, Cousin Joe and Eddie Bo. It then moves on to consider the Mardi Gras Indians, their marching traditions, and their songs. Shipton describes meeting and working with Danny Barker who did much to preserve this music, and then presents a brief survey of its development.
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- On JazzA Personal Journey, pp. 46 - 55Publisher: Cambridge University PressPrint publication year: 2022