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Chapter 12 - Music

On Performing and Discovering Mozart

Published online by Cambridge University Press:  05 May 2025

Jonathan Jansen
Affiliation:
Stellenbosch University
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Summary

This narrative explores my journey through music performance and scholarship in the context of apartheid South Africa. It begins with my early music education that led to a crisis while studying Mozart’s A Minor Piano Sonata, highlighting the difference between technical competence and genuine musical understanding. The experience prompted a shift toward a deeper appreciation of musical phrasing, structure, and physical connection to the instrument under the guidance of Marian Friedman, who emphasized the nuances of musical expression and technique. The exploration extends to my academic work in musicology, revealing the performative aspects of scholarship and the dangers of merely imitating academic norms without authentic engagement. The realization catalyzed a pivot toward the study of South African music and the adoption of a decolonial approach, rooted in cultural and geopolitical identity. With new scholarly practices, I emphasize resisting mere performance and prioritizing local culture, risk-taking, and authentic artistic expression. The narrative captures a transition from technical proficiency to holistic and contextually grounded music and scholarship understanding.

Type
Chapter
Information
On Discovery
How Knowledge is Produced across the Disciplines
, pp. 140 - 149
Publisher: Cambridge University Press
Print publication year: 2025

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References

Joubert, E. (1978). Die swerfjare van Poppie Nongena. Cape Town: Tafelberg.Google Scholar
Muller, S. (2016). “Openings. Inaugural lecture delivered on 10 May 2016.” SUN MeDIA. Available at: https://scholar.sun.ac.za/server/api/core/bitstreams/c2a964eb-5967-4d78-a2ea-083c1c1580be/content.Google Scholar
Van Niekerk, M. (1999). Triomf. Trans. Leon de Kock. Johannesburg: Jonathan Ball.Google Scholar

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