Bibliography

Roderick Chadwick; Peter Hill

doi:10.1017/9780511843679.009

Bibliography

Published online by Cambridge University Press: 05 December 2017

Roderick Chadwick and

Peter Hill

Show author details

Roderick Chadwick: Affiliation:
Royal Academy of Music, London
Peter Hill: Affiliation:
University of Sheffield

Book contents

Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Type: Chapter
Information: Olivier Messiaen's Catalogue d'oiseaux
From Conception to Performance
, pp. 225 - 228

DOI: https://doi.org/10.1017/9780511843679.009 [Opens in a new window]

Publisher: Cambridge University Press

Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Aguila, Jésus, Le Domaine musical: Pierre Boulez et vingt ans de création contemporaine (Paris: Fayard, 1992)Google Scholar

Anderson, Julian, ‘Messiaen and the Problem of Communication’, in Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 1: Sources and Influences (Farnham: Ashgate, 2013), pp. 257–268Google Scholar

Anderson, Julian, ‘Olivier Messiaen and the Notion of Influence’, Tempo 247 (January 2009), 2–18CrossRef Google Scholar

Aragon, Louis, A Wave of Dreams (Une vague de rêves (1924)), trans. Susan Muth (London: Thin Man Press, 2015)Google Scholar

Boivin, Jean, La Classe de Messiaen (Paris: C. Bourgois, 1995)Google Scholar

Boulez, Pierre, ‘The Utopian Years’, in Orientations: Collected Writings, ed. Nattiez, Jean-Jacques, trans. Martin Cooper (London: Faber and Faber, 1986), pp. 411–417Google Scholar

Murray, Brent, Christopher, , ‘Olivier Messiaen’s Timbres-Durées’, in Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 1: Sources and Influences (Farnham: Ashgate, 2013), pp. 123–142Google Scholar

Broad, Stephen Olivier Messiaen: Journalism 1935–1939 (Farnham: Ashgate, 2012)Google Scholar

Cheong, Wai-Ling, ‘Symmetrical Permutation, the Twelve Tones, and Messiaen’s Catalogue d’oiseaux’, Perspectives of New Music 45.1 (Winter 2007), 110–136Google Scholar

Cœuroy, André, ‘Manifeste et concert des “Jeune France”’, Beaux-Arts, 5 June 1936Google Scholar

Daniel-Lesur, Jean-Yves, ‘Revue de la presse musicale: Trois petites Liturgies de la Présence Divine d’Olivier Messiaen’, Revue musicale de la France, 1 April 1946Google Scholar

Delamain, Jacques, Why Birds Sing, trans. Ruth Sarason and Anne Sarason (London: Victor Gollancz, 1932)Google Scholar

Demarquez, Suzanne, ‘Le Catalogue d’oiseaux d’Olivier Messiaen’, Guide du concert 233 (1 May 1959), 42Google Scholar

Demarquez, Suzanne, ‘Premières auditions … Domaine musical (Gaveau 30.3)’, Guide du concert 151 (12 April 1957), 893Google Scholar

Dingle, Christopher, and Fallon, Robert (eds.), Messiaen Perspectives 2: Techniques, Influence and Reception (Farnham: Ashgate, 2013)Google Scholar

Dingle, Christopher, The Life of Messiaen (Cambridge: Cambridge University Press, 2007)Google Scholar

Dingle, Christopher, Messiaen’s Final Works (Farnham: Ashgate, 2013)Google Scholar

Dingle, Christopher, ‘Sacred Machines: Fear, Mystery and Transfiguration in Messiaen’s Mechanical Procedures’, in Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 2: Techniques, Influence and Reception (Farnham: Ashgate, 2013), pp. 13–32Google Scholar

Dingle, Christopher, ‘Yvonne Loriod as Source and Influence’, in Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 1: Sources and Influences (Farnham: Ashgate, 2013), pp. 197–212Google Scholar

Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 1: Sources and Influences (Farnham: Ashgate, 2013)Google Scholar

Dingle, Christopher and Nigel, Simeone (eds.), Olivier Messiaen: Music, Art and Literature (Aldershot: Ashgate, 2007)Google Scholar

Fallon, Robert, ‘The Record of Realism in Messiaen’s Bird Style’, in Dingle, Christopher and Simeone, Nigel (eds.), Olivier Messiaen: Music, Art and Literature (Aldershot: Ashgate, 2007), pp. 115–136Google Scholar

Freeman, Robin, ‘Courtesy towards the Things of Nature’, Tempo 192 (April 1995), 9–14Google Scholar

Goehr, Alexander, Finding the Key: Selected Writings, ed. Derrick Puffett (London: Faber and Faber, 1998)Google Scholar

Goléa, Antoine, Rencontres avec Olivier Messiaen (Paris: René Julliard, 1960)Google Scholar

Griffiths, Paul, Olivier Messiaen and the Music of Time (London: Faber and Faber, 1985)Google Scholar

Halbreich, Harry, Olivier Messiaen (Paris: Fayard, 1980)Google Scholar

Hill, Peter, ‘From Réveil des oiseaux to Catalogue d’oiseaux: Messiaen’s Cahiers de notations des chants d’oiseaux, 1952–59’, in Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 1: Sources and Influences (Farnham: Ashgate, 2013), pp. 143–174Google Scholar

Hill, Peter, (ed.), The Messiaen Companion (London: Faber and Faber, 1995)Google Scholar

Hill, Peter and Simeone, Nigel, Messiaen (New Haven and London: Yale University Press, 2005) [PH/NS]Google Scholar

Hill, Peter and Simeone, Nigel, Olivier Messiaen: Oiseaux exotiques (Aldershot: Ashgate, 2007)Google Scholar

Howat, Roy, The Art of French Piano Music (New Haven and London: Yale University Press, 2009)Google Scholar

Hüe, François and Etchécopar, R. D., Les Oiseaux du Proche et du Moyen Orient (Paris: Boubée, 1970)Google Scholar

Jameux, Dominique, Pierre Boulez, trans. Susan Bradshaw (London: Faber and Faber, 1991)Google Scholar

Klingsöhr-Leroy, Cathrin and Grosenick, Uta (eds.), Surrealism (Cologne: Taschen, 2004)Google Scholar

Legge, Elizabeth, ‘Posing Questions: Max Ernst’s Au rendez-vous des amis’, Art History 10 (June 1987), 227–243Google Scholar

Loriod-Messiaen, Yvonne, ‘Olivier Messiaen: Relevé des concerts, des classes et des évènements de la vie d’Olivier Messiaen notées au jour le jour sur ses agendas depuis 1939’ (unpublished) [OMR]Google Scholar

Louvier, Alain, Messiaen et le concert de la nature (Paris: Cité de la musique – Les Editions, 2012)Google Scholar

Macfarlane, Robert, The Wild Places (London: Granta Books, 2008)Google Scholar

Marks, Dennis (executive producer), ‘Messiaen at 80’, TV programme, BBC, 10 December 1988Google Scholar

Massin, Brigitte, Olivier Messiaen: une poétique du merveilleux (Aix-en-Provence: Editions Alinéa, 1989)Google Scholar

Messiaen, Olivier, ‘Autour d’une parution’, Le Monde musical, 30 April 1939Google Scholar

Messiaen, Olivier, Catalogue d’oiseaux, 7 vols. (Paris: Alphonse Leduc, 1964).Google Scholar

Messiaen, Olivier, ‘Entretien avec Claude Samuel: réalisé à Paris en Octobre 1988’, liner note to Erato/Warner CD, trans. Stuart WaltersGoogle Scholar

Messiaen, Olivier, ‘La Nature, les chants d’oiseaux’, Guide du concert 229 (3 April 1959), 1093–1094Google Scholar

Messiaen, Olivier, Technique de mon langage musical, 2 vols. (Paris: Alphonse Leduc, 1944)Google Scholar

Messiaen, Olivier, Technique de mon langage musical (Paris: Alphonse Leduc, 1999)Google Scholar

Messiaen, Olivier, The Technique of My Musical Language, trans. John Satterfield, 2 vols. (Paris: Alphonse Leduc, 1956)Google Scholar

Messiaen, Olivier, The Technique of My Musical Language, trans. John Satterfield (Paris: Alphonse Leduc, 2001 [1956])Google Scholar

Messiaen, Olivier, Traité de rythme, de couleur et d’ornithologie: en sept tomes (Paris: Alphonse Leduc, 1994–2002)Google Scholar

Röβler, Almut, Contributions to the Spiritual World of Olivier Messiaen (Duisberg: Gilles and Francke, 1986)Google Scholar

Rostand, Claude, review of Catalogue d’oiseaux world premiere, Le Monde, 18 April 1959Google Scholar

Saint-Jean, Robert de, ‘C’est le merle noir et non le rossignol qui inspire Olivier Messiaen: à quarante ans, le musicien se prépare à écrire l’opéra dont il rêve depuis son enfance’, France-Soir, 28–29 March 1948Google Scholar

Samuel, Claude, Music and Color: Conversations with Claude Samuel, trans. E. Thomas Glasow (Portland: Amadeus, 1994)Google Scholar

Sauvage, Cécile, Œuvres complètes (Paris: La Table Ronde, 2002)Google Scholar

Schaeffer, Pierre, In Search of a Concrete Music, trans. Christine North and John Dack (Berkeley, CA: University of California Press, 2012)CrossRef Google Scholar

Johnson, Sherlaw, Robert, , Messiaen, 2nd paperback edn, updated and with additional text by Caroline Rae (London: Omnibus Press, 2008 [1975])Google Scholar

Smalley, Roger, review of English Bach Festival 1967, in ‘Festivals’, The Musical Times 108.1494 (August 1967), 730–731Google Scholar

Weller, Philip, ‘L’Ame en Bourgeon: Translation and Afterword’, in Dingle, Christopher and Simeone, Nigel (eds.), Olivier Messiaen: Music, Art and Literature (Aldershot: Ashgate, 2007), pp. 191–278Google Scholar

Weller, Philip, ‘Messiaen, the Cinq rechants and “Spiritual Violence”’, in Dingle, Christopher and Fallon, Robert (eds.), Messiaen Perspectives 1: Sources and Influences (Farnham: Ashgate, 2013), pp. 279–312Google Scholar

Xenakis, Iannis, Arts/Sciences: Alloys. The Thesis Defense of Iannis Xenakis, trans. Sharon Kanach (New York: Pendragon Press, 1985)Google Scholar

Book contents

Bibliography

Summary

Access options

References

Save book to Kindle

Save book to Dropbox

Save book to Google Drive